Artwork I produced for the launch of @Hammerfilms new Youtube channel. Watch full-length feature films, original theatrical trailers and exclusive behind the scenes content on www.youtube.com/hammerfilms
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@tomwalters
Artwork I produced for the launch of @Hammerfilms new Youtube channel. Watch full-length feature films, original theatrical trailers and exclusive behind the scenes content on www.youtube.com/hammerfilms
Miami II
Miami
From November 2008 to November 2009 I was Marketing and Public Relations Officer for the Victoria Hall Resident's Association at the University of Birmingham.
Created a complete brand identity - including logo; merchandise; and a marketing campaign across multiple platforms including social media, video, and print.
Logo development:
Final choice in practice:
A project I'm working on... The Film Aggregator (a working title)
This morning the Guardian announced that Redbrick has been shortlisted in the 'Website of the year' category at the Guardian Student Media Awards. This is the first time the paper has ever made the shortlist. I couldn't be more proud of the work everyone put in last year and during the summer to make this happen.
Concept to Fruition. Societies Fair backdrop.
Redbrick website concept drawing
Short trailer made for The Resistible Rise of Arturo Ui. It's just a few shots from one rehearsal, made in a very short time frame so isn't of the greatest quality!
The Resistible Rise of Arturo Ui
Artwork by Tom Walters
With a winning smile, several tommy guns and an army of hoods, Arturo Ui has arrived in town looking to expand his criminal empire — offering protection and freedom — at a very large price.
In May 2010 I co-directed an adaptation of Bertolt Brecht's The Resistible Rise of Arturo Ui. Written whilst Brecht was in exile from Germany in 1941, the play is a satirical parable that chronicles the rise of Adolf Hitler and the Nazi party. Told through Arturo Ui, a desperate small time hoodlum in 1930's Chicago, who takes advantage of economic turmoil to seize control of the cauliflower racket, by ruthlessly disposing of the opposition. All the characters and groups in the play had direct counterparts in real life, and every scene is based on a real event.
In this hilarious farce a total of 32 characters were portrayed by only 13 actors, an estranging technique advocated by the author in order to 'alienate' the audience from the characters - emotional attachment to the heinous characters our cast represent is not the goal of such a piece of theatre. The purpose for which it was initially written by Brecht in his unique 'epic theatre' style, was in order to provoke thought of how resistible Hitler's rise to power really was.
Below is an extract from the programme explaining our decision to stage the play, accompanied by several photos from various stages of the rehearsal process -
'Many have tried unsuccessfully to transpose the text in order to represent more salient examples of dictatorship to a modern audience, but the play remains intrinsically linked through its structure and characters to the events of the 1930’s. To attempt to override this link would be to rid the text of all its brilliance.
As such this is not a path which we have taken. For whilst an era of stability in Europe may mean that the critical judgement of the issue that Brecht aimed to promote feels irrelevant to most of us, it is important to remember that just ten years ago genocide ravaged our Eastern neighbours. In Africa, Asia and the Middle East, dictators continue to rule by force. And in the UK and most of Western Europe the very real threat posed by the increasing prominence accorded to far right parties through their exploitation of those hardest hit by the recession serve to elicit direct parallels of the rise of the National Socialist movement in 1930’s Germany. The play with its parallels with the current financial crisis, corrupt businessmen being bailed out by politicians, far right opportunists coming to prominence and commanding ever greater support, all serve to paint a picture of a dystopian past, and potential future. Brecht’s work as a warning to his audience to ‘act and not to gape’ is as such still relevant today.'
Redbrick is the University of Birmingham's student newspaper. I've been involved with it since October 2009. Originally Pictures Editor I have since been assigned as the paper's Art Director with remit over all design and layout in print and on social media platforms and responsibility for a number of creative decisions. In my time at the paper I presided over a major redesign, and the implementation of a number of new features.
Check out the work of our incredibly dedicated committee and team of section editors, writers, photographers, deputy art directors and online team at www.redbrickpaper.co.uk
Here's one of my favourite issues -
http://issuu.com/redbrickonline/docs/issue_1377_pdfs/1
I travelled Tanzania for a month in 2007, here are a few of my favourite shots. Check out my Flickr for original portrait shots and more - http://www.flickr.com/photos/thomaslw/
Comment: US Mid Terms - Time for change?
