I'm sure I've left some people out because I slapped this together in 15 minutes but it's a whole lot more, imo artists and writers are nothing without these other guys (gn)
Hi! Here's a big masterpost for everything you need to know about this project!
The No More Zero Comments (NM0C) Project is dedicated to reducing the number of fics on AO3 with no comments. This is a multifandom community effort with very few rules which you can very easily undertake alone, but hey, why not join us?
The goal is simple: find fics with no comments, read them and leave the author a comment. If you want, you can go out and find fics on your own, but we also have a handy spreadsheet full of fics for you to browse!
You can find the spreadsheet here. There are tonnes of different fandoms to choose from. It will be updated regularly with new fics, so check back as often as you like.
Do you have a fic with zero comments? You can submit it here to be added to the spreadsheet. There is no limit to how many you can submit, and no limits on what you can submit. Any fandom, any category, any rating, no matter how old it is. Yes, even explicit fics. We aren't picky around here. You can also submit other people's fics if you wish.
All I ask is, if you submit your own fics, try and comment on some too! Balance, equality, etc.
The only real rule for submissions is no AI. This blog is vehemently anti-AI and will not accept any fics that use it. EDIT 16/06/25: There are now two more rules - no Harry Potter fics (fuck jkr) and no fics less than a week old.
If you comment on a fic from the spreadsheet, please let me know here so I can remove the fic from the spreadsheet. If you see a fic on the spreadsheet that has a comment, don't fret. I'll get around to removing it soon. Admin's timezone is GMT and I'm most active in the evenings.
Have a question? Feel free to ask!
A few more bits and pieces of information under the cut!
Who runs this blog?
That'd be me, Izak, better known as @lightningzombie! I run this blog alone for now. And yes, I did put my own fics into the spreadsheet. I put it up to a vote and people said I could!
Why did you decide to do this?
Frustration with the lack of comments on my fics and the death of comment culture in general. Bewilderment when I saw a fic that had 1200 kudos and no comments. The joy that leaving 100 comments and receiving 20+ during the Febuwhump commentfest brought me. Boredom. Many reasons!
Is there a prize/competition?
Nope! No incentives whatsoever. Just the joy of fan fiction, of commenting, and community spirit.
Will you do events?
Yes, I plan to! I'm not sure what yet, though.
"I don't know how to comment!"
Yes, you do. "I like this" is a comment. "How dare you do that to [insert blorbo here]" is a comment. "<3" is a comment. "KAJSDAKSDHJ WHYYYYY????" is a comment. "I am rapidly approaching your location" is a comment. Just be kind!
How long will it take me to get a comment?
Dunno. Some people get them within minutes, some hours, some days. Depends on many things. Be patient!
I submitted something but it hasn't been added or removed
I run this blog and the spreadsheet completely alone and manually. Any submissions will be handled as and when i have time. Be patient with me, I'll get to it!
In every way this is set up to be a joke like any other short video, it even uses the trope of main character in a wig to represent their mom, but it isn't funny at all. It's just sweet and nice
Hey artists, C. Spike Trotman, founder of Iron Circus Comics, just posted an invaluable thread on depicting different types of black hair. I’d do the thing where you screencap the whole thread and post it but it’s just too long (which is great because it’s a whole lot of useful information!) Give her a follow while you’re there.
Anyway, go check it out. I just wanted to save it and share it because I didn’t know how much I didn’t know!
This is an amazing resource, not only for artists, but for writers too! I love this!
{ID - tweet from @/Iron_Spike that reads, “Black Hair for Non-Black Artists: a Cheat Sheet Thread. Hi, folks! Just spur-of-the-moment decided to put together some reference for folks who want to draw/model black characters in their work, but arent confident they won’t make simple, obvious mistakes w/r/t black hair. END ID}
These are important things I have learned about writing fiction. I know these things, but sometimes I need a reminder. So I am writing them here, both as a reminder for myself, and as a reminder for all those who, like me, sometimes forget.
Characters must make choices.
Characters should often make bad choices before they make good choices.
Character choices should drive the vast majority of the plot. Characters reacting to having random stuff thrown at them is far less interesting than characters reacting to the stuff they've thrown after it's ricocheted around and comes bouncing back toward them.
If a character refuses to make a choice, there better be consequences for that too, and you better have a damn clear way of showing those consequences to the reader and the character.
Nearly every time I'm struggling with writing something, taking a step back and thinking about these 4 things usually helps get me unstuck.
oopsie i tripped and spilled my link to archive dot org's downloadable copy of Microsoft office suite for 2007, which features no AI tools and is a powerful word processor that still holds up just fine on windows 10!
random genre change (especially if it's to a noir detective thing)
one where they get randomly meta and fourth wall breaky but then never acknowledge it again
one where something happened but we as the audience don't actually get to see how it happened and only see it through the unreliable narrated flashbacks as recollected by the characters
OK OK SO I just finished the owl house and I FUCKING LOVED IT HOLY HECK and I was trying to figure out what it reminded me of and then it hit me - it reminds me of my other beloved surprisingly dark and complicated children’s media, the nevermoor series by Jessica Townsend!! So pls pls pls if you’re a fan of one of these check out the other I SWEAR youll love it!!! (And if you like both we must become friends right now!!!!)
We’ve got…
- Weird iconic amazing guilt ridden complex well written female protagonists with awesome and unique powers
- AMAZING found family arcs featuring wacky adoptive parental figures with ADHD and many many issues
- Casual and normalised queer rep fuck yeah (more so in owl house but theres not much romance at all in nevermoor, at least not with main characters, but a good proportion of the side character romances are queer!)
- Some of the best fucking world-building I’ve ever seen, featuring both amazingly whimsical fun stuff and some really fucked up shit
- THE BEST AWESOME WEIRDEST FRIENDGROUPS EVER full of trauma and mental issues and weird abilities
- FANTASTIC AND COMPELLING VILLAINS with complex relationships and parallels to the protagonist (nevermoor wins here bc I think squall is just one of the best villains ever, but belos is great and is likely let down by the unfortunately short season 3)
"Tutorial" on how to draw an OC with dwarfism (well, some of it).
Boring tired disclaimer: Keep in mind that this is an introductory "drawing" "tutorial" and has some generalizations in it, so not every “X is Z” statement will be true for Actual People. Which happens to be true for everything in general.
You are heavily encouraged to do your own research because this does not contain everything you should know before making a character with any type of dwarfism.
Consider supporting me on ko-fi if you find this to be helpful.
If (when) you repost this on pinterest at least put a link to the original post somewhere..
The tutorials u put out have really helped me realize just how MUCH ableism is typically embedded in learning to draw. I think this would have been so helpful for me when I was earlier in learning art and under all the pressure from outside sources/internally to make my drawings look “right” (which is just someone who isn’t visibly disabled or w/ visible differences).
There is such variety to people, and while intentionality is important and it’s a skill that’s worth exercising to draw what is in your head, it has the potential to be so liberating to know that there also is probably someone who looks like your drawing either way. What if instead of “correcting” things like proportions and other visible differences, educators could encourage learning artists to look into people who look like the art already?