129 Of The Most Beautiful Shots In Movie History

Love Begins
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Game of Thrones Daily
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Game Changer & Make Some Noise

roma★
Lint Roller? I Barely Know Her
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@un-animated-works
129 Of The Most Beautiful Shots In Movie History
Teenage bedrooms in movies
A Close Shave (Short) | Nick Park | 1995
A Close Shave (Short) | Nick Park | 1995
Underwatched Animated Films I Recommend You See at Least Once in Your Life
EDIT: i didn’t expect this post to get so many notes. for the record, these are just my personal recommendations, not a definitive list of best underrated animation. i also did not include anything made by Disney. I know that they made some movies that didn’t get as much attention as their other hits, but lists of underwatched Disney films are pretty common, so I thought I’d make one of films by studios that aren’t household names.
Angel’s Egg (1985)
This movie is a nearly silent film with painstakingly beautiful frames and environmental details. All I can say is that it is a real piece of art worth watching and can be watched on YouTube here.
Les Triplets de Belleville (The Triplets of Belleville) (2005)
An incredibly quirky, strange and humorous French film, also with almost no dialogue. The colors, creative storytelling, and almost caricature-like designs make the Triplets a must-see. The setting and timeframe is left sort of abstract, but it’s a clear transition from last-century rural France to the hustle and bustle of urban America. Lots of homage is paid to cartoons from the 1920s.
Mindgame (2004)
This movie, quite like the title says, blew my mind. It’s also incredibly strange and out-there, but the awkward imagery gives way to real emotion and huge payoff by the end. The colors and animation are delightful, and always tailored to the situation. It is an amazing intersection of an altered state, a love story, a struggle to get home, an existential trip, and an unlikely group of friends. I almost always cry when I watch this. Seriously, can’t stress this enough. There is absolutely nothing like Mindgame.
Le Chat du Rabbin (The Rabbi’s Cat) (2011)
Rabbi’s Cat is a French film based on a French comic by the same name. The comic artist also directed the movie. Honestly, the dialogue in this is unmatched. Both Cat and Rabbi are witty and have the best banter. The setting is one of the most unique and real-feeling I’ve ever seen a film take place in: a Jewish community in Algeria. It’s wonderful and incredibly charming, could not recommend more.
Tekkonkinkreet (2006)
This movie hits me on a number of levels. I have so much love for the two orphans, Black and White. The story quickly becomes raw and almost difficult, as it touches on a lot of the feelings we see in things like Grave of the Fireflies, but in a much more abstract way and on a much grander scale. Also less sad, but there are very sad parts also. I guess the best way to describe this movie is intense. While there are a lot of sweet, domestic moments, none of the gruesome reality is sugercoated for you.
The visuals are all completely stunning; the art is on another level. Treasure Town is a rich, fantastical environment and the characters flow through it effortlessly, like water. You gotta see this at least once in your life.
Chico and Rita (2010)
An American/Spanish romance between an aspiring piano player and a young singer. The film opens in Cuba and has a vibrant and unique visual style while exploring a multitude of music styles and cultural backdrops. It’s touching and sweet, but does not erase the hardships of being a black music star in America or living through the Castro regime.
Wizards (1977)
Ralph Bakshi is notorious for underappreciated gems. Wizards is set in a post-apocalyptic fantasy world where magic is real and man has survived the radiation to evolve into fairies, elves, and dwarves. It’s a classic nature vs industry story with Bakshi’s unique spin. My favorite character is Necron 99, the assassin robot turned pacifist. I’ll warn you though, Bakshi films aren’t everyone’s taste (he’s responsible for Fritz the Cat, which against my better judgement I recommend as well).
Wizards was completed during the dark age of animation, and its fascinating to see how Bakshi gets around these limitations to produce something that grossed more than twice its budget.
Memories (1995)
Memories is a three part anthology based on three different manga short stories, Magnetic Rose, Stink Bomb, and Cannon Fodder. While the entirety of the movie is beautifully animated and worth the watch, the best of these is the first one. It is a mysterious, tragic sci-fi horror short film set in space and worked on by Satoshi Kon (so of course its amazing).
