The Hawa Mahal, Jaipur
wallacepolsom
DEAR READER

Product Placement
sheepfilms

Kaledo Art

izzy's playlists!
we're not kids anymore.
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Aqua Utopia|海の底で記憶を紡ぐ

★
Cosimo Galluzzi

@theartofmadeline

Andulka
Cosmic Funnies
Claire Keane
TVSTRANGERTHINGS
NASA
Three Goblin Art
Show & Tell

Origami Around
seen from India
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@transcendentrealms
The Hawa Mahal, Jaipur
The amazing Miles Davis’ Bitches Brew art work by Mati Klarwein
• Dancer. Place of origin: Paris Date: 1898 Artist: Alfons Mucha Medium: Paper
Alphonse Mucha. detail.
by Alphonse Mucha.
daren thomas magee
Orpheus Leading Eurydice from the Underworld, Camille Corot
Medium: oil,canvas
Delphin Enjolras ~ The Muse of Music
Great rider. Rigden Jyepo - Messenger of Shambhala, 1927, Nicholas Roerich
Medium: oil,canvas,tempera
Gilbert Williams, ‘Sea of Visions’
DnD alignments lockscreens! Like/reblog if you save
I want a t-shirt of each
Thanks to a tip from @canadianwheetpirates, I did some research and found a link to the store that sells these designs on shirts. Go to https://shirt.woot.com
and search specifically for “Wingfeather”, the artist who originally created these. They have a lot of great designs!
Go get one today.
Mhm mhm mhm. Gimme that Neutral Evil please ‘n thank
Chaotic Good ftw :}
~ Inlay Depicting a Falcon with Spread Wings. Period: Late Period–Ptolemaic Period Date: 4th century B.C. Place of origin: From Egypt; Possibly from Middle Egypt, Hermopolis(Ashmunein; Khemenu) Medium: Faience
Hidden gem in Edinburgh: Dean’s village
Processing the Material Record of the Tomb of Nefertari Project
The tomb’s wall paintings, among the most important surviving examples of pharaonic art, depict Nefertari making offerings to the gods as she journeys toward the afterlife. Painted on layers of plaster to smooth the fractured limestone walls of the tomb, the images have had condition problems since their inception. Over three millennia, humidity fluctuations within the tomb caused salt from the limestone and plaster to crystalize, which in turn caused entire sheets of plaster to detach from the wall and paint to erode from the plastered surfaces. The damage, already evident when the tomb was opened in 1904 by Italian archaeologist Ernesto Schiaperelli, only accelerated in the years that followed through neglect and vandalism.
By the mid-1980s, nearly a quarter of the tomb’s paintings had been lost. To prevent further deterioration and treat existing damage, the Conservation Institute and Egyptian Antiquities Organization assembled a multidisciplinary international group of experts to undertake an intensive, multiyear, multiphase project. Read more.
Exoskeleton
Sources: 1 2 3 4 5 6 7 8
Systematic Conch Cabinet
By Martini, Friedrich Heinrich Wilhelm, 1729-1778
Publication info Nuremberg: Bauer and Raspe, 1837- BHL Collections: Ernst Mayr Library of the MCZ, Harvard University Smithsonian Libraries
A random bibliomancy from The Essential Rumi, as interpreted by Coleman Barks from translation.