Kaitlyn M - Web207
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Barkhuus, L., & Brown, B. (2009) Unpacking the television: User practices around a changing technology. ACM Transactions on Computer-Human Interaction, 16(3), 1-22. https://doi.org/10.1145/1592440.1592444
Bury, R. (2017). Television 2.0: viewer and fan engagement with digital TV. Peter Lang Publishing. https://doi.org/10.3726/978-1-4331-3870-6
Gray, J. (2010). Show Sold Separately: Promos, Spoilers, and Other Media Paratexts (1st Ed.) New York University Press. http://ebookcentral.proquest.com/lib/curtin/detail.action?docID=865489.
Jenkins, H. (2004). The Cultural Logic of Media Convergence. International Journal of Cultural Studies, 7(1), 33 -43. http://doi.org/10.1177/1367877904040603
Leaver, T. (2008). Watching Battlestar Galactica in Australia and the Tyranny of Digital Distance. Media International Australia, 126 (1), 145-154. https://doi-org/10.1177/1329878X0812600115
Lindsey, C. (2016). Questioning Netflix’s Revolutionary Impact: Changes in the Business and Consumption of Television. In McDonald, K., & Smith-Rowsey, D. (Eds.), The netflix effect: Technology and entertainment in the 21st century (1st ed., pp. 173-184). Bloomsbury Academic & Professional. https://ebookcentral.proquest.com/lib/curtin/detail.action?docID=4542879
Lobato, R., & Meese, J. (2016). Australia: Circumvention Goes Mainstream. In R. Lobato & J. Meese (Eds.), Geoblocking and Global Video Culture (pp. 120–128). Institute of Network Cultures. http://networkcultures.org/blog/publication/no-18-geoblocking-and-global-video-culture/
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Mittell, J. (2010). Wikis and Participatory Fandom. In A. Delwiche & J. Jacobs Henderson (Eds.), The Participatory Cultures Handbook (pp.35-42. Taylor & Francis Group. https://ebookcentral.proquest.com/lib/curtin/detail.action?pq-origsite=primo&docID=1024648













