Chapter Nine: Bird in a Cage
Author's Note: omg this chapter BEAT MY ASS. I was carving my eyes out. Well, the first half I was jamming through this, but toward the middle I got muddy unit I got the Mahoney idea. SIDE NOTE!! Matt having brown eyes is on purpose, trust me.
âI canât believe theyâre pairing me up with you again.â
Part of you wishes you had rolled your eyes at Sternaâs remark. Itâs late, cold, and youâve been stuck drawing parking tickets all day. The conditions were perfect, instead, you buckle your seatbelt into place.
Dispatch call at a bowling alley, another murder. Sterna complained he and you were responding to this call because of prior experience. If you could even call it that.
âMe neither.â You mumble, though Sterna continues like you didnât even speak.
âYouâre a little liar, you know that?â He jams the keys into the ignition. A full police SUV he decided to bring for this job. No rhyme or reason, he just wants to use it. âHoffman told me about that potluck bullshit you pulled on him.â
The heels of your boots dig into the floorpan. âHe knew it was a lie?â
Momentarily offended, Strena scoffs, about to spit more, but is forced to input the bowling alley location. He wastes no time getting back on your case, however. âNo, not after I backed up your lie.â He switches on the police sirens.
Adjusting to their volume, you rub your chest as if the thumping beneath it could be soothed. âWhy?â The question came out too quietâSterna looks away from the road to glare. Maybe he didnât hear it, he just knew youâd ask.
âYou think I was gonna tell Hoffman he got played? Iâm not suicidal.â Red and blue lights bounce on his face, the insistent colors amplify his furrowed brows. âHeâd probably go up to Blake and God knows what they'll do to me.â
Your hand drops into your lap. Not only did Sterna look distressed, itâs the use of âtheyâll doâ that reignites the fire thatâs been doused in parking tickets during the day. Its heat is pleasant.
âPlease,â he groans, âYouâre telling me in the month youâve been here you ainât notice those two are up to something?â
A reply comes out more impressed than it should. âYouâre telling me you do?â
The sirens were now too loud, for both of you, Sterna turns them off. Everything goes dark. â(L/n),â his address sends shivers up your spine. âIâve been here long enough to watch this place rot.â
âSo you become part of the reason why?â You stare dead at Sternaâs side profile as he drives, barely visible with the passing citylights.
Strena didnât stutter once. âYou bet. And Iâm one of the highest-paid officers because of it. I get to send my daughters to a college far away from here.â
That earns your pause, caught in between the middle ground of trying to empathize, not understanding, and simply not wanting to be with Sterna any longer. It was hard to imagine a man like him helping anyone sleep better at night, even his kids.
Words find themselves at an approaching yellow light Sterna speeds to pass. âAnd that justifies everything you do out here?â Your hands clench. âJustifies how you treat the people you swore to protect?â
âI donât need to justify shit to nobody but God. I do whatâs best for my family.â
âAnd you think God would approve of how you do that?â
Follower of God, Sternaâs rounded jaw flexes. âBetter question is where do you get off talking to me like that?â His voice is a dangerous rasp. âThis isnât your circus, Officer. Your ass is gonna be hightailing it back to Long Island the second you can.â
The worst part is he wasnât wrong to think that. Aaron left, although you question why, you shouldâve been fighting to be right alongside him.
âBecause I swore an oath,â your eyes wander to the city out the window. Dark, yet people were walking around. The City that Never Sleeps. âTo serve and protect the community, not just mine.â
Sterna sneers, âSelf-righteous.â
Knee-deep more accurately. You didnât take the barb to heart, if he found you impossible to understand too, so be it. âIf you break one code of conduct during this, itâs going straight to internal affairs, I donât care who hears. â Is the final thing you say to him, despite his arguments and vague threats.
     Boots running on the pavement, Sternaâs pair is a pace slower than yours. The cold air blowing past cools your head, which you didnât appreciate until you locked eyes with the suspect inside the bowling alley.
