Writing Prompts & References

Written and image prompts as well as a collection of writing references.

[ebookporn]

• An Oxford comma walks into a bar, where it spends the evening watching the television, getting drunk, and smoking cigars.

• A dangling participle walks into a bar. Enjoying a cocktail and chatting with the bartender, the evening passes pleasantly.

• A bar was walked into by the passive voice.

• An oxymoron walked into a bar, and the silence was deafening.

• Two quotation marks walk into a “bar.”

• A malapropism walks into a bar, looking for all intensive purposes like a wolf in cheap clothing, muttering epitaphs and casting dispersions on his magnificent other, who takes him for granite.

• Hyperbole totally rips into this insane bar and absolutely destroys everything.

• A question mark walks into a bar?

• A non sequitur walks into a bar. In a strong wind, even turkeys can fly.

• Papyrus and Comic Sans walk into a bar. The bartender says, "Get out -- we don't serve your type."

• A mixed metaphor walks into a bar, seeing the handwriting on the wall but hoping to nip it in the bud.

• A comma splice walks into a bar, it has a drink and then leaves.

• Three intransitive verbs walk into a bar. They sit. They converse. They depart.

• A synonym strolls into a tavern.

• At the end of the day, a cliché walks into a bar -- fresh as a daisy, cute as a button, and sharp as a tack.

• A run-on sentence walks into a bar it starts flirting. With a cute little sentence fragment.

• Falling slowly, softly falling, the chiasmus collapses to the bar floor.

• A figure of speech literally walks into a bar and ends up getting figuratively hammered.

• An allusion walks into a bar, despite the fact that alcohol is its Achilles heel.

• The subjunctive would have walked into a bar, had it only known.

• A misplaced modifier walks into a bar owned by a man with a glass eye named Ralph.

• The past, present, and future walked into a bar. It was tense.

• A dyslexic walks into a bra.

• A verb walks into a bar, sees a beautiful noun, and suggests they conjugate. The noun declines.

• A simile walks into a bar, as parched as a desert.

• A gerund and an infinitive walk into a bar, drinking to forget.

• A hyphenated word and a non-hyphenated word walk into a bar and the bartender nearly chokes on the irony

- Jill Thomas Doyle

[neil-gaiman]

A zeugma walked into a bar, my life and trouble.

[johnnylawgottagun-deactivated20]

The guitars of Tinariwen, a Sahara based Tuareg rock band.

[merkstreet]

5 editor’s secrets to help you write like a pro

1. Sentences can only do one thing at a time.

Have you ever heard a four-year-old run out of breath before she can finish her thought? I edit a lot of sentences that work the same way. You need a noun, you need a verb, you might need an object. Give some serious thought to stopping right there.

Sentences are building blocks, not bungee cords; they’re not meant to be stretched to the limit. I’m not saying you necessarily want a Hemingway-esque series of clipped short sentences, but most writers benefit from dividing their longest sentences into shorter, more muscular ones.

2. Paragraphs can only do one thing at a time.

A paragraph supports a single idea. Construct complex arguments by combining simple ideas that follow logically. Every time you address a new idea, add a line break. Short paragraphs are the most readable; few should be more than three or four sentences long. This is more important if you’re writing for the Web.

3. Look closely at -ing

Nouns ending in -ing are fine. (Strong writing, IT consulting, great fishing.) But constructions like “I am running,” “a forum for building consensus,” or “The new team will be managing” are inherently weak. Rewrite them to “I run,” “a forum to build consensus,” and “the team will manage.” You’re on the right track when the rewrite has fewer words (see below).

(If for some insane reason you want to get all geeky about this, you can read the Wikipedia article on gerunds and present participles. But you don’t have to know the underlying grammatical rules to make this work. Rewrite -ing when you can, and your writing will grow muscles you didn’t know it had.)

4. Omit unnecessary words.

I know we all heard this in high school, but we weren’t listening. (Mostly because it’s hard.) It’s doubly hard when you’re editing your own writing—we put all that work into getting words onto the page, and by god we need a damned good reason to get rid of them.

Here’s your damned good reason: extra words drain life from your work. The fewer words used to express an idea, the more punch it has. Therefore:

Summer months Regional level The entire country On a daily basis (usually best rewritten to “every day”) She knew that it was good. Very (I just caught one above: four-year-old little girl)

You can nearly always improve sentences by rewriting them in fewer words.

