Joe Hall

Discoholic 🪩

oozey mess
let's talk about Bridgerton tea, my ask is open
🪼
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
RMH
d e v o n

@theartofmadeline

Andulka

祝日 / Permanent Vacation

❣ Chile in a Photography ❣
taylor price
"I'm Dorothy Gale from Kansas"

Origami Around
No title available
occasionally subtle

No title available
Monterey Bay Aquarium
Alisa U Zemlji Chuda
seen from Türkiye
seen from United States

seen from Germany
seen from United States
seen from Malaysia
seen from Spain
seen from United States

seen from United States

seen from United States
seen from Italy

seen from Singapore
seen from United States

seen from United States
seen from Chile
seen from United Kingdom
seen from Greece

seen from Indonesia

seen from T1
seen from Mexico
seen from United States
@tulipcups
Joe Hall
“ Flowers and Plants ”
Photo by Ishikoro. Japan.
Love & Peace!
Zendaya makeup by Raoul Alejandre – via instagram
“punish”
stained glass by me
inspired by @mothercain album perverts
Vieux Carré
New Orleans
The “Flying scene” is one of the most iconic film scenes of all time, if not, the film’s most famous and beloved. It comes in a close second for me, with the ending scene at #1, just one-upping it for the whole…you know…eternal life, complete-promise stuff. But, the flying scene offers so much more than meets the eye.
Rose finds Jack at the bow of the ship after Fabrizio and Tommy told her that he might be up there. The bow was where Jack had previously declared he was “King of the world.” Its safe to say he returned for a pick-me up after Rose turned him down during his last ditch effort to convince her to break free.
Her pivotal line is not even remotely remembered, yet it is the turning point for the entire film (other than the iceberg of course). “I changed my mind” is my favorite movie line of all time. Rose’s delivery of it makes the line. She shrugs her shoulders in surrender to her deepest wishes, to her heart, and simply says it as though she surprised herself. To me, there is nothing more beautiful than someone realizing they can take off their own shackles, and that they had the power to all along.
As she steps forward into her own liberation, Jack shushes her. He grasps how perfect this moment is, and doesn’t want to waste it. Only two scenes ago, Jack was pleading with Rose for her to choose better for herself. Jack expressed that all he wanted was to know that Rose would be alright. He placed the value of her life over his love for her, as he did throughout the entire film, and in this scene it really gets me.
Moments ago, Jack was probably feeling pretty low. Here comes Rose, and instead of seeking the validation from her to make himself feel better, he knows instantly what he wants to do in this moment. In other romance films, this is when the male protagonist would sweep the woman into his arms for a passionate kiss. Instead, Jack empowers Rose so that she can come into her new-found freedom after making one of the scariest choices of her life. While Cal only offered Rose royalty in the form of materialism, Jack offered it in experiential freedom. He offers Rose the highest form of happiness he knows, and anoints her Queen along side his King, at the bow of the ship.
He provides her with an experience exploding with exhalation. She doesn’t have to imagine what flying free feels like, because she is. Jack’s presence supports her first flight until their feelings for one another can longer remain contained.
In a slow, continuous motion, their bodies morph into one another, joined at the lips.
Placing his own love after Rose’s liberation is what makes this scene so extraordinarily exceptional.
the life we deserve
s0wavy
kate winslet as ophelia in "tbt: hamlet" (1996) .
by Burçin Esin
Gerhard Richter, Clouds, 1978
i already put this on bandcamp a year ago but i just wanted it on here. it’s my favorite thing i’ve ever done. aelyxx’s guitar on the second chorus makes me cry each time i hear it. when i die, i want to be remembered as these 5 minutes ♡
Taysa Jorge
Pearl Sweetheart Sunglasses ♡