Sometimes I forget I have things- gonna try to get this blog up and running again!
weird movie masterpost pt. 1
House (1977) - a girl brings her friends to visit her aunt and it doesn’t go well with really beautiful special effects
Fantastic Planet (1973) - a human enslaved by aliens sets forth a revolution in this strange animated film
An Optical Poem (1938) - no plot? no problem! just some super trippy circles to classical music
Begotten (1991) - not for the faint of heart or the strong of heart proceed with caution
Un Chien Andalou (1929) - a classic surrealist film written by one the kings of weird salvador dalì
Les Escargots (1965) - starts out with a pretty basic plot but then takes a weird turn
Les Dents du Singe (1960) - this animated feature follows a man who sells his teeth to a corrupt dentist
Suspiria (1977) - an american at a prestigious german ballet school notices strange behavior in its staff with an awesome soundtrack
*movies with links are available on youtube
**send me recs for pt. 2 please!!!
I’ve been meaning to watch Suspiria for years, House (or Hausu depending on who u ask) is absolutely incredible and weird
Felidae (1994)
“Don’t give up on the idea of a world in which all animals and people can live together. Perhaps we all need to evolve, to grow a bit more. Maybe we need to grow into Felidae.”
The 40 greatest animated movies of all time.
Tokyo Godfathers (2003) Japan
Written and Directed by Satoshi Kon
Produced by Madhouse
Distributed by Sony Pictures Entertainment Japan
★★★★★
Just when you think there’d be an animated movie with non-fantastical elements, you’re wrong. Going into this review I thought to myself, “I got it! A non-fantasy animated film that doesn’t have any singing or talking animals! We finally got some people!” But the further I dug into Tokyo Godfathers (2003) the more I realized it’s transcendental elements and storytelling. There is actually quite a bit ties with folklore and mythology, as well as faith and religion. On the surface, it seems like a Robin Hood style story, or even something along the lines of Shakespeare even.
One of the great Satoshi Kon’s last films, Tokyo Godfathers is probably one of his most underrated films. From my experience, most American and Western audiences are more familiar with his television series Paranoia Agent (2004), rather than his films. If anything, most people know Paprika (2006) due to it being his last film he made before it’s death, but his earlier films haven’t had a wide U.S. release. Animation politics aside, if you’re an animation lover, film connoisseur, what have you, this is a film for you. Bottom line, it’s a great film.
Set in modern day Tokyo, Japan, a trio of ragtag homeless individuals experience their own miracle on Christmas Eve. I won’t give away too much about our main characters, because that’s half the fun of the movie, but you will find yourself identifying with at least one, if not all three of heroes. It's a source of empowerment for everyone from all different walks of life. Whoever you are, you will find some sort of connection. The coincidental storytelling of this film has you turning your head in every which way. Although it has a progressive plot line, the film contains a lot of smaller plots that seem more like quests. I myself haven’t talked about this in ages, but Tokyo Godfathers follows the hero’s journey plot structure very well, as well as bringing in transcendental themes that get you thinking about your own morals and beliefs.
The writing itself is so witty and clever, although I don’t know how much is lost within it’s English translation. As a teen when I first initially picked up this film, I definitely had to give it a few watches or rewinds just to catch or understand what a character was getting at. If you know Japanese, maybe give this one a watch without subtitles and then tell me what you think! I’d love to know if there was a joke I didn’t grab right away. There’s a lot of great Western references in the movie for those english-speakers out there like me. I think everyone at some point everyone should indulge in foreign films that don’t have dubbing, it makes you appreciate the film more. I’ll be honest though, when I first grabbed Tokyo Godfathers back when Blockbuster was still a place, I was like, “What the hell?” when I started the movie and it didn’t have an english option. All of the anime I had been watching up to that point had been dubbed for our viewing ease. This movie though was one of the first movies I actually sat and watched with subtitles, and I think it definitely helped expand my horizons in the cinema world.
The animation is absolutely breathtaking, along with some amazing action sequences as well as art direction. I could go on forever on how I love how Kon captures emotion in the eyes, especially in women. There’s a very soft and angelic look he gives his lady characters. Even some of the more comedic scenes are animated with such a surrealist approach, that you don;t even know what you’re watching at some points. Kon himself is also another artist to notch into your animator’s inspiration belt. He himself has a very precise way to films, much like many other great Japanese directors. But compare him to Hayo Miyazaki for example, and you’ll see what I mean.
I give Tokyo Godfathers a 5/5 for it’s great marriage of animation and amazing storytelling. If you don’t fall in love with the art itself, open your hearts to the characters. I don’t think you’ll be disappointed!