5. Reframe 90% of the passive voice.

French speakers consider an elegantly managed passive voice to be the height of refinement. But here in the good old U.S. (or Australia, Great Britain, etc.), we value action. We do things is inherently more interesting than Things are done by us. Passive voicemuddies your writing; when the actor is hidden, the action makes less sense.

Bonus: Use spell-check

There’s no excuse for teh in anything more formal than a Twitter tweet.

Also, “a lot” and “all right” are always spelled as two words. You can trust me, I’m an editor.

Easy reading is damned hard writing. ~ Nathaniel Hawthorne

[funeral]

An automatic writer with planchette and (optional) blindfold. 

William Benjamin Carpenter, Principles of Mental Physiology (1874)

[daisywords]

Conlanging for cheaters

quick tips for creating fantasy language(s) that look believable if you squint

Pick a few rules about what letter/sound combinations can and cannot exist (or are common/uncommon). For example, in English, “sp” or “st” can begin a word, but in Spanish they can’t. The “ng” sound (or the voiced velar nasal if you want to get technical), can’t appear at the beginning of a syllable in English, but it can in at least of third of languages around the world. English allows for consonant clusters (more than one consonant together without a vowel), but some languages, such as Hawaiian, don’t. Picking a few distinctive rules that are different from English or the language you are writing in, and sticking to them, will yield a lot better results than just keysmashing.

Assign meaning to a few suffixes, prefixes, or roots. A simple and useful example of this is making up a particle that means -land or -city or -town, and tacking it onto your appropriate place names. You could also have a particle with a similar meaning to the “er/or one we have in English, such as in “baker,” “singer,” or “operator,” and then incorporate it in your fantasy titles or professions. It’s like an Easter egg for careful readers to figure out, and it will make your language/world feel more cohesive.

Focus on places and names. You usually don’t need to write full sentences/paragraphs in your conlang. What you might want to do with it is name things. The flavor of your language will seep in from the background, with the added benefit of giving readers some hints on background lore. For example, you could have a conlang that corresponds to a certain group of people, and a character with a corresponding name could then be coded as being from that group without having to specify. A human-inhabited city with an elven-sounding name might imply that it was previously inhabited by elves.

You don’t have to know what everything means. Unless you are Linguistics Georg R. R. Tolkien, you probably don’t want to (and shouldn’t!) actually make up a whole language. So stick some letters together (following your linguistic rules, of course) and save fretting over grammar and definitions for the important stuff.

(Bonus) This isn’t technically conlanging, but it can be fun to make up an idiom or two for your fantasy culture (just in English or whatevs) and sprinkle that in a few times. The right made-up idiom can allude to much larger cultural elements without you having to actually explain it.

Congrats! You now have a conlang you can dust over your wip like an appropriate amount of glitter. Conlangs can be intimidating, just because there’s so much you can do, but that doesn’t mean you have to do it all. So yeah anyway here’s what I would recommend; hope y'all have fun :D

[catonhottinroof-deactivated2023]

Ján Cifra (1929 - 1959) 

Vietnam, Sand dunes, 1956

[vintageeveryday]

A group of students of Christ’s College, Oxford, sitting on a doorstep, March 1952. Photographed by Thurston Hopkins for Picture Post.

[renaissance-art]

Hieronymus Bosch c. 1503-1504

Garden of Earthly Delights (details)

[henk-heijmans]

A young girl lying on a statue of a blacksmith, Bismarck National Monument, Berlin, 1961 - by Floris M. Neusüss (1937 - 2020), German

[oldschoolpic]

A young lady playing a large harp to the crowd in 1910 Ireland by DrFetusRN

[writing-prompt-s]

As a survivor during a zombie apocalypse, you’re unwillingly being protected by a vampire coven because you’re their only sustainable food source for miles around.

[emiliefoulon-photography]

[newyorkthegoldenage]

Two boys practicing their swordplay, Harlem, 1939–1940.

Photo: Aaron Siskind via Smithsonian American Art Museum

[thewritingumbrellas]

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

[jennaflare]

This is amaaaaazing advice

[gburanddragons]

Well, guess I have a new trick for my bag (of tricks).

[silverquillsideas]

[evilbuildingsblog]

A temple in Thailand