[INTERVIEW] 230222 IU for Harper's Bazaar Korea March 2023 Issue
This generation’s icon IU, who cannot be defined in a single word, and the bare-faced Lee Ji Eun.
Q1: Today’s photoshoot intended to capture the duplicity of your two sides, IU and Lee Jieun. You looked relaxed during the shoot, but once it was over, you confessed that today’s shoot was actually quite tough.
IU: Honestly, it’s always tough to work on Gucci projects. It’s probably because there are a lot of experimental outfits, scenes and messages. In particular, the goal for today was to visually represent my alter ego. When I saw the 2023 S/S collection in Milan, I thought it was really shocking and interesting. With those memories in mind, upon hearing that the motif of today’s photoshoot was based on the collection, I thought to myself ah, it’s not going to be easy. But it turned out to be really fun too. It’s my first time having such thick smoky makeup and I’m grateful for the chance to be part of this refreshing experience from the photoshoot composition to the props and the studio design.
Q2: The last cut was a scene of an IU with thick smoky makeup, standing in front of a wall filled with a picture of an almost makeup-free Lee Jieun. Honestly, I didn’t know the photo on the wall was taken today and thought it was a still cut taken from ‘Love Set’ in the film, ‘Persona’. I’m aware that you show many different faces of yourself, but I also realized that you show faces of different time periods too.
IU: My staff said something similar in the waiting room just now too. I have smoky makeup on right now, but just now, we had as little makeup on as possible and since it’s early in the morning, my face was swollen like I had baby fats (laughs) which seemed to go with the concept. Seeing the printed picture, I thought of the past too.
Q3: You’ve been in a partnership with Gucci for a while. I think judging from IU’s personality as an artist, it would not have been possible if you did not agree with the philosophy and values of the brand. In terms of artistic vision, how are Gucci and IU aligned?
IU: I think Gucci is a brand that places emphasis on diversity and finds aesthetic in things that are unrefined. If I were to pick a characteristic that is similar to myself, I think this would be it. When I write lyrics, I tend to infuse thoughts and emotions that have not reached a conclusion or that come to my mind during an incomplete process.
Q4: As you said earlier, you have always been honest about yourself at each moment, and that alone is brave. As an artist, aren’t you obsessed with the idea of displaying only your perfectly crafted side to the public?
IU: When I was young, I didn’t really know any of that. (laughs) I think I had no choice but to say, “This is what I think right now”, “I’m at this age now” due to my personality, that is having to say what’s on my mind. On the other hand, I have always known that I am not nearly as perfect (person) as a sculpture. And that isn’t something that I can simply achieve by imitating. As long as I chose this profession as my career, (I know) this was my own battle that I had to come out winning or losing, and there is also a side of me that wants to make no bones about showing myself. What started out like that has now established itself as one of the ways of expressing myself.
Q5: So the piecemeal activities you’ve done recently can be understood along those lines? You lent your voice to MIRAL School’s song sung by their teachers for the students. The composer of ‘Through the Night’, Kim Jehwi made the song based on what he felt while working at the school, and you participated in the song as a featuring artist.
IU: Musical talent aside, Jehwi is my precious friend too. Frankly speaking, when he first told me that he’d be teaching the students in school, I was worried about whether he could do well more than anything else. But being affable, he adapted well and eventually said, “Noona, I want to make a song as a gift for the school”, which made me so proud and want to cheer him on too. To be honest, I didn’t expect this to make such news, but I poured so much effort into recording the song that I somehow joked, “I think I work harder on this than I do for my album”. (I worked so hard on this) so that the students can gain strength, and go to school happily while listening to it.
Q6: The drama “You Have Worked Hard” (literal title) has created a buzz with the combination of IU, Park Bo Gum, and writer Im Sang Chun of ‘Fight for My Way’, and will soon begin its pre-production. What is your reason for choosing this work?
IU: I think everyone will think this way when the drama is released, “Ah, even I would have wanted to do it too.” I really enjoyed the previous works of writer Im Sang Chun, and this one seemed to carry a new story of its own so it was refreshing. It’s just words (writing), but they manage to make people feel such emotions, so much that as someone who likes to read and write, I was envious of the writer’s talent. The theme of the drama is good, but I especially liked that it’s a heavy story delivered in a way that’s not too heavy.
Q7: You character, Ae Soon is a ‘young girl of literary interest who isn’t well off but remains positive and ambitious, and whose voice trembles like a goat whenever she rebels’. It is noteworthy that “You Have Worked Hard” will be your first korean drama comeback in four years since “Hotel Del Luna”, and that the character is the total opposite of your previous role, Jang Man Wol.
