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EXPECTATIONS
"I'm Dorothy Gale from Kansas"
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we're not kids anymore.
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Fai_Ryy
shark vs the universe
tumblr dot com
Product Placement
🪼
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Today's Document
Discoholic 🪩
almost home
Monterey Bay Aquarium
noise dept.
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@unlost-kin
for every incel white man star wars dudebro there is a teenage lesbian with a slightly deeper and more obscure knowledge of star wars who will one day defeat him in battle
the only starwars i've seen is force awakens and a little bit of the clone wars show and i'm pretty sure this is the plot of the sequel trilogy. No one tell me if i'm wrong
out od all animals, bunnies have the highest level Gay Little Paws skill
First post who know me
the term 'toxic yuri' has been driven into the ground. Enough
every time a fandom buzzword starts being used in marketing copy it should be immediately be retired and humanely put down
whenever i look into a historical monarch who doesn’t get talked about much and is just kind of a blank spot in my understanding of the historical narrative, 95% of the time what i find is pure white hot blistering capability. a pencil pusher for the ages. a 39 year reign with no more than three hours of sleep a night. there aren’t any good stories from his reign because he systematically caught and stopped all catastrophic good stories before they could start. you shrimply must respect it
a quiet boy that dissociates alot is a type of pokemon that evolves into a girl
We talk a lot about how like, fandom in general has extremely piss poor reading comprehension, but I'm not gonna lie, the case I've seen in Amazing Digital Circus is frankly fascinating.
Like, I'm not the biggest fan of TADC, I thought it was fine, but it wasn't what I would call subtle about its themes. TADC exists very firmly in the Millennial Adult Animated series subtype, which means it looks like a kids show, while being about adult emotions, and also states its ideas extremely clearly. There's a bunch of these (BoJack Horseman and Rick & Morty are the big ones in my estimations). They are extremely direct and very blunt, which is in my mind just a neutral statement. Directness is neither positive nor negative
So here comes this show, which spends a huge chunk of its runtime explaining how basically all of the characters are damaged and need to accept themselves to heal, and then spends a MASSIVE chunk of its double length final episode detailing how its biggest piece of shit character became the way she is via a mix of self loathing and fear of her own identity, culminating with her begging the main character not to love her, literally indicating that she believes her own actions have made her irredeemable, AND THEN the whole show emotionally climaxes with said main character embracing her, choosing to love her anyway...
And a bunch of y'all seem to be champing at the bit to find new ways to punish her. Honestly y'all fascinate me.
I have no mouth but i must bicker (continuing from the previous drawings)
Urghh...wief....wife...
jojos sucks because none of the protag dudes ever summons his stand for the first time and is like hhey avdol why is mine a girl
the main programmer at Team Cherry (the Silksong and Hollow Knight people) transitioned!!! all good things are made by trans women!
YIPEEEEEEEEEEE
Trying to recommend people watch Yu-gi-oh is always an insane pitching experience because the basic premise, what the show's about, and the actual meat-and-potatoes plot mechanics are all extremely different from one another.
The premise for DM is that some kid has an amnesiac ancient egyptian ghost haunting him and various billionaires are going to try to divest him of his jewellery. What DM is about is platonic devotion, staying true to your friends, the all encompassing power of love, and the eventual burden of moving on from death. This entire thing is painted in the aesthetics of 90's punk and visual kei.
The premise for GX is a kid attends card game high school and goes on wacky adventures. What GX is about is growing up, about seeing the world get more and more dark as you get older until you don't think you are the same person anymore, and having to hold onto the things that make you you. The later seasons draw heavy inspiration from lovecraftian cosmic horror.
The premise for 5Ds is a street punk has to team up with new friends and old enemies to fight on behalf of ancient south american space gods. What 5Ds is about is classism, and tools of oppression in a hi-tech futuristic society that is literally powered by magic. The visual language ping pongs between classic cyberpunk grunge and ultra sleek hypermodern.
The premise for Zexal is a different kid with a different amnesiac ghost that lives inside his necklace team up to find his memories. What Zexal is about is human connection, about reaching out a hand into the dark, about not being alone, and the pointlessness of war. This entire thing is themed with elements of the christian bible.
The premise for Arc-V is a theatre kid who travels the worlds spreading cheer and smiles with his circus performances. What Arc-V is about is child soldiers, and indoctrination into the military industrial complex, and the emotional dissonance that forms between events of trauma and day-to-day survival. One of the characters is inexplicably a traditional japanese shinobi.
The premise for VRAINS is a depressed highschooler cybercrime-ing his way through the internet so he can find answers to why he was kidnapped and tortured when he was 8. What VRAINS is about is the future of corporate greed, about healing, about what makes a consciousness, and the poisoning power of hate. A solid 50% of the story is just really good goofs on modern internet culture.
But if you just throw on a random episode of any one of those, the actual construction of any given one are going to be pretty much the same: It's all Card Games babeeeey
2025-01-27
this was referenced from some manga panel I saw on twitter and
I don't even remember what manga was.
The girl knows how she is at all times. She knows this because she knows how she isn't. By subtracting how she is from how she isn't, or how she isn't from how she is (whichever is greater), she obtains a difference, or yearning. The guidance subsystem uses yearnings to generate corrective commands to drive the girl from how she is to how she isn't, and arriving at a way she wasn't, she now is.
Consequently, the way she now is, is the way that she wasn't, and it follows that the way she was, is now the way that she isn't. In the event that the way she is is not the way that she wasn't, the girl has acquired a variation, the variation being the difference between how the girl is, and how she wasn't.
If variation is considered to be a significant factor, it too may be corrected by the girl. However, the girl must also know how she was. The girl guidance scenario works as follows. Because a variation has modified some of the information the girl has obtained, she is not sure just how she is. However, she is sure how she isn't, within reason, and she knows how she was. She now subtracts how she should be from how she wasn't, or vice-versa, and by differentiating this from the algebraic sum of how she shouldn't be, and how she was, she is able to obtain the yearning and its variation, which is called grief.
(Filked from https://youtu.be/bZe5J8SVCYQ)
Two World Cup finalists from opposing teams in this fucking picture, this sport isn't real
Context for anyone who is wondering: Lamine Yamal's parents won an UNICEF raffle for a charity photoshoot in which Barça players posed with kids, and 5 month old Lamine happened to get 20yo Messi. Which is like. Literally insane