Catch the movie here!
Underrated and Underappreciated Master List (Continuing)
Furry Animal Friends
Watership Down
Plague Dogs
Felidae
Millionaire Dogs
Fritz the Cat
The Nine Lives of Fritz the Cat
Gay Purr-ee
We’re Back! A Dinosaur Story
Song of the South
An American Tail
An American Tail: Feivel Goes WestThe
Secret of NIHM
Animal Farm
Pom Poko
Cats Don’t Dance
Coonskin
Here Comes Peter Cottontail (Rankin/Bass)
The Devil and Daniel Mouse
Once Upon a Forest
First Snow of Winter
My Dog Tulip
A Goofy Movie
An Extremely Goofy Movie
Peter and the Wolf (Russia)
Ernest and Celestine
The Land Before Time
A Cat in Paris
The Rabbi’s Cat
The King and the Mockingbird
Balto
Charlotte’s Web (1973)
Fantastical
The Thief and the Cobbler (Recobbled Cut)
The Last Unicorn
The Lord of the Rings (Bakshi)
The Hobbit (Rankin/Bass)
Fire and Ice
The Black Cauldron
Paprika
Cool World
Rock and Rule
Yellow Submarine
Wizards
Fern Gully
The Pagemaster
The King and I
The Swan Princess
Heavy Metal
Little Nemo in Slumberland
Gulliver’s Travels (1939)
Anastasia
The Day of the Crows
A Monster in Paris
Titan A.E.
Fantastic Planet
Millennium Actress
Nocturna
Song of the Sea
The Secret of Kells
Allegro Non Troppo
The Not So Everyday Life
Heavy Traffic
Hey Good Lookin’
The Last Days of Coney Island
American Pop
Tokyo Godfathers
Perfect Blue
The Wall
When the Wind Blows
Grave of the Fireflies
The Illusionist
The Triplets of Belleville
Waltz with Bashir
Persepolis
Mary and Max
Chico and Rita
Beavis and Butt-Head Do America
Wolf Children
Osmosis Jones
Monster House
Tekkonkinkreet
Only Yesterday
It’s Such a Beautiful Day
Couple new films added! Ones I’ve covered so far have been highlighted!
When the Wind Blows (1986) United Kingdom
Directed by Jimmy Murakami
Written by Raymond Briggs
Produced by John Coates
Distributed by Recorded Releasing
★★★★★
Now this film is definitely not for the faint of heart. Not that it’s extremely graphic or violent, but the subject matter is very unnerving. For me personally, nuclear fallout scares me unlike anything else. Any kind of disaster like that does. Most of us were forced to read in middle school, and for me a lot of the books had to deal with the nuclear fallout for some odd reason. Why we had to read these? No idea. Since the Cold War didn’t really end until 1991, the global fear was nuclear war. Hundreds to thousand of books and films dealt with this subject. Today we cover just one of those many films.
Based on The Snowman (1982) director Raymond Briggs’ graphic novel of the same name, When the Wind Blows (1986) gives us a look on how the most average everyday people have to survive the most extreme disasters. We have your typical old, white couple living out their golden years in the English country side. An unknown war has broken out. Possibly an extreme ending to a so called ‘Cold War’. Jim and his wife Hilda try to prepare for the worst. Our god-like force is a voice on the radio and convenient handbook giving the couple directions on how to survive nuclear fallout and the process of radiation sickness. The hardest part of this movie is the sheer naivety of the couple. Sure, they are following their given instructions to the dot, but how they handle everything is so unsettling. You just feel so sorry for them and can’t help but imagine their untimely demise being played out. What’s hardest about this movie is that you don’t see anywhere outside of Jim and Hilda’s house. You’re left with just them. You are forced to carry on their days and routines with them. You have to listen their babbling, and their absurdities. The film is more heartbreaking really. I don’t want to go too much into it, it’s really up to you to see this one.
The film is a hybrid of stop-motion and hand drawn animation. For it’s subject matter, it’s sweet and soft style adds to the eeriness of the whole film. This film is definitely a change of pace compared to most disaster films. Only a few animated films have dealt with the aftermath nuclear fallout. Some fictional, some historical. I consider this one on the more serious and frightening side, only because this couple is making it harder for us to keep watching. It’s different than most films dealing with this kind of fallout, like Barefoot Gen (1983) for example. That film is extremely graphic, but it’s so fast paced that you’re forced to move on from tragedy to another. When the Wind Blows is graphic in a different sense, its hard to explain. The style of the film makes it darker because it looks like it could be a sweet movie, when it really- really isn’t.
