trying on a metaphor
tannertan36
Sweet Seals For You, Always
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JVL
let's talk about Bridgerton tea, my ask is open
Show & Tell
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second
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Cosmic Funnies
Not today Justin
todays bird
RMH
ojovivo
Love Begins
wallacepolsom
YOU ARE THE REASON
titsay
TVSTRANGERTHINGS
seen from T1
seen from Brazil
seen from United States
seen from Türkiye
seen from Saudi Arabia
seen from Malaysia
seen from Türkiye
seen from United States
seen from United States
seen from Maldives
seen from Saudi Arabia
seen from United States
seen from Saudi Arabia
seen from Spain
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@tutandref
Spin this wheel of the top 50 fastest growing relationship tags of 2024 on AO3!
Have you heard of this pairing?
Yes and I like them
Yes and I don't have a strong opinion about them
Yes and I dislike them
Through friends/mutuals yeah, but I'm not part of the fandom
I've heard of them or the fandom, but I am not familiar
No clue who they are
Nuance/other
here's a link to the ships list
These are various character exploration pieces I’ve been working on lately. <3
I posted these on Instagram and lots of people have asked can they use these as references - the answer is yes but if you use them please remember to credit me and please no direct tracing.
Also please do not re-post my art, re-blogs are always appreciated though <3
Art tutorials by Disney artists Griz and Norm Lemay
Walk Cycle Tutorial
Hassidris “Ashes” spring 2019 collection
TRANHUNG Couture 2019
How to make a pumpkin head
Since I defs didn’t want to carve a real pumpkin to put on my head and get nasts pumpkin insides all over my hair I decided to paper mache one. Unfortunately there was no good tutorials anywhere so I will share my trial and error knowledge.
First I got some supplies: 1 Punch balloon (they’re rounder and larger they regular balloons), some paper mache stuff in a bag, cardboard, a glue gun, paint, sculpey clay, tape, some news paper and some water and flour mixed together.
I then put at least three - five paper mache layers of newspaper with flour water on the balloon. I also measured my head and left an opening at the bottom. (NOTE: Don’t put tape on the balloon and try to peel it off after you’re done paper macheing, RIP)
After that’s all dry I put glue gunned some cardboard onto it to give it some pumpkin like ridges.
Then I filled the gaps between the cardboard and the newspaper with the paper mache in a bag stuff. Wait for it to dry. (Note: Don’t pop balloon until the paper mache in a bag stuff is dry cause it holds a LOT of water and your paper mache project will sink, RIP) After that I popped the balloon and lightly dampened the top with a sponge and water until it was wet enough to slowly press down into more of a pumpkin shape.
After it’s all dry I taped a stem I made out of card board on the top and put another layer or two of newspaper mache over top.
More drying wait time (you can use your oven on the lowest setting to make it dry faster) then I sanded it down and cut out a face with an exacto blade.
I added a little bit of backing behind the face on the inside with the paper mache in a bag to give it more of a 3D look which wasn’t that noticeable but oh well, it kidna worked… After all that stuffs done I painted it all white otherwise the newsprint would bleed through and make my colours not as bright, I also added some sculpey clay to the brow area to give it some more emotion in which I used an iron to dry it with cause it was too late to put it in the oven with paint all over it (Note: Put clay on before painting).
I sprayed it with a sealer before painting colours on it cause I find acrylics do weird things sometimes. After it was all dry I begin to paint.
I also painted the inside a red and added a kinda head rest thing on the inside since when I pushed the top down it made an uncomfortable point at the top when putting it on your head. Then once it was all dry I sprayed it with some more sealer, added some cool stuff like stitches with some ribbon and blood which I used nail polish for a shiny effect and put in some lights which weren’t very effective when my head was in the pumpkin but that’s okay, it still looked cool.
And that’s that!
Hope this helps some people, Enjoy!
I read the title as ‘How to Make Pumpkin Bread’, and was confused the whole way down wondering when this would get to the bread part
Basic sketching tips
IG: @mitchleeuwe
I always struggled drawing hands before anyone told me what to do. So here is a HANDy dandy drawing reference to see the steps on an actual hand. There are three big muscles in the palm. The thumb lump is most important because without it you’ll never even get the shape right. Circle up the knuckles and draw bendy lines (red) to connect them. Make sure the fingers go from medium-tall-short-shortest just slightly (index=>pinky finger). Notice the big red squareish shape around the palm-that’s the first thing I do. Note: every infer has 2 knuckles don’t forget the thumb does too…just in a weird way.
HOLY SHIT
quick proportion tips
- eyeballs are an eyeball width apart - ears align with the top of your brows to the bottom of your nose, and are the center-point of a profile view - lip corners line up to the center of each eye - hands are roughly the size of your face - feet are the same size as your forearm - elbows are aligned with your belly-button - your hands reach down mid-length of your thighs - both upper and lower legs (individually) are roughly the same size as your torso (this is all rough estimates for proportion! feel free to add more to help others)
YOU ARE A FUCKING SAINT
- the length of your legs + feet is about the same as the length of your torso + everything above it
- collar bones extend directly from the shoulders
-wrists align with crotch
My Anime Skin Palette by The-Devil-Butterfly
Right, I’ve actually gotten quite a few of these, so I’m sharing my brush settings with you guys (use them wisely hehe)
These are pretty much the only brushes I use for lining and coloring.
I like a softer lineart as opposed to a hard lineart, so I try to use softer settings for that. It’s surprising for some peolple when they learn I use soft lines, since my finished paintings usually look really crisp. That’s the benefit of drawing on a large canvas I suppose XD
If I want soft shading, I use the water tool. If I want hard shading, I use the Brush tool. But usually I use a mixture of both tools.
Have fun y'all ;D
I’ve been seeing a lot of Big Hero 6 concept art and I wanted to set a brush to kind of mimic the graphite style of some of the sketches. I don’t have a “fully functional” version of SAI, so I tried to make this as simple as possible.
yall look at this shit ad*be is tryna pull now on ppl who have outdated software:
(note for context: i’m all for piracy, but in this case my copy of CS6 was downloaded years ago when they were giving it away to students. i got it totally legally.)
so here is what NOT to do if you’re a loyal fan of adobe who has the cash to shell out for a newer and shittier version of the product you already paid for.
1) DON’T use your search bar to find and open the Run app
2) DON’T type in services.msc
3) DON’T find Adobe Genuine Software Integrity Services and right-click to get a dropdown menu, and don’t select ‘properties’
4) if you happen to click properties, DON’T use the startup type dropdown to locate the option to disable the program. be sure you DON’T click apply to finalize that change.
5) DO NOT do the same thing in order to also disable Adobe Genuine Software Monitor
if you do all of these things, this WILL disable adobe’s ability to monitor the software, and you will be forced to continue using the same older software that you already paid for instead of having to sign up for a newer, shittier version and pay more for it. so if you have lots of cash to spare and are cool with putting it the pockets of racketeering capitalists, definitely don’t do any of these things.
however, you SHOULD reblog this to spread the word, as we certainly want to make sure lots of people know what NOT to do :)
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five
someone: oh yeah, do this exercise during your warm ups! it’ll help
me: my what
What’s up I have an actual college degree in art and I was never ONCE taught to do warm ups.
when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, y’know, we were young so it didn’t matter so much.
Being older now and having an art job it’s…kind of essential.
So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’
1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust!
2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:
a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it!
In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support.
I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose
b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me!
c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface
d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)
e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them
f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics.
g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper.
h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more.
And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc.
This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah.
Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks.
so, yeah! that’s a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings!
Pose Studies.
This was alot harder than it looked LMAO
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