MPC Electronics // MPC-1 // analogue drum machine (UK, 1982)
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The Stonewall Inn

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2025 on Tumblr: Trends That Defined the Year
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MPC Electronics // MPC-1 // analogue drum machine (UK, 1982)
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Some She-Hulk commissions from throughout the years. So excited to see how they handle her show. I’ve probably done more of her than any other character. Bucky is a close second I’d venture.
Neart nan Gleann | Adam Fowler
It is hard not to be in awe when you stand in front of one of the many hydroelectric dams that can be found throughout the Scottish Highlands. These large expanses of concrete strung across Scottish glens struggle to blend in with their surroundings, but their presence, perhaps majesty, means that they add to the surrounding landscape rather than being a detriment to it.
In a period of twenty five years post world war two, over fifty major dams and power stations were built in the Scottish Highlands. The construction of this infrastructure was one of the largest engineering efforts in Scotland during the 20th century. Yet this seems such an unsung effort. It involved thousands of people, building miles of access roads, excavating miles of tunnels through mountains and, of course, the building of the dams and power stations themselves. This all happened in some of the remotest areas of Scotland and in some of the harshest conditions.
This work was done for the people of Scottish Highlands. They were given priority over industry when it came to power needs. Profits created supplying electricity to the Central Belt of Scotland were used to construct smaller schemes in the remoter areas of the Highlands to ensure that even the remotest settlements had access to electricity. This was called the “social contract” and was part of the political movement post world war two, that would later be responsible for the creation of the National Health Service.
I have spent the last few years documenting much of this hydroelectric infrastructure, investigating their form and the many interactions they have with their environment. This project has now come to an end and above is a small selection of the images taken during this time.
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All images & text © Adam Fowler
Honna dam, Kaneyama, 1952-54
633. Tom Kay /// Kay House and Studio /// Camden Town, London, UK /// 1971
OfHouses guest curated by Charles Holland: «In the late 1960s and ‘70s, the mews streets of Camden Town were colonised by architects building their own homes. The planning constraints led to ingenious solutions and unusual typologies, perhaps the most well-known being Tom Kay’s house, a blank, brick box to the outside with a complex section and fabulous early 70s décor.» (Photos: © Tom Kay Archive.)
The Forecast Music Sphere, a stereophonic instrument for the alcoa collection by Lester Beall. 1960
Soviet-era control rooms
Source.
Marvel character, Warlock. By Bill Sienkiewicz and Chris Claremont.
I never was much of a superhero comics fan, but my brother was, so the stuff was around me. Warlock caught my eye: with his striking, abstract appearance, he looked like he belonged in a completely different comic. He was a Kandinsky painting, a living circuit board. After Sienkiewicz, other artists had the greatest difficulty drawing this weird and unique character—and his animated appearance (image 3) gave him yet another look…
Bohlin, Powell, Larkin & Cywinski, Summer Residence for Mr. and Mrs. Eric Q. Bohlin, West Cornwall, Connecticut, 1973-1974
La boucle bouclée #moreflawlesshype (at Paris, France)
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The house on the bunker, The Hague. The house was built in 1951 by Romke de Vries on the remains of a bunker for Nazi Reichskommissar Arthur Seyß-Inquart
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Selena Forrest photographed by Roe Ethridge for Dazed Summer 2017
Kazuhisa Kondo