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@twasitwas
the odyssey (2026)
hayley williams, kill me// sharp objects (tv show) // sharp objects (book)//yellowjackets//interview with a vampire
sharp objects, gillian flynn
Camille when Amma made her go to that teenage party
"I come home - and I have a feeling of returning like a ghost to its haunt."
Katie Maria // Sharp Objects // Bonedog, Eva H.D // Why Be Happy When You Could Be Normal?, Jeanette Winterson // The Early Journals , Virginia Woof
what are your thoughts on amma from sharp objects?
she mostly makes me really sad, because her sadistic cruelty is very clearly a response to her own abuse at adora's hands and the social environment she lives in. which doesn't make it any less vile that she targets other young girls who she (correctly) interprets as less socially protected and therefore easier to get away with murdering and desecrating the corpses of, or negate any responsibility she has as the primary perpetrator in their brutal deaths. but, as adora points out, she's clearly scared and lashing out, believing that this is the best and perhaps only way for her to seize control and power over her life (as the text implies when amma tells camille how she likes to use sex to manipulate and overpower men*). the tragedy is that, with someone like adora as her primary example of how to behave and the consequences of inflicting that kind of violence on others in her formative years, amma was doomed from the start. she bears the weight of generations of rot built by repeated cycles of incestuous maternal abuse that even camille, who was distanced from it her whole life by adora's bitter resentment towards her, didn't escape untouched, and almost failed to survive at all. a child weaned on poison considers harm a comfort, etc.
(*which is a commentary on gender as a structure and means of exercising power in a patriarchally dominated world rather than desire or attraction, as we see amma also attempt to seduce camille, at least partly because she sees pleasing her - by being desirable to her - as a potential means of escape from her current life)
sharp objects, gillian flynn (1.07)
supernatural, eric kripke (4.09 & 5.05)
the crucifixion, titian (1558)
punish, ethel cain (2024)
love it
Love how Sharp Objects consistently explores the way the parents prefer the dead children to the living ones because how they are able to perfectly control the image and legacy of the child into something that reflects well on them in the community at the expense of both the true personality of the dead child and the autonomy and well being of their living children
Gillian Flynn, Sharp Objects
Sharp Objects (2018) dir. Jean-Marc Vallée
Camille Preaker, Sharp Objects (2018)
I want to put you in my mouth, I want to crush you in my jaws — Black Dresses, 'In My Mouth'
Les parapluies de Cherbourg (1964) dir. Jacques Demy
THE UMBRELLAS OF CHERBOURG (1964) dir. Jacques Demy
to me.