Lint Roller? I Barely Know Her
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❣ Chile in a Photography ❣
Mike Driver
cherry valley forever

Love Begins
Sweet Seals For You, Always
he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"

blake kathryn
NASA
will byers stan first human second
occasionally subtle
taylor price
almost home
YOU ARE THE REASON

祝日 / Permanent Vacation
Sade Olutola
ojovivo

PR's Tumblrdome
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@tradicionalistabrasil
La Fête-Dieu, 1891 - Paul Schad-Rossa
The Death of the Just and Evil Man
Rinat Voligamsi (1968) The Great Bear
Ринат Волигамси (1968) Большая Медведица
Children at the Piano, 1918, Nikolay Bogdanov-Belsky
St. Cecilia of Rome Unknown Artist
Visión de Sn. Antonio de Padua ante la Virgen María (Vision of St. Antonio of Padua to the Virgin Mary) Unknown artist –s. XVIII– Templo de Sn. Fco. de Asís. Chihuahua. Mx.
The Inferno
Joseph Anton Koch–1825-29
Christ as a Child William Charles Thomas Dobson —1857
St. George Slaying the Dragon - Hans von Aachen
(via TumbleOn)
Saint Joseph rescuing the poor souls from purgatory
Unknown artist
The Christ Child dreaming of His Passion
Christ in Limbo Bernardino Passeri —1593
St. Gabriel of Our Lady of Sorrows
Unknown artist
Pedro de Mena - Mater Dolorosa and Ecce Homo (ca. 1674–85)
Carved wood sculpture, enhanced by paint and other media, including glass eyes and hair, reached a pinnacle of naturalism and expressive force in 17th-century Spain. Pedro de Mena’s virtuoso manipulation of these materials created startling likenesses of bodies and clothing. They encourage in the beholder an empathetic response to the suffering of mother and son, who appear as exemplars of worldly forbearance in the face of tragedy. Carved details such as the twisted and knotted rope binding Christ’s hands or the Virgin’s thin, deeply undercut drapery are joined by the subtle and descriptive painting in thin glazes of the silver and red brocade of the Virgin’s tunic and the bruises that cover Christ’s flesh. Mena’s desire was to make the figures seem physically present before the viewer. At the same time, they have a dignity and reserve that made them ideal works for contemplation.
St. Francis veiled by an angel José Garnelo––1916