
tannertan36

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AnasAbdin
Lint Roller? I Barely Know Her
One Nice Bug Per Day
trying on a metaphor

Origami Around

Love Begins
will byers stan first human second
ojovivo
occasionally subtle

#extradirty

JBB: An Artblog!
let's talk about Bridgerton tea, my ask is open

pixel skylines
sheepfilms
wallacepolsom
Claire Keane

Andulka
DEAR READER
seen from Canada

seen from Malaysia

seen from Sweden
seen from United States
seen from Slovenia

seen from T1
seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States
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seen from United States

seen from Russia
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@transversely
breq and seivarden.
from ann leckie’s excellent novel ANCILLARY JUSTICE.
something i loved about the finale of the good place, spoiler-free i think, is that it remained true to the patterns of emotionally and not necessarily morally logical Goodness the show established throughout its run, like:
an element that originally seemed like a structural flaw to me, its half-hour comedy format, meant that the show necessarily had to Wrap Up Neat on its conflicts, so that various farces and escapades always concluded with a satisfying and emotionally clean bow: eleanor reaches out genuinely to tahani, and the tree grows. eleanor helps chidi into a boat with some french poetry. jason and janet are understanding of each other’s five thousand and a half shortcomings and then a little too understanding. eleanor puts herself in a compromising position to save her friends. so taken in aggregate, these moments of connection and uplift are the only form of “goodness” the show doesn’t expose as inherently questionable, the way it literally interrogates and gently discards so many other templates for moral logic (consequentalism, utilitarianism, formalism, contractualism, in the greatest gift to philosophy 101 TAs ever put to screen)
the finale moves from asking eleanor to replicate the substance of these moments (making a moment of empathetic human connection) to asking her to identify the organizing principle behind them and apply it to her surroundings: eleanor has to use empathy to form not only an understanding of what her friends want in a given moment, but what they want more existentially. and through that, to do something every viewer can identify as Truly Good: to understand and accept who they are. it’s a twist, but it’s not a reversal, it’s sort of a metaphysical deepening, exactly as it should be and as every character wanted, in some way, from the start--chidi to find what was “true” so he felt safe in making a decision, tahani to be validated in her skills, jason to be successful at something, and eleanor to find and formally name the rules of a “medium place.” it’s true to both what she has been learning and what she already knew, and it is perfection in a frozen yogurt cup
Anotsu’s wedding Blade of the Immortal, mangacap
some rebelcaptain, since i was in the mood for Sad
prints here
You’re a really good fake soulmate.
hey guys…..i got a cool and interesting fantasy narrative for you…..what if we created a world in which sentient non human creatures are discriminated against by the majority (whom are humans) because they did something in the past that entirely justified this current fear and hatred towards them….also (get this) it’s a big metaphor for racism. This is exactly how racism works.
me: man i love this series
me: here's a 40-page annotated essay on everything i hate about it. every misstep i believe the creators have ever made, complete with citations and a signed drawing of me punching the installment i hate the most in the face
me: still love it tho
anyway, i think there are a bunch of ways to make weird SFF children’s book plots about colonialism that are held up as Groundbreaking decades later less cringeworthy and all-around retroactively distressing, but probably the main one i would contribute to the kit of band-aids is
don’t mix-n-match the narrative elements “history is written by the victors and inherently constraining to the losers” and “oppressed people overthrow their oppressors, so now they are the victors, what sobering reversals of fortune” COULD WE ALL JUST SILENTLY AGREE TO LET THAT PARTICULAR ONE DIE...THOSE TWO PLEASANT BANALITIES ARE BOTH ~TRUE BUT NOT ABOUT THE SAME THING
Jyn Erso and K-2so from Star wars Rogue One. Watercolor
Prints here: https://society6.com/product/jyn-erso-and-k-2so_print#s6-6410133p4a1v45
partners
Fictional narrative: Treats robots like shit
White people: (ง •̀_•́)ง
Fictional narrative: Treats aliens like shit
White people: (ง •̀_•́)ง
Fictional narrative: Treats elves like shit
White people: (ง •̀_•́)ง
Fictional narrative: Treats people of color like shit
White people: ¯\_(ツ)_/¯
Mentions of Charley’s mother, Lorna.-Season One
just wanted to see them happy&alive…
The Young Wolves in Springtime: director’s commentary
Good friend @transversely requested I do a commentary on my Blade of the Immortal fic “The Young Wolves in Springtime” a long time ago. I’m FINALLY around to it! You can read the original fic here.
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The fanart bug came back