A ginger, balding, with blood splatter all over his face. Not a new sight, certainly one youâll see again.
What struck you is his posture, demeanor. On his knees, hands behind his head, then his eyes. They were blue, constantly blinking, and you see his bottom lip hesitate before Sterna yells, the volume as overpowering as he is.
âDonât move!â His gun is pointed before he even clocks it. Click! âHands in the air!â Sterna anchors his head into his radio. âDispatch Victor 23, we have the suspect at Whitestone Lanes Bowling.â
âI want a lawyer.â The bloodied man asks. Thereâs an odd quality to his tone, it wasnât calm but he couldnât be scared. He wouldâve ran instead of waiting for the police.
Keeping a gun raised in one hand, you steady the other out to the man. âWe can get you a lawyer, sir. But youâre going to have to come with us.â
Beyond the man lies a body, skull caved in. Blood everywhere. You try not to picture what did it, makes it easier. But this is a bowling alley. âSir?â The man tilts his head. Almost mystified by the phrase.
âYes,â that drawn-out hand returns to your firearm. âCome with me and we can give you a lawyer by morning.â
His silence is long, Sterna nearly intervenes but the man's voice shuts him. Itâs a throaty âOkay, Officer.â that stops you both. In a world full of instant denials, this compliance would confuse the strongest officers.
âOkay,â you exhale, reaching for the cuffs on your belt. Mentally reciting his Miranda Rights before you say them. His eyes on yours the entire time.
On the left, Sterna doesnât lower his gun. It stays where itâs pointed throughout the arrest. âDonât move.â He repeats. This may be the only instance where youâd trust Sterna to have your back.
With the man cuffed and restrained, your body shifts him facing the door. âIâll take him to the car, youâŠâ memories of Karenâs apartment weigh on your tongue. Blood, isolation. You didnât even feel human thenâthat kind of feeling should die with you. âCall forensics, please.â
Similar memories appear to replay for Sterna also. The skin around his cheeks turned red, in anger or just the memory. âSure.â He pushes past to the bowling counter where a frightened young woman stood. You frowned. Leaving her with Sterna of all people isnât going to help her trauma.
âYou know, officer.â The man spoke slow, careful. âYouâre the first person to call me âsirâ in a long, long time.â
Hard to say if he was manipulating you or just genuinely sad. Either way, it made your skin crawl. âI take it you donât work with very polite people.â
âNah, they just donât respect me.â Outside, he stops walking and exhales. You're tense, ready for anything. âYour partner doesnât sound like he respects you much either.â
The man lets you guide him forward again. âIâm not sure I respect him.â You decide to confess.
Opening the backseat doors, the man puts himself in the seat. âAnd you still tell the guy âplease?â Jesus, I wish I was like you.â He sinks in the seat. A dry laugh bubbles from him. âProbably missed my chance though, huh? With what I did.â
Sirens wail in the near distance as they pivot into the parking lot, their light grows brighter and brighter on the man's face. You donât know what kind of person feels changed by something that simple. âThis all can be used against you in court, remember?â
âYep. Thanks for the reminder, Officer.â He drags his head to look at you. Something in his gaze makes you hold the door open an extra moment. Itâs a melancholic haze threatening to drown you along with him. So, you shut the door, not having a clue where to start writing this interaction in your report later. Youâve cuffed all kinds of killers, none willing to be locked up.
     Reports are an aspect of policing you never found boring, itâs a good way to process the things youâve seen. Journaling, in a more professional sense. What you didnât like was having to talk about them in the courtroom. So many eyes. You lucked out with Karenâs case not going to trial, but this one, charges have already been pressed: John Healy, manslaughter.
âThese night cases are hitting you hard, huh?â Mia props herself on the edge of your desk, a little smug.
