First one of my little fairy tale series in colour ♥
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First one of my little fairy tale series in colour ♥
PRINTS/COMMISSIONS/PATREON
In Greenlandic Inuit tradition, some objects were believed to carry forces far beyond their physical form.
Known as tupilaqs, these strange figures were associated with spirits, magic, and vengeance. Traditionally, they were said to be created from materials such as animal parts, bone, skin, and sometimes other remains, then brought to life through ritual power to harm an enemy.
The surviving tupilaqs seen today are usually later carvings made from materials like wood, ivory, or bone, especially from the late 1800s onward. These were often created as preserved artistic objects, but they still reflect an older spiritual world filled with fear, power, and unseen forces.
Their twisted shapes, hollow eyes, and unsettling forms were not meant to look beautiful in a simple way.
They were meant to look dangerous—like spirits caught between myth, magic, and memory.
𝑪𝒍𝒂𝒖𝒅𝒊𝒂 ⋆₊˚ | also posted on Instagram & Twitter
American Film vol. 16, iss. 9 (Sep 1, 1991), pp. 32-33.
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ok one more uinen post
After 712 days (18 days short of two years), I finally finished my Lord of the Rings map embroidery project!!!!
And this last one is to show my finger for scale and to point to some tiny march plants XD
This took so much time to make, but it was so worth it. I loved seeing the map slowly appear on the shirt as I embroidered. And I did bring the difficulty on myself, because I was trying to make each individual hill and mountain match the original map. (As much as I could without going insane that is.)
As an example, here is a comparison of Dol Guldur:
(This is why you should NOT let a precisionist do embroidery btw)
Overall, it was a simple project. I only used a total of four stitches for the entire map: a split stitch for the outline, a french knot (for the trees), a running stitch (for everything except filling in the mountains and hills), and a variant of the satin stitch, adjusted to fill in the mountains and hills. The hardest part of the project was honestly the amount of time it took.
And if anyone is curious, here is the map I used for reference:
(And I'm always happy to answer questions about the process!)
The Moth
'Will he be there, bright and tall, and the wind in his hair? Tell him. Tell him not to be reckless. Not to seek danger beyond need!' - Morgoth's Ring, "Athrabeth Finrod ah Andreth"
Tolkien in Color: The House of Finwë (part 7/x) < part 6 || part 8 >
for @arafinwean-week
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