I picked this movie for this round mostly because of it’s soundtrack. With songs by the late great David Bowie and many others, the film is also backed with some great sound effects that add to the personal quietness of the movie. The soundtrack is tied in with some great visuals and montages, definitely mirroring a lot of styles from the 80’s- mostly styles from the United Kingdom. A great comparison would be Pink Floyd’s The Wall (1982). Others on this Soundtrack include Genesis, Squeeze, Paul Hardcastle, and composer Roger Waters.
You can still find this one on YouTube here!
Gay Purr-ee (1962) U.S.A.
Directed by Abe Levitow
Written by Chuck Jones and Dorothy Jones
Produced by UPA
Released by Warner Bros.
★★★★★
What is our obsession with having animals talk and sing? Is it because we often wonder what our furry companions are thinking about? We’d like to think that our four-legged friends have their own world, and perhaps they do. Gay Purr-ee (1962) is a film that takes place in Paris, France and features the lead of two cats. One white, beautiful, Persian angora named Mewsette- and a country bumpkin orange tabby named Jaune Tom. They have an adventure and fall in love. Sound familiar? Maybe a lot like a certain Disney movie you grew up with? One of the few films collaborated with the famous Warner Bros. director Chuck Jones, Gay Purr-ee preceded Disney’s The Aristocats (1970) by almost a decade. I might be crazy, but this isn’t the only case where Disney produced a similar film to another animation studio. The leads and themes are nearly the same. Not to mention the usage of French historical figures for namesakes. Don’t get me wrong, they’ve been victim to it too. Every studio is. I might make a chart of this later, but I digress- Gay Purr-ee is a much more unique film and deserves more recognition than it has.
I first saw this movie when I was about six years old or so, back when Cartoon Network had their great Cartoon Theater series. They played a lot of great films during the weekends, lots that haven’t been seen widely by the masses. I was lucky enough to find the old promo for Gay Purr-ee here.
With the art direction led by Chuck Jones; and written by he and his wife Dorothy, Gay Purr-ee was the only feature film to be directed by Abe Levitow. However, Levitow went on to collaborate with Jones on several more of his works including The Phantom Tollbooth (1970). Levitow worked with UPA most his career, but also worked on Tom & Jerry and a few other shows. Chuck Jones was known primarily for his work with Warner Bros., but also went on to make several short animated films throughout the rest of his career. Jones knew he wanted to give the film an authentic Parisian feel to it, so he naturally applied the artistic themes of renowned artists who flocked to France during the Impressionist and Post-Impressionist eras of art. These artistic parodies feature the styles of Claude Monet, Henri de Toulouse-Lautrec, Georges Seurat, Henri Rousseau, Amedeo Modigliani, Vincent van Gogh, Edgar Degas, Auguste Renoir, Paul Cézanne, Paul Gauguin and Pablo Picasso. It’s extremely fun to play hide and seek with these guys, and spotting the differences in scenes where the styles just seem to bounce around. For example, Mewsette’s home in the country is very reminiscent to van Gough’s style of painting, while in Paris the scenery is more similar to Seurat or Lautrec.
Gay Purr-ee is an overall feast for the senses. If you’re not blown away by the art, the soundtrack will surely nab you. Featuring the beautiful voice talents of the legendary Judy Garland and Broadway star Robert Goulet, cast itself is just as amazing. Comic Red Buttons, voice acting legends Mel Blanc and Paul Frees join the ranks as well. This film was Goulet’s first film debut and Garland’s only animated role- I wish she would’ve been approached to do more! Here’s one of my favorite parts here.
The acting goes great with the animation, and leads to some great segments in the film. On a technical note; I don’t see too many flubs, maybe none at all. The plot flows well, maybe a little predictable in the love-romance-chase aspects, but there’s a lot of fun storytelling to it. Jones was great at that, and definitely doesn’t disappoint.
This movie gets a 5/5 from me, only because I enjoy nearly all aspects of this film. Biased maybe because I’m a diehard Chuck Jones fan? Maybe. But definitely give this film a view. The songs will get stuck in your head, and you’ll be able to brag that you know a film that has Robert Goulet in it. Impress your friends and peers.