âI donât know how people do the night shift.â You rub your eyes. âI feel like death.â
A different voice cuts in lighter, smoother. âGood news is, you donât look it, so thereâs our silver lining.â Duncan holds up an envelope when the two of you look at him. âMail from the DA.â He passes it to you. âYou know what it is.â
Subpoena. You donât touch the envelope anymore. âWhy do you have it?â
âBoth got delivered to Sterna,â Duncan slides his hands in his pockets. âHe asked me to give you yours.â
Short and entirely too simple. If Duncan didnât like Sterna as much as he told you, he spends a lot of time with the man. Your eyes land on the dark circles under his ownânot the only one staying up late.
Mia pushes herself off your desk to meet Duncan. âYouâre doing Sterna favors now?â She raises an eyebrow.
âHe did me a favor yesterday.â He shrugs one shoulder. âI owe him.â Grinning, Duncan puts his attention on you. âSterna did not look happy. Enjoy the case.â
In a stride that doesnât match his tired eyes, Duncan retreats to his side of the office. ââEnjoy the case.ââ You flick the edge of the envelope. In a week, youâve dodged bullets. Saved children. And yet itâs this goddamn envelope that makes your hands sweat.
Mia peers at your envelope, and you hand it to her like a test you didn't agree to take. âTwo homicides and a court appearance in three days.â She huffs, humor with no smile. âYou alright, (Y/n)?â
To prevent a yawn, you dip your mug to check how much coffee is left in it. Not enough. âI will be.â You stand. âThe trial will give me a small break.â
At least in court, the violence stays in words.
âYeah.â Your open hand points to the break room. âWant some too? There was a new cup Mahoney put on when I walked in.â
She shakes her head and tucks her hands in her arms. âCanât. Meghan wanted to talk to me.â Those arms bunch closer. âNot sure why, but Iâll see you later.â
âAlright.â Vaguely giving her a wave as she nods past, you stow the behavior away to ask about another time.
     Across newly cleaned tiles, the scent of wax and chemicals accompanies you to the stationâs entrance, where youâre stopped by a flash of blonde. â(Y/n)!â
Muffled by the glass doors, Foggy strides in. You meet him halfway, the relief in his voice both worrying and comforting. âSo glad I saw you first.â
âWhy? Whatâs wrong?â You glance at the doors one more time, nobody else enters, causing your brows to furrow. âAnd whereâs Matt?â
The name stresses Foggyâs features downward. âThatâs only part of the problem.â He lowers his voice. âAbout thirty minutes ago, this fancy guy came into the office. He gave us this case to represent and a big, fat check. I mean huge.â
âWhatâs the bad news?â
Foggy drags a hand through his hair. âHe was all kinds of sketchy. I donât even know where to start.â A breath sucks into his chest, and he kept glancing at the door. For Matt.
You lead Foggy off to the side. Situated by a fake fern plant at the bend of the hallway. âWhatâs his name? Maybe I can run it through the MDT.â
âHe didnât even tell us his name.â Foggy hangs his head a bit. âBut he was definitely suspicious. Too polite, and his watch was too shiny. It was unnerving.â
A flash of silver twists in your mind. The Cadillac. The man. The watch.
âWas it a silver watch?â
He blinks. âUh, yeah it was. Why?â
Nowhere near enough evidence. âMight be nothing,â You gesture to his leather bag. âWhatâs the case?â
âNot sure yet,â Foggy rubs the back of his neck. âI was planning to read it with Matt before we got here but he just ran out. He said heâd meet me at the station but..â
âWorried?â You finish for him.
Sighing, his eyes become unfocused. âYeah, Iâm worried. I know heâs capable of taking care of himself and everything butââ He lets out a soundless groan. âHeâs just so stubborn. This morning, he had a big bruise on his eye, didnât even tell us how he got it, and he was all worked up over that guy earlier. I donât want him walking by himself like that, you know?â
Those words sit in your heart as you watch Foggyâs eyes never settle on one spot. Then you smile, not out of joyâgrief. While Mattâs behavior is concerning, the fret on Foggyâs face looks like yours when Jessie would go off on his own too.
