updated my commissions post!! drop a dm to me and i'll chat with you about what you want :]

roma★
cherry valley forever
$LAYYYTER
Fai_Ryy

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Love Begins
taylor price

ellievsbear
The Bowery Presents
🩵 avery cochrane 🩵
Game of Thrones Daily

Discoholic 🪩
The Stonewall Inn

bliss lane

❣ Chile in a Photography ❣

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Noah Kahan
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Not today Justin

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@transfaulkner
updated my commissions post!! drop a dm to me and i'll chat with you about what you want :]
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it's so important to me that eliot is canonically not just parker and hardison's third wheel but in fact textually placed right in the middle of their relationship. when parker says she's in a great relationship in the swipe right job, she doesn't say "me and hardison and also you." she says "me, you, hardison." in the harry wilson job they change the infamous "til my dying day" to "til OUR dying day," implying that eliot has made his peace with the idea that he's not on the outside as parker and hardison's protector but an active part of the relationship that can't be lived without. hell in the long goodbye job nate's narrative doesn't have parker and hardison, the romantic couple, holding hands as they die, but the two of them holding hands with ELIOT, who's in between them. he's central to the relationship, and nothing and no one will ever change that
liking a ship but disliking the distinct set of stock fanon that they have been assigned is like one of those punishments dante came up with when he wrote the worldbuilding for hell in inferno
female-presenting vitruvian
i appreciate the amount of people reblogging this despite me not really tagging this at all. im glad many of people feel the same anger i do.
my elissabat redesign 🫀
(x)
Vivienne Westwood safety pin earrings
saintlilithhh
revenge on AF user hidwell21
artfight
most beautiful instagram account
They should make Carrie White a fat trans girl in the new show
She asks to play volleyball with the girls team. They start a harassment campaign against her. Her mom's a rabid gender critical radfem mumsnetter terf. At the prom she sets a gymnasium full of transmisogynists on fire with her mind. You get it.
Geert Kooiman — Glove (gelatine silver print on linnen, leather, wood, glass and synthetics, 1971)
“Till Death Do Us Part”. Vivica Dehi and Nyang Reat by Renée Parkhurst for Vogue.it
Victorian ruby perfume bottle available on etsy.