Este viernes 20 de noviembre #CircuitoPostPorno BogotĂĄ en el marco del #KuirBog
Noah Kahan

@theartofmadeline
Misplaced Lens Cap
let's talk about Bridgerton tea, my ask is open

Discoholic đȘ©

No title available
Claire Keane
tumblr dot com

Kaledo Art
official daine visual archive

Love Begins
todays bird
Sweet Seals For You, Always

â
hello vonnie

titsay
đ©” avery cochrane đ©”

if i look back, i am lost
I'd rather be in outer space đž
EXPECTATIONS

seen from France
seen from United Kingdom
seen from Spain
seen from United States

seen from United States

seen from United Kingdom
seen from Norway
seen from United States

seen from Greece
seen from United Kingdom

seen from Malaysia
seen from United Kingdom

seen from Malaysia

seen from Argentina
seen from United States
seen from United States

seen from United States

seen from United States
seen from Netherlands
seen from Finland
@uniseks
Este viernes 20 de noviembre #CircuitoPostPorno BogotĂĄ en el marco del #KuirBog
Craig Davies for Art-Sheep Paris, glam and beautiful transsexuals in the 1950s city of light. Christer Strömholm is considered to be the father of Swedish photography. Known for his black-and-white captivating photographs, he was an influential role model and an educator. Strömholm lived in Paris in the late 1950s and early 1960s and captured aâŠ
Rose Freymuth-Frazier
Information on Rockbitch
The Rocky Horror Picture Show (1975)
A piece from my favorite artist and one of my idols: ~ Bryan Kenny!
Circuito Post-Porno, busca poner en la escena cultural bogotana diferentes prĂĄcticas artĂsticas queâŠ
Y se vino! Todos muy atentos, aquĂ publicaremos toda la informaciĂłn sobre Circuito Post-Porno, del 1ero al 15 de noviembre.
Resistance Through Rituals, Fiasco Subculture Issue , styling and graphic intervention Riccardo Slavik, Ph Lorenzo Marcucci
feat Anatol, Conor, RJ, Mikkel etc
from 2013 by primal scream
To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. Youâre everywhere you look, youâre the standard against which everyone else is measured. Youâre like water, like air. People will tell you they went to see a âwoman doctorâ or they will say they went to see âthe doctor.â People will tell you they have a âgay colleagueâ or theyâll tell you about a colleague. A white person will be happy to tell you about a âBlack friend,â but when that same person simply mentions a âfriend,â everyone will assume the person is white. Any college course that doesnât have the word âwomanâ or âgayâ or âminorityâ in its title is a course about men, heterosexuals, and white people. But we call those courses âliterature,â âhistoryâ or âpolitical science.â This invisibility is political.
Michael S. Kimmel, in the introduction to the book, âPrivilege: A Readerâ (via thinkspeakstress)
ĂNISEKS wishes you a Happy NEW YEAR!
All I wanted comes in colors Vanish everyday I keep these promises, these promises Stranger things will come before you Always out of the way We keep these promises, these promises Can you call it See it coming Just enough to tell a story bout a Portrait of a Young girl waiting for a new year All you ever wanted Is it getting away? Visions of a feeling The footsteps at bay You were getting stronger Memories again Now you're open wider It's better this way All I wanted comes in colors Vanish everyday I keep these promises, these promises Stranger things will come before you Always out of the way We keep these promises, these promises Won't you write a letter On the page In your own way Write it in a letter On the page It's your own way You were getting wiser It's better this way Faces in the mirror Memories again Now look to a feeling It's lighter than breath All you ever wanted Is it getting away? Can you call it See it coming Just enough to tell a story bout a Portrait of a Young girl waiting for the ending of an era Can you call it See it coming Just enough to tell a story bout a Portrait of a Young girl waiting for the new year
A propĂłsito del lenguaje...
16 He meditado hoy, en un intervalo de sentir, en la forma de prosa que uso. En verdad, ÂżcĂłmo escribo? He tenido, como todos han tenido, el deseo pervertido de querer tener un sistema y una norma. Es cierto que he escrito antes de la norma y del sistema; en esto, por tanto, no soy diferente de los demĂĄs. AnalizĂĄndome esta tarde, descubro que mi sistema de estilo se as
ienta en dos principios, e inmediatamente, y con la buena manera de los buenos clĂĄsicos, erijo estos dos principios en fundamentos generales de todo estilo: decir lo que se siente exactamente como se siente -claramente, si es claro; oscuramente, si es oscuro; confusamente, si es confuso- comprender que la gramĂĄtica es un instrumento, y no una ley. Supongamos que veo ante nosotros una muchacha de modales masculinos. Un ente humano vulgar dirĂĄ de ella, «Esa muchacha parece un muchacho». Otro ente humano y vulgar, ya mĂĄs cerca de la conciencia de que hablar es decir, dirĂĄ de ella «Esa muchacha es un muchacho». Otro igualmente consciente de los deberes de la expresiĂłn, pero mĂĄs animado por el afecto de la concisiĂłn, que es la lujuria del pensamiento, dirĂĄ de ella «Ese muchacho». Yo dirĂ© «Esa muchacho», violando la mĂĄs elemental de las reglas gramaticales, que manda que haya concordancia de gĂ©nero, como de nĂșmero, entre la voz substantiva y la adjetiva. Y habrĂ© dicho bien: habrĂ© hablado en tĂ©rminos absolutos, fotogrĂĄficamente, fuera de la vulgaridad de la norma, y de la cotidianeidad. No habrĂ© hablado: habrĂ© dicho. Fernando Pessoa (1998). El Libro del desasosiego.