[uam3ow]

RIPPLED DUVET SIAMESE FISH BLUISH SUMMER LOVE IS IMMACULATE

[uam3ow]

is your blood authentic? can you prove it to me?

[barcarole]

Ran (乱), Akira Kurosawa, 1985.

[uam3ow]

denji and anthy.. both shoulder so much burden. the crowd of people seek protection under their pallium, a darling ensanguine of votives. 

they are the traumatised child unpalatable to the collective. they are the image of a messiah, shy and devoted and violently sought after. unwanted attention. rot of childhood and personhood. sanctified expiration, virtuoso, elusion

[beforeisayaurevoir]

jordan peele describing the jean jacket interior as a "straight shot into digestion" and like "a theater in itself" is making me go crazy

[illbelieveitwhenyoudo]

denji reminds me of mary magdalene

he's the virgin of mercy

[jetix]

2019-12-28

[uam3ow]

jelly gouache

[uam3ow]

spit out cherry pits the size of your tears; the softest fruit

[uam3ow]

long as we've got love.

[uam3ow]

so the other day, i was described as "always so... down" by my teacher. to which my friend, who was happy to tell him she'd known me since kindergarten, replied "shes always been like that". all jokes of course ^0^

it was funny. i think ill remember it. i was amused at how much it resonated with me- by people i care about to have noticed a thing like this? so, isnt that the truth. that no matter how u present urself, u may always have this air to you. im sure i had it when i was falling over myself, dizzy with laughter and blushing a rosy tenor in sleepovers. im sure i had it when i was the happiest id ever been. when i was in love and when i was calm. i guess ive always been like that

[dogdayafternoon1975]

"In Chungking, Wong moves beyond the traditional problems specific to a dehumanized, industrial society. To set the scene of modern dislocations and isolation, he begins to experiment with the narrative as well as the visual fragmentation of the space of the film by breaking it into two all but disconnected stories associated with one fast-food counter."

"Beautiful Resistance: The Early Films of Wong Kar-wai" by Martha P. Nochimson

Cinéaste, FALL 2005, Vol. 30, No. 4 (FALL 2005), pp. 9-13

"Faye's devotion to 'California Dreamin,' her nearly maddening mantra, is as insistent as Wong's dedication to the 'emotions' of inanimate objects: desperate to find a final tin of pineapple on the eve of its expiry date, #223 berates the Circle K clerk who's already discarded them for ignoring 'the feelings of the cans,' while #663, upon returning to his flooded flat, wonders to himself whether he'd forgotten to turn off the tap or if his apartment is simply growing sentimental."

"TIME PIECES: WONG KAR-WAI AND THE PERSISTENCE OF MEMORY" by Chuck Stephens

Film Comment, JANUARY-FEBRUARY 1996, Vol. 32, No. 1 (JANUARY-FEBRUARY 1996), pp. 12-18

(Film Analysis Hours)

(x)

[uam3ow]

someday i'll have a wardrobe full of everything i want to wear

[uam3ow]

abstraction when you look into fractured mirrors !! the bloom of expansion or rippling waves as an effect applied to your art .. distortion of memories and distortion of reflection! red eyes caught in the camera! the music of a blue screen >< don't you think i live for these moments ♡

[neorattz]

watch out

[honeytuesday]

my blog is just one long love letter to myself and all the people i used to be

[uam3ow]

so, even though you’ve broken my heart yet again,