âYouâre a good friend, Foggy.â His eyes halt. âAnd Iâm sure Matt knows that too. Heâll be okay.â
Itâs hopeful, Foggyâs voice, like he wanted you to be sure for his sake. âYou think so?â
âI think we donât have a choice.â You chew your lip, the pain prevents any unwanted tears. âWe canât stop him. All we can do is hope heâs alright. Even if we may not like it.â
âEspecially if we donât like it.â Foggy grumbles, but lightens up when you chuckle. âThanks (Y/n), I feel ten times better.â
At this point, youâve started to think you have a weakness for blondes. Karen, now Foggy. One look and you didnât know what to do. âOf course.â
Chatter from the station fills the break between you two, a usually dull sound that feels more alive with Foggy in front of you. âI should go meet our new client.â He undoes his bag for a cream file. âSee you afterward?â
The grip on your forgotten mug tightens, not that you need caffeine anymore. âSure. Iâll keep a lookout for Matt.â
âSmack him around for me when he gets here, will you?â Foggy points the file edge at you. âNot too bad though, I want to get some hits in.â
âIâll leave you his good eye.â
âHeâs blind, (Y/n)â He puts on a deadpan. âHe doesn't have a good eye.â
With a laugh Foggy skirts around you, waving the file goodbye on his way to the front desk. âYou can tell him I said that!â
     Eight minutes after your chat with Foggy your fingers tighten on the front desk counter. There he is. A mark on his eye, tension in his shoulders like heâs waiting for a fight. âMatt!â You slip past Mahoney, who has been grilling you about your friendship with Foggy, to approach. âAre you okay? I was starting to think you werenât coming.â
The red bruise is just beside Mattâs left eye, his red frames almost draw attention to it. No wonder Foggy was worried. âReally?â Matt swings his cane to his side, the move frees up space between you two. âIâm guessing you ran into Foggy already then.â
âI did,â you observe the tension in his shoulders. âHe told me about the new client you two got this morning. Is everything okay?â
âNo,â he steps closer, your head dips to hear the small rumble of his voice. âHe knew about Karenâs case.â
A buzzing sensation tingles your nerves. âWhat? Thereâs no way.â You look over to the front desk. Mahoney was gone. âNobody outside of us and the station ever heard about her case. Whereâd he hear it from?â
âInside the station.â Mattâs jaw is tight. One of his hands scrapes along its line, stretching out the muscle. âHe said he has a friend.â
That couldâve been an accusation if you assumed Matt has less faith in you than he does. Truthfully, you didnât know what he thought of you, but always got the feeling he knew more about you than he should.
Still, you respected his intellect, however unsettling. âI can ask Mahoney, he sees all types of people at the front.â
His eyebrows quirk up. âYou know Mahoney?â
âHe actually asked the same thing about Foggy after he left to talk to your client.â
Matt clenches his cane then forces himself to relax. âRight.â He sighs, âDo you know where Foggy is?â
âNot necessarily,â you admit, âbut I can find out. Follow me.â Matt points out his cane, you guide his arm before pulling instantly away. âSorry, is that okay?â
Something, maybe the waver in your question, has him shake his head, smiling. âYouâre fine.â He matches your hush. âAnd thank you.â
Although you werenât sure what heâs thanking you forâyour hand, silence, trust. The rapid drum of your pulse calms, and you lead him through the station. Hand tucked around the crook of his arm, warmer than you expected. Feeling the gradual ease in his shoulders you glance at Mattâs side profile, the swoop of his eyelashes visible behind the glasses.
Without that tension, his focused expression made his thoughts look more like passing ideas.
After asking officers for a Foggy Nelson youâre directed down the grey hall to room 440. The officer stationed at the door glances between you two. âI got this room.â You let go of Mattâs arm, your hand vulnerable to the chilled air.