IU: Man Wol in “Hotel Del Luna” is certainly an unusual character. However, Ae Soon has a unique point too. Ae Soon may seem like the type of person you can easily see around you, but should I say that if you look closely, you’ll find her individuality as a human being stands out? I think I’m attracted to people of that sort (gyeol: personality, belief, preference, etc).
Q8: Some actors look for traces of themselves in the role they are assigned to in order to immerse themselves into their character. Are you one of them? How similar is IU with Ae Soon?
IU: There are definitely characters with gyeol (personality, belief, preference, etc) that I can never comprehend, but if that is the case, I won’t be able to bring myself to choose the work (willingly). It’s a matter of confidence. This also proves that all the characters I have played so far have been those that I could understand at some point. Among them, Ae Soon resembles me more than any other character I have portrayed. The writer has incredible observation skills. They said they wanted to incorporate the characteristics that I have that are not too obvious into the character. It was to the point where I said, “Oh my, how did you know that I have this side to me?” after reading the script.
Q9: From “My Mister” to “Hotel Del Luna”, and from “Shades of the Heart” to “Broker” and then “Dream”. Whether it’s a drama or film, should I say that your next step is always super bold? To the extent that one may think playing a different work and a different character from your previous work is your first and main criteria for selecting a project.
IU: Just like how when you have long hair for a long time, don’t you want to dye your hair or get a haircut at some point? It may not be my criteria, but I think once I have lived as a character for more than a few months, I’d unconsciously want to try out something different too.
Q10: There are many people who want to try a bob or short haircut, but they end up sticking to their long hair for the rest of their lives just in case the former doesn’t suit them.
IU: But if there’s something I want to do, I’m the type of person who must (and will) do it first (before I worry about it). It’s much easier for me to bear regretting doing something than regretting not doing it.
Q11: I suppose you are not the type of person that separates your actress’s ego from your singer’s. How similar or different are your state of mind the day before the concert and the day before crank-in (starting to shoot a drama/film)?
IU: If a concert stage is like a (one-off) live broadcast where you only get a chance to put out a (perfect) performance that stays forever in the audience’s memory, then the filming set has a different premise in that you can exchange opinions with the director or your co-stars on the spot, select the best outcome from several take opportunities, and subsequently share it with the audience. However, once the concert begins, the overwhelming moment of finally becoming one with the audience after feeling all alone under a lot of tension for some time is very similar to the moment I realize that I am truly working and keeping in tune with the crew after seeing these many people (including myself) gradually moving forward as a team with a shared goal on a new and unfamiliar set. Both fields are attractive in that they are things that I can never do alone. Whether I'm singing or acting, I'm just someone who puts in the best of my share (of work) at every moment.
Q12: At the 14th anniversary concert <The Golden Hour: Under The Orange Sun> last year, you said, “I thought this concert might be the final destination of the things I dreamt of and wanted to challenge myself to since my teenage years, but at this moment, I’m hopeful that this could be a new starting point, a new beginning (for me).” Normally, settling down is always the easier option wherever you are. And yet, you are still constantly trying to head somewhere else. Which direction are you headed? What lies at your ultimate destination?
IU: It is no exaggeration to say that I lived my twenties obsessing over the idea of ‘direction’. Should I say it was the subject that kept me ‘hot-blooded (passionate)’ at that time? Those ardent worries were enjoyable, but honestly draining too. After turning 30, I don’t have any particular direction in mind. It’s my first time being like this too.
Q13: Are you wandering around (floating/drifting) right now?
IU: That expression is accurate. I’m wandering around (floating/drifting). This itself could be my present direction now that I’m in my 30s. Throughout last year, I kept thinking, “I want to maintain this mindset” and “I enjoy living like this.” On the other hand, apart from feeling at peace, it was also a year where interesting events exploded. I used to cling to the idea that ‘If I miss something, the world will always give me something else in return’ throughout my 20s. But once I let go of the things I was clutching onto for dear life, the ‘other thing’ the world gave me was surprisingly such events. As I emptied my mind, the world filled it with fun stuff instead. Later when I look back as I get older, I will surely put a bookmark at my 30s (chapter).
Q14: Looking back, you were always doing something for the past 14 years, like singing, holding showcases, communicating with fans, etc. So what is rest for you?
