A wave of rock shaped by wind and rain towers above a plain in Western Australia, September 1963. Photograph by Robert B. Goodman, National Geographic
Cosmic Funnies

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🩵 avery cochrane 🩵

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Cosimo Galluzzi

Origami Around
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The Stonewall Inn
Noah Kahan

Product Placement

if i look back, i am lost
NASA
Claire Keane
Interview Vampire Daily
The Bowery Presents

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Color Me Curious
Mike Driver
Monterey Bay Aquarium
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@toyfact
A wave of rock shaped by wind and rain towers above a plain in Western Australia, September 1963. Photograph by Robert B. Goodman, National Geographic
Fête des baleines à Point Barrow Alaska, 1923. Photo by Leo Hansen (1888-1962).
“The Nalukataq consists of the dancer maintaining the most graceful position when propelled into the air from a trampoline.”
“The catalog Inuit features early twentieth-century portraits from the archive of the writer-journalist Victor Forbin: half of the 350 photographs they had bought in 2019, on a whim, from Yves Bouger, a well-known gallery owner and bookseller based in Granville. They originally belonged to Victor Forbin (1864–1947), who thought himself an “adventurer,” and who assembled a personal iconography to illustrate his articles, translations, and books (his first novel, Les Fiancées du Soleil, came out in 1923).
When they were confronted with “this vanished world,” the Jacquiers had known nothing about the Arctic or about polar expeditions, such as the Canadian Arctic Expedition led by the ethnologist Vilhjalmur Stefansson (1879-1963), between 1913 and 1918, and the 5th Thule Expedition led by the Danish explorer Knud Rasmussen (1879–1933) between 1921 and 1925. Although they could see at once that, by their very subject, the photographs were of great value, and not just sentimental, they were yet to document their discovery. This they did during the first months of lockdown, consulting online libraries and Northern museums, moved by these portraits of the Inuit, and the “reciprocal gaze” exchanged between the photographed and the photographer. “It is true, we were touched by this gaze devoid of exoticism,” emphasized Philippe Jacquier, “by the presence of the Inuit, their power in the endless white landscapes. These photos are more than a century old, and yet they seem so close… Those who took them understood that photography is an indispensable tool.” https://www.instagram.com/p/Cp3NQC3tkNF/?igshid=NGJjMDIxMWI=
“HANDS” (MULTIPLE EXPOSURE) WEEGEE // circa 1945-55 [gelatin silver ferrotype print | 6 x 3.9″]
στο γιουκάν. στης κομοστέγης το ηλιοπλουμιστό παραβάν, ανιχθεύθηκαν όσα αμνηστεύθηκαν. εκεί εμπιστεύθηκαν ανθρωπεύθηκαν και ξεκινήσαν να μιλάν. εκεί ανυψώθηκαν, απογειώθηκαν με τη βοήθεια κάποιων τουκάν. αστειεύτηκαν και γιγαντώθηκαν γιατί γοητεύτηκαν, διπλασιάστηκαν. εκβαθύνθηκαν και εκγυμνάστηκαν, εκδηλωθήκαν για να μιλάν. ενδιαφέρθηκαν και ενθαρρύνθηκαν κιαν ενθουσιάστηκαν ήταν καθώς γνωρίζαν να μιλάν. εξυψώθηκαν και εορτάστηκαν σαν επιδόθηκαν τελετές εμπιστοσύνης στο βραχώδες Τεοτιουακάν. αντικαθρεφτίστηκαν, ανασυγκροτήθηκαν απενοχοποιήθηκαν όταν φιλάν. ηλεκτροφωτίστηκαν, καταπλημμυρίστηκαν, κατασυγκινήθηκαν και ύστερα τραυματίστηκαν γιατί σταματήσαν να κοιτάν. στο γιουκάν δεν προσδοκάν, αλήθεια ούτε καν. εκεί μιλάν, εκεί φιλάν εκεί μαθαίνουν να κοιτάν.
Le mari de la coiffeuse - The Hairdresser’s Husband, 1990 (Patrice Leconte)
Chugach Mask, Alaska.
Flor De Cactus
Jacinta Moore
_via.link
The Sea - 海
Josef Hlinomaz (Czech, 1914 – 1978)
Hidden in jungle, 1963
Oïl on canvas 32 x 45 cm