Wordless, the officer walks off, leaving you and Matt coupled by the handle. âFoggyâs worried about you, you know.â The words slip but you meant them, knowing all too well how a reckless friend affects the mind. âAnd me too honestly, that bruise looks bad, Matt. What happened?â
His lips part for minuscule seconds. You stare. Reminded of a similar mouth until he speaks, voice low. âItâs nothing. You two donât need to worry.â
âBut we are worried.â
The simplicity throws Matt, if another clench of his cane tells you anything. This time you see the redness of his knuckles. Not bruised from defense. From striking.
Son of a boxer. You have a lighter shade on your right hand. A quiet ache that only stings when you think about it. What the hell is Matt hitting?
He murmurs, âI know.â
Satisfied with that answer, you unlock the door. âGood.â And as you push open the door you speak. âI got you something, Foggy. I didnâtââ Youâre cut off when you see who Foggy was sitting across.
John Healy. The man looks freshly washed, like what he did last night didnât stain a single part of him. âHey, Officer.â He isnât surprised like you are. Probably saw you through the roomâs window. âNice to see you again.â
âYou two know each other?â Matt is quick to point out.
âThey do!â Foggy exclaims. âI just found that out right now.â Searching through his file Foggy picks a specific paper. âYour report is in here along with that other guyâs.â
Whirlwinds of different legal footnotes and contradictions hit you like darts. John got his lawyer. âUhm, yeah, I responded to that call last night.â You step from the door. Half to let Matt in, half to get away. âYou two are gonna represent him?â
Foggyâs brows knit in concern but misses the chance to comment. âIâm not soââ
âWe are.â Matt intercepts, going inside to set his cane against the wall. Your throat goes dry. Of all the clients in all the cases in New York, they got handed this one.
     âWow, this makes it kind of illegal for us to be friends right now.â
The wisecrack provides more grimaces than laughs, and not at all what you were expecting to hear after detailing your subpoena to their opposing counsel.
Shaded under the scaffold of a neighboring apartment complex Matt taps his cane. âNot helping, Foggy.â
âI know, I know.â His hands almost carded in his hair but stop midway, like he didnât want to muss it up further. âIâve just never been in this situation before. I panicked.â
A brave pair of blue jays saunter near Matt but promptly flutter away when he talks. You understood their scare, having felt the same way before. âThereâs nothing to panic about.â He says. âNothing changes. Weâre just doing our jobs.â
Both your hands stretch against the other, byproduct of how long theyâve been in your pocket. âJust my job is to make yours harder.â
âThat doesnât have to be true.â His body faces you. âFoggy told me a little about your report.â
Throughout your career, your reports have been read aloud in courtrooms, meetings, and reviewed by people youâll never know the names of. Itâs not strange to hear a lawyer got a rundown on your report. It is nerve-wracking to hear Matt got a rundown on your report.
You rub an nonexistent itch on your nose. The distinct squawk of blue jays in the near distance. âReally?â He nods and you didnât know what to make of it until Foggy spoke up.
âI was specifically telling him about the arrest portion of it.â He clarifies. That earlier restrained hand going in his hair, you donât think he notices himself. âIt was pretty weird. Could be useful when we cross-examine you, though.â Foggy pauses, then grins. âI promise weâll go easy on you.â
Cross-examination from Foggy. It would be a first, being questioned by someone you know. Shouldâve been scary, but Foggy made it sound funny. Something youâd all laugh about later over drinks. You like that about himâJessie would like that about him.
Iâll remember that when I see you guys in the courtroom later.â
âOh yeahââ Foggy pounds a fist in his hand. âThis reminds me actually. Karen wanted to talk to you this morning, she didnât say why but I was thinking you could come drop by after work. We have our work cut out for us anyway. Weâll be there.â
Hearing the offer, that Foggy wanted to continue the friendship between you four made your heart tick. Once, but still profound.
     Karen didnât wait for your visit to Nelson & Murdock for whatever it is she wants to tell you, she calls ten minutes before you leaveâabout to check up on Mia. âHello?â
âHey,â the breathiness she spoke with strikes you, and you know well what desperation sounds like on her. âAre you busy? I really need to talk to you. Iâm outside.â
âOutside?â You scan the windowâno Karen, just the NYPD logo reflecting in cold glass. Grey city, blue sky, everything waiting to crack.