IU: To be honest, I can’t quite grasp the concept of rest. I don’t feel particularly recharged just because my body is resting. In a broad sense, if getting rest is considered a means to de-stress and recharge one’s body, then ironically for me, the things (stress) that have piled up inside me are relieved in the most refreshing way when I’m working. (I feel relieved) when I have satisfactorily accomplished my work to the point where I get a good sense of pleasure. I feel much more refreshed during those times than when I’m just lying down at home for days. Otherwise, there should be something engrossing enough for me to not think about work at all. But in my case, there isn't much stuff that I’m into to that extent. Some of the (fun) stuff that I can recall now are: when I’m in a deep sleep, when I’m catching up with Yoo Inna, when I’m making silly jokes and laughing with my friends or lover who deeply understand me, when I’m rewatching my favorite movie, and when I’m having something really delicious. As I live, there are quite many people who do not need so much of that sort of mental relaxation like me. That said, stamina is another story, so as I enter my 30s, I try hard to take care of my body to make sure that it can keep up when I need to work harder. When I get to rest, I spend time lying down as much as I can. (laughs).
Q15: During the concert, you also said, “I’ll reflect on what I experienced today and go on for another 14 years.” Have you ever imagined yourself 14 years from now?
IU: Based on last year’s calculation, if I were to picture myself as a 44-year-old… I think I’d still be working by then. Other than that, I honestly have no idea too… that is, if we (were to imagine it) based on the premise that ‘I am a person who can change’. For instance, the mindset that constitutes me 14 years from now will be very different from my current mindset.
Q16: Maybe change can happen because people are flexible. But if I am to be honest, I’m the type of person who believes that people do not change until they die.
IU: I do agree with your statement to a certain extent. But I used to someone who despised competition and (thus) kept myself from competing 14 years ago. Going through my diary back then, I wrote “I find this competitive society so exhausting. I’m worried (about myself) because I don’t have a desire to win, and I hate competition.” But looking back, I realized that I’ve been enjoying competitions throughout the last 14 years since my debut. To the point where I wondered, “maybe I’m actually crazy about competing (for victory/defeat)?” I thought perhaps I failed to notice that I was a competitive person or I just wanted to deny it on purpose.
Q17: Either way, I feel sorry for the young girl who had just debuted and scribbled “I hate competition” in her diary. Is there anything that IU, who(se mindset) has changed quite a bit, would like to say to the IU of that time?
IU: “You actually like yourself a lot.”
Q18: You once said, “Even if we’re sick of this world, I hope we will live on while loving each other.” In this harsh world, is love still the hope that you have faith in?
IU: It’s a bit embarrassing to say this but nevertheless, I believe that love overcomes hatred. In the end, love wins. Even when I lose my balance and I’m swayed, I repeat to myself, “But love will win in the end though” and either try to put together my logic, build up my thinking muscle or control my mind like that. The proposition that love will win is something that I’ve experienced enough through living my life. I will continue to believe it moving forward.
Q19: Singer-songwriters are blessed in that they can turn their personal thoughts and emotions into the end-product that is music. In particular, we sort of know how important lyrics are in your music. What lyrics have been running through your mind these days?
IU: This may sound ridiculous but I happen to be writing about something we just talked about earlier. I was surprised deep down when I heard the word ‘wandering’. To wander around (float/ drift) without a destination. I think this will be the theme of my next album.
Q20: Back to today’s pictorial concept of ‘duality’, I feel that you are leading your life with both egos — icon IU and ordinary person Lee Jieun — faithfully. How do you maintain a balance between these two?
IU: Changing between slightly uncomfortable yet pretty clothes that make me shine and slightly average yet comfortable clothes I can freely move around in, and being moderately satisfied and moderately wary at every moment seem to be the way to balance… whilst naturally accepting the obvious fact that there are times I shine and times I’m just ordinary.
Q21: “I can’t take out all the words from my diary, but…” (lyrics from Through the Night) — What is the one sentence that can describe you right now?
IU: (I can’t take out all the words from my diary, but) that child / she has decided to live as a spore (홀씨), instead of a flower.
[*T/L note: Although IU didn’t specifically mention dandelion (민들레), ‘홀씨’ is often used when talking about ‘민들레’ (dandelion). Referring to what she said earlier about ‘wandering around (floating/drifting)’,‘홀씨’ can be interpreted as ‘민들레 홀씨’ (dandelion puffs) too.]
Source: https://www.harpersbazaar.co.kr/article/75198
Translated by IUteamstarcandy with love
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