Early Wednesday morning I sat in front of the television enthralled by the BBC News channel as the first results of the US mid-term election became clear. I’m not normally one to follow American politics closely, despite being in my third year of a Political Science degree, but this week’s elections have been no less than fascinating.
You can be forgiven for knowing little about the events of the last few days; after all, their system is not exactly easily transferable to ours. But to sum up in an incredibly crude fashion, Obama and his democratic party have lost control of the House of Representatives (this is the lower house of Congress, the same part of the legislature as the House of Commons in the UK; however, the distribution of power between each part of the legislature differs between each country).
This is the biggest exchange of seats since 1948. Essentially, the events of November 2nd have made it a whole lot harder for Obama to pass any legislation.
Not only does the President now face an opposition-dominated lower house, but a lower house which now includes several ‘Tea Party’ backed Republicans. Whilst the ‘Tea Party’ movement have not made huge gains, the low taxes small government campaign movement could still drive the Republican party further right, potentially causing paralysis in policy making.
In essence, they want to block and undo what they have labelled as Obama’s un-American agenda. An empty term, but one that carries a lot of weight amongst many American voters who are disillusioned by his healthcare reforms and economic policies. God knows why, the healthcare reforms make sure those with existing conditions receive insurance, and at the same time protect the health insurance industry.
'the group that has labelled President Obama as both a socialist and a fascist have seen many of their most controversial figures defeated where Republican gains had been expected'
Although several ‘Tea Party’ backed candidates won seats in the senate, the group that has labelled President Obama as both a socialist and a fascist have seen many of their most controversial figures defeated where Republican gains had been expected. For one thing, Christine ‘I’m not a witch’ O’Donnell, former WWE CEO Linda McMahon and multi-millionare Meg Whitman failed to impress voters despite an array of publicity stunts which included numerous sketches on WWE Smackdown.
Many in America must be wondering where the movement will go next. They have already attacked more moderate conservatives with Marc Rubio the new ‘Tea Party’ backed Senator for Florida laying the blame of both health and economic policies at the door of both the Republican and Democratic party despite being a member of the former.
More worryingly, Sarah Palin and her ‘God Warriors’ (the term she supposedly uses to describe her supporters) have spearheaded this movement and swing some serious political clout. Despite her lack of knowledge of policy, and national politics and complete naïvety when it comes to foreign policy, this paints a worrying picture for the next presidential election in 2012.
Clearly Guantanamo Bay will remain open with Obama unable to push through any legislation closing that stain on the country’s record, but it is likely to make other foreign policy and ecomonic decisions difficult to handle too, and of course all of this has reverberations around the world.
Despite our incredibly out of date electoral system, I thank God no one as insane will ever be picked to stand for election by either main party in the UK.
However, this incredible display of democracy has taught me two things; firstly, that I should stand up and be counted, get involved, fight against injustice and fight for what I think is right – not sit back displeased with how things are, letting those at the extremity of society drown me out.
Secondly, and perhaps on a lighter note, it has informed me of the potential for a lot more interesting and charismatic characters on the British political scene. Gone are the days of fantastic speakers, but we can still have a genuinely exciting electoral campaign if we took an americanised approach.
'we can still have a genuinely exciting electoral campaign if we took an americanised approach'
Imagine the television advertisements in the run up to election day. Teresa May taking a leaf from Christine O’Donnell’s book and declaring that she has never ever even dabbled in wicca. Nick Clegg being lambasted by Harriet Harman in television advertisements calling him out on his tuition fee U-turn, and adding a sly on his smoking habit in for good measure.
Perhaps this would inject some passion into voters. After all, everyone keeps moaning about electoral turnout steadily decreasing. Who doesn’t want to see politicians slug it out? No? Just me? OK then…
Originally written and published in Redbrick, the University of Birmingham's student newspaper on 5/11/10. www.redbrickpaper.co.uk