anger repression
see also: the pros and cons of acting niceys, masterclass on ignoring the tapu koko in your mind
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@un-awesomeme
anger repression
see also: the pros and cons of acting niceys, masterclass on ignoring the tapu koko in your mind
my favorite moments from theamandafilesâs confrontation with volo. this is an adult woman talking to a screen for 7+ minutes and im obsessed with it. the dynamic sheâs made up in her head for this game is so far from whatâs actually happening, but also absolutely fantastic. the sneasler rant has nothing on this.
transcript under the cut:
the new short was AWESUM
I be doing bullshit at night
2024926 grudge
So, we need to talk about what webtoons(the company) has done to webcomics
Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators
I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.
So let's talk about what those expectations are now: đŽDemand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers
There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.
đŽAll on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason
I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)
đŽSustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing
With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.
Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!
So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution
Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?
We share resources đ
Alternative Comic Platform: comicfury.com Comic Resource List: cartoonist.coop/resources/ Screen Tones Webcomic Website: screentonescast.com Webcomic Website Template: rarebit.neocities.org How to make a webcomic: thestarfishface.com/products/how... And feel free to reply with even MORE!
Thank you for making this post! For any webcomic creators interested in making their own webcomic website with a hosting service and wordpress, I have made a complete step by step video on how to do that, feel free to check it out!
Also, for webcomic creators who either make their own website or use a comic platform like Comicfury, consider using a peer-to-peer ad network like Comicad.net to advertise your webcomic and create ad space on your own website.
I'm always a huge advocate for webcomic creators making their own websites so they can be in greater control of their own work. There's more options out there, so don't let Webtoons be the end all be all for your comics existence!
Huuuuuge ghetsis and Colress dump I WANT THAT OLD MANNNN!!!!!! Save me ghetsis in a prison uniform save me!
Last Colress picture was actually drawn 3 months ago but shhhhhhâŠâŠ
villain going to the goon shelter to pick out a new henchman
this energetic and diabolical boy was rescued from a goon hoarding situation⊠he loves pulling levers, gloating, and turning cranks with great abandon. prefers to be the only goon. needs an active lair with plenty of enrichment.
now this fella comes with some baggage. his previous villain was going to have put down when he refused to perform unsedated human vivisection as a form of torture. one of our agents intercepted the execution and brought him to the goon shelter. would thrive in an environment of G or PG-rated villainry.
on the other hand, if youâre looking for something a little more⊠advanced⊠then this fine lady over here would make a great challenge for an experienced villain able to set firm boundaries. she will NOT be released to first-time villains; proof of prior henchpeople must be demonstrated before adoption approval. high prey drive. under no circumstances should she be left alone with children or small animals. must sign waiver releasing the goon shelter from responsibility if her behavior is deemed excessively depraved.
These two are pair-bonded and may only be adopted together. Up for anything, they are fiercely loyal to their employer provided their needs are met and they are permitted to hold hands. They look alarmingly similar to one another but it is undeterminable whether they are close blood relatives or lovers who choose to dress and style themselves in identical ways. Habit of finishing each otherâs sentences with rhyming couplets; we have not attempted to train this out of them. Will answer to whatever names or titles you give them so long as they are complimentary and/or rhyme.
Will you help this goon find his forevil lair? Heâs been returned to the goon shelter six times now but we refuse to give up on him. A vile little rat of a man, heâd be the perfect accomplice to someone willing to overlook his unfortunate heterosexuality. If gay-coding is not your style and you donât expect it from a henchman, please consider giving this little guy a good home in your dastardly schemes.
This guy is not your typical goon. He was rescued from a high-kill shelter after being deemed unfit for henching. His deep baritone voice, his darkly handsome good looks, and his flair for the dramatic have made prospective employers pass over him time and time again, making him the longest resident of the goon shelter. But donât judge a book by its coverâwhile his appearance and demeanor suggest âvillainâ, his real passion is taking orders and faithfully serving a master. If youâre secure in your villainry and not prone to jealousy, he may just be what it takes to turn your base into a lair.
KEEP ON RUNNING đ„đ„đ„ (id in alt)
ryan gosling they could never make me give a fuck about you.
next person that reblogs this saying something even the slightest bit positive about ryan gosling is getting their ass beat
Yes their bond is nonexistent in canon. No I donât need that to change but this was a fun exercise (+ I get to make Jason read a few things from my personal collection)
It's my book's birthday!! I worked so hard on Hello Sunshine for 3 and a half years, and it's the most important and best thing I've ever done in my life, and I'm so, so, so excited for everybody to finally get to read it!!
"Hello Sunshine is a horror mystery GN about a boy who comes back from bible camp to find out that his secret boyfriend, Alex, is missing after a very public mental breakdown."
You can find it in bookstores now but it's also available to order online or as an ebook!
P.s. it's my birthday in 9 days too haha
Testing out some manga brushes and this idea has been in my head for a while, so it felt like the perfect union.
đșOPENING 7 SLOTS FOR AUGUST đș
hello! excited to work on your lovely ideas this month being it's ocs or fan character i am here for ya!
đș For any questions or ideas not listed above please message me here or fill this FORM so i can write you back asap!
Oc Wardrobe sheets are open as well!
đș Deadlines are no problem for me just mark the desired date and we good to go
THANK YOU SO MUCH FOR THE SHARE AND SUPPORT đ
Orin finds constant beauty and joy in the world while her abusers mock and hate her âgirlishâness and she doesnât understand why she canât gain their approval, she doesnât understand that they only want her to control her, they do not value anything she does or makes simply because itâs from her. And yet she does and makes so much. Yes I know what she does is supermurder. I just think that when you guys imply sheâs done anything wrong ever youâre actually upholding the patriarchy. Thatâs all.
mithrun rediscovers the joy of ragebaiting
Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creatureâit is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
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