Thereâs a pause over the line. âYeah.â She swallows, âI didnât want to, uhm, seeâŠâ The people who tried to kill me. âAnyone who would recognize me.â
Her word choice questions whether she knew Officer Farnum is dead or talking about someone else. If not, you surely didnât want to be the person to tell her.
âRight, of course. We can talk. I was about to head to the office anyway. I donât know if Foggy told you about that.â
So she doesnât want Matt or Foggy to hear what she says. Impossible to tell which is more worrying: That she was hiding something from lawyers, or friends.
âAlright, Iâll be right out.â You holster your bag over your shoulder. âWhere are you?â
âIâm by this apartment complex right next door. Iâll see you.â She ends the call afterward.
One more check to ensure you had your keys, you weave through the desks or other officers to the front desk where Officer Mahoney is âwritingâ on a piece of paper, though his hand movements were much too languid.
For an embarrassing amount of time, you observe Mahoney. The lidded eyes. His cheek smushed in a fist. Before you get caught staring, you approach the counter.
Mahoneyâs gaze drifts up to meet yours. âHi?â He raises an eyebrow.
âHi,â you beat the urge to fiddle with your hands by stuffing them in pockets. âI wanted to ask you something about this morning."
That fist crumples. âIf this is about Foggy I have nothing to say about him.â His tone is firm but when he sees your head tilt, he grimaces, like he said too much.
âNo, itâs not about Foggy.â You say slowly. âI wanted to ask if you have any records of a man coming in. I donât have a name but he wore a suit, a really nice silver watch, might have a black Cadillac, and⊠And was suspiciously polite.â
This last detail is a bit of a stretch, the third one might not even be true yet itâs all you had.
âYou know you just described a quarter of a million men in New York, right?â
âI know, I know, but please? Do you have anything that could help?â
Mahoney avoids your eyes, releasing a sigh. âI might, but donât get your hopes up.â He sits properly. âA man like that came by yesterday night. He had glasses, blue eyes, black hair, and a silver watchâthe thing was shiny as hell. Saw him get in a Cadillac when I was leaving the station.â
âWas he with anyone?â
Pressure builds in his shoulders, those once fleeting pupils zeroed in on you. He bounces his pen on the paper. âDonât tell anyone I said this.â
âI promise.â You give a purposeful pause to hold his gaze, show your sincerity. âI wonât say a word.â
He nods. Before he speaks, you thank whatever force made him trust you. âHe was with Blake.â You donât get to react, Mahoney keeps talking. This is something heâs been wanting to say for longer than a day. âI know it was him, man. I saw his face. I donât know what they were doing, but I knew something was up but IâŠâ
Scared. That fear of rocking the boat, that guilt of not doing anythingâyou could smell it on him. âI know.â The depth of your tone surprises you, like the guilt grew its own voice. âItâs okay.â
Neither of you knew where to extend the conversation, and you didnât have a clean transition to your next question. Eventually, you hide in the quiet. âMahoney, can you look at the security footage from last night and see if you can get a license plate, Face ID, or anything at all?â
âWhat are you trying to do?â The question you expected, the intensity of which it came, you didnât. After your argument with Sterna, you wonder how many Hellâs Kitchen officers knew how close this corruption was.
âIâm not sure yet,â your hands grip the edge of the counter. âBut Iâve seen things too. I donât know what they all mean, but I want to find out, and Iâm going to need all the help I can get. Mahoney, please, you donât need to get involved any more than this.â
âYouâre going to get yourself killed.â Mahoney swiveled his head for onlookers, settling his furrowed stare on you.
Jessie died, Daniel Fisher died, Officer Farnum died, Karenâs intruder died, and several people before them. If youâre next in line, hopefully youâll scare them more than they already scare you.
ââŠYeah. Iâll do it.â