It is in pieces on YouTube, but I don’t recommend it. If you got an Amazon, you can watch the film online here and get the soundtrack as well.
Enjoy my kitties!
Rock & Rule (1983) Canada
Directed by Clive A. Smith
Written by Patrick Loubert and Peter Sauder
Produced by Nelvana
Released by MGM
★★★☆☆
If you like animals that sing; this is a good one for you
Much like most film and music from our cousins up north, Rock & Rule could have been an instant classic if not due to it’s troubled release. Rock & Rule was the first film to be released by Canadian animation studio Nelvana (Care Bears, Pippi Longstocking, Little Bear, etc.), but didn’t prove much success in the beginning. Due to it’s sexual content, drug use, implied satan worship, and violence, Rock & Rule had a very limited release in Canada as well as the U.S. Because of this it soon gained a cult audience and following. The film failed to release a soundtrack, and for a while went unseen other than rare late-night screenings on HBO. Though there are limited copies of the film in circulation, you can get a Blu-Ray copy on Amazon. Go figure.
Backed by an amazing soundrack featuring songs by Debbie Harry, Lou Reed, Cheap Trick, Earth, Wind & Fire, Chris Stein, and Iggy Pop- the soundtrack is probably one of the most underrated aspects of the film. Unfortunately a record was never released for the film, but you can find a lot of the songs individually floating around YouTube. I highly recommend the finale of the film.
Some of the animators who worked on this film went on to work on others, several released by Disney. Charles Bonifacio went on to work on other movies such as The Land Before Time (1988) and The Hunchback of Notre Dame (1996) to name a couple.
Personally, I’d give this movie a 3.5/5, but that’s only because I can be a stickler when it comes to animation. Some scenes are animated beautifully and have great fluidity and edge. But some scenes can be a little awkward at times where the lip sync is off, or stops at a weird pose or expression. The plot is a little predictable, but has a very interesting take on a music driven future where mice, dogs, and cats have mutated into humanoids. The character design is great and unique too, very appropriate for the vibe of the film. It’s a fun film to watch, especially with your animator friends. If you’re not into if for the animation, watch it for the music. That part will never fail.
You can still watch the movie on YouTube here!
Underrated and Underappreciated Master List (Continuing)
Furry Animal Friends
Watership Down
Plague Dogs
Felidae
Millionaire Dogs
Fritz the Cat
The Nine Lives of Fritz the Cat
Gay Purr-ee
We're Back! A Dinosaur Story
Song of the South
An American Tail
An American Tail: Feivel Goes WestThe
Secret of NIHM
Animal Farm
Pom Poko
Cats Don't Dance
Coonskin
Here Comes Peter Cottontail (Rankin/Bass)
The Devil and Daniel Mouse
Once Upon a Forest
First Snow of Winter
My Dog Tulip
A Goofy Movie
An Extremely Goofy Movie
Peter and the Wolf (Russia)
Ernest and Celestine
The Land Before Time
A Cat in Paris
The Rabbi's Cat
The King and the Mockingbird
Balto
Charlotte's Web (1973)
Fantastical
The Thief and the Cobbler (Recobbled Cut)
The Last Unicorn
The Lord of the Rings (Bakshi)
The Hobbit (Rankin/Bass)
Fire and Ice
The Black Cauldron
Paprika
Cool World
Rock and Rule
Yellow Submarine
Wizards
Fern Gully
The Pagemaster
The King and I
The Swan Princess
Heavy Metal
Little Nemo in Slumberland
Gulliver's Travels (1939)
Anastasia
The Day of the Crows
A Monster in Paris
Titan A.E.
Fantastic Planet
Millennium Actress
Nocturna
Song of the Sea
The Secret of Kells
Allegro Non Troppo
The Magic Pony
The Not So Everyday Life
Heavy Traffic
Hey Good Lookin'
The Last Days of Coney Island
American Pop
Tokyo Godfathers
Perfect Blue
The Wall
When the Wind Blows
Grave of the Fireflies
The Illusionist
The Triplets of Belleville
Waltz with Bashir
Persepolis
Mary and Max
Chico and Rita
Beavis and Butt-Head Do America
Wolf Children
Osmosis Jones
Monster House
Tekkonkinkreet
Only Yesterday
It's Such a Beautiful Day