unlikeable protagonist

follows and likes appear as "babydentures" fatshion

[themakeupbrush]

[unlikeableprotagonist]

Bringing this to the hair salon

[meowoofau]

[mxlabradorite]

This post is very important.

[kikuzu]

(via サラミさんはTwitterを使っています: “貴重な押し込まれる着ぐるみ画像が増えましたありがとうございます https://t.co/3mVPgFuGG9”)

[fireland]

Stay Tuned (1992)

[unlikeableprotagonist]

What if I started using tumblr again

[letspainttv]

Portrait of #markzuckerberg done on #fridaynightletspainttv #letspainttv #facebook

[unlikeableprotagonist]

[qoemedoa-deactivated20170130]

[unlikeableprotagonist]

heres a picture from last year when i went to the gym in my office building literally twice and then stopped forever because a weird dude kept death staring me the entire time i was there. pretend im not there man, im trying really hard to pretend you arent. also exercise sucks and makes me feel really bad. after i stopped going i kept the membership for several months so i could do my makeup after work without running into my boss

[demiiwhiffin]

[thepainoflifethatyouknow]

I always wanted this apartment, but it would be awful in reality.

[unlikeableprotagonist]

i refuse to believe that frasiers apartment has 4 bathrooms

[shinyandloud]

The unfortunately most common response is what we often see from empowered individualistic consumers, which is “how can I consume ethically.” The question turns the issue from being about the workers to about the consumer. We see this in apparel activism too often from people who think that buying second-hand clothing is an answer to sweatshop labor. Michelle Chen answers the question about what you can do quite simply–support worker organizing–and she provides plenty of information about how that is shaping up.

[tackorama]

[lake-erie]

Frog and cranberries it must be fall.

[andrewmaxedon]

Ai Weiwei, “Dropping a Han Dynasty Urn,” 1995

An astonishingly irreverent piece of work.  This triptych features the artist dropping a Han Dynasty (206 BC - 220 AD) in three photographs.  

When questioned about the work, he suggested that the piece was about industry: “[The urn] was industry then and is industry now.”  His statement, therefore, was that the urn was just a cheap pot two thousand years ago, and the reverence we feel toward it is artificial.  One critic wrote: “In other words, for all the aura of preciousness acquired by the accretion of time (and skillful marketing), this vessel is the Iron Age equivalent of a flower pot from K-Mart and if one were to smash the latter a few millennia from now, would it be an occasion for tears?”

However, the not-so-subtle political undertone is clear.  This piece was about destroying the notion that everything that is old is good…including the traditions and cultures of China.  For Ai Weiwei, this triptych represents a moment in which culture suddenly shifts (sometimes violently), shattering the old and outdated to make room for the new.  

[unlikeableprotagonist]

[hauntedbystorytelling]

Three young women eat spaghetti on inflatable mattresses at Lake of Capri, 1939 (AP Photo / Hamilton Wright)

[christopher575]

My ideal life.