﹟　140　,

there's no longer a chance for recovery.

[unspector]

#unspector, a private and highly selective writing blog for GINOZA NOBUCHIKA of urobuchi gen's animanga series psycho - pass. portrayed by alyssa. ( they/she, twenty - four ) originally established june ²⁰¹⁸ and rebooted april ²⁰²³ . strictly 18+ due to the nature of psycho - pass, triggering material will be present, including but not limited to death, violence, weapons, mental illness, and gore. spoilers present. heavily affiliated with @nonspector / @sasayamas.

¹ CARRD ( unfinished ) ² PINTEREST ³ SPOTIFY: ONE, TWO

[unspector]

i wish rpc drama blogs did it in the style of like mr x from the 2014 one direction fandom. no more "look who's copying from who." just start saying random ppl are gonna die. do it through riddles. spice it up a little

[unspector]

this is what happens literally any time anyone lets me talk about sasayama for more than two seconds

[dailykafka]

— January 25, 1922 | Franz Kafka diaries

[jane-sonne]

I was inspired by   [>] KING DUDE – “ Lord, I’m Coming Home ”

[ohisms]

↪     𝑲𝑰𝑺𝑺  ﹠ ᵀᴱᴸᴸ .    (  a  collection  of  50+ kiss prompts .   feel  free  to  specify  the  initiating  muse .  potentially  nsfw  content  within .   will  be  updated .)

finally kissing the person you’ve been pining for .

a kiss shared during a game  ( truth or dare ,  spin the bottle ,  etc ) .

kissing your lover to show you forgive them .

neck kisses that turn into love bites .

wiping away your lover’s tears as you kiss them .

a kiss to prove you don’t have feelings for them .

a last kiss before one goes away .

biting your lover’s lip amidst a kiss .

an emotional kiss bringing one party to tears .

a kiss while being reunited after a long time .

kissing your lover in a moment of sheer joy .

a kiss while slow dancing .

sharing a spontaneous kiss with a stranger .

an abrupt ,  heated kiss during the middle of a fight .

kissing them to shut them up .

a kiss to wake your lover up in the morning .

sharing a kiss in a heavy downpour of rain .

kissing your partner to seal a marriage .

a possessive kiss that is meant to stake a claim .

a kiss to resolve suppressed romantic/sexual tension .

a kiss attempting to convince the other party to stay .

kissing the top of their head as you hold them .

a risky kiss between forbidden lovers .

stolen kisses while hiding away from a crowd .

a kiss that leaves lipstick stains .

a kiss shared on a rooftop while the sun sets .

a flirtatious kiss on the back of the hand .

sneaking off to a public bathroom to make out .

a kiss on the forehead as the other sleeps .

an  ( accidental / mutually )  drunken kiss .

caging your lover against a wall with your arms to kiss them .

a kiss after joining your lover in the shower .

a kiss after receiving good news .

a tentative ,  exploratory kiss between friends .

a kiss shared between enemies during combat .

kissing your lover after believing you’d lost them .

a kiss after a devastating event ,  meant to comfort .

a possessive kiss in front of a jealous third party .

kissing your lover under the night sky while stargazing .

a kiss between two people in a fake relationship .

a kiss that seals a promise .

kissing your lover lazily first thing in the morning .

holding your lover by the jaw to kiss them .

kissing the tears from their cheeks .

a kiss to your lover’s stomach as you travel down their body .

an abrupt kiss that you melt into after a moment of hesitation .

sleepy ,  domestic morning kisses in the kitchen while making breakfast .

a rushed kiss before one party leaves for work .

a kiss shared while holding your dying lover .

[violentwavesofemotion-deactivat]

“Painful things can’t always be avoided.”

— Tennessee Williams, from The Collected Plays; “Cat on a Hot Tin Roof,”

[unspector]

chief kasei and the sibyl system: [makes gino sooooo much worse and keeps him trapped in his psycho pass related paranoid bullshit bc they need to keep him in their back pocket] me: NAURRRR WHY IS THE ALL POWERFUL MALEVOLENT BEING BEING MALEVOLENT TO MY BOY

[unspector]

i was gonna say that claire and meg are why i don't talk about helene's views bc seeing amelia and alicent's stresses me out but then i remembered that on this blog i'm writing the criminal justice system's number one bitchboy... he gets better but goddamn

[painted-bees]

Character solidifying!

[rockinrpmemes]

1. How does your character think of their father? What do they hate and love about him? What influence - literal or imagined - did the father have? 2. Their mother? How do they think of her? What do they hate? Love? What influence - literal or imagined - did the mother have? 3. Brothers, sisters? Who do they like? Why? What do they despise about their siblings? 4. What type of discipline was your character subjected to at home? Strict? Lenient? 5. Were they overprotected as a child? Sheltered? 6. Did they feel rejection or affection as a child? 7. What was the economic status of their family? 8. How does your character feel about religion? 9. What about political beliefs? 10. Is your character street-smart, book-smart, intelligent, intellectual, slow-witted? 11. How do they see themselves: as smart, as intelligent, uneducated? 12. How does their education and intelligence – or lack thereof - reflect in their speech pattern, vocabulary, and pronunciations? 13. Did they like school? Teachers? Schoolmates? 14. Were they involved at school? Sports? Clubs? Debate? Were they unconnected? 15. Did they graduate? High-School? College? Do they have a PHD? A GED? 16. What does your character do for a living? How do they see their profession? What do they like about it? Dislike? 17. Did they travel? Where? Why? When? 18. What did they find abroad, and what did they remember? 19. What were your character’s deepest disillusions? In life? What are they now? 20. What were the most deeply impressive political or social, national or international, events that they experienced? 21. What are your character’s manners like? What is their type of hero? Whom do they hate? 22. Who are their friends? Lovers? ‘Type’ or ‘ideal’ partner? 23. What do they want from a partner? What do they think and feel of sex? 24. What social groups and activities does your character attend? What role do they like to play? What role do they actually play, usually? 25. What are their hobbies and interests? 26. What does your character’s home look like? Personal taste? Clothing? Hair? Appearance? 27. How do they relate to their appearance? How do they wear their clothing? Style? Quality? 28. Who is your character’s mate? How do they relate to him or her? How did they make their choice? 29. What is your character’s weaknesses? Hubris? Pride? Controlling? 30. Are they holding on to something in the past? Can he or she forgive? 31. Does your character have children? How do they feel about their parental role? About the children? How do the children relate? 32. How does your character react to stress situations? Defensively? Aggressively? Evasively? 33. Do they drink? Take drugs? What about their health?  34. Does your character feel self-righteous? Revengeful? Contemptuous? 35. Do they always rationalize errors? How do they accept disasters and failures? 36. Do they like to suffer? Like to see other people suffering? 37. How is your character’s imagination? Daydreaming a lot? Worried most of the time? Living in memories? 38. Are they basically negative when facing new things? Suspicious? Hostile? Scared? Enthusiastic? 39. What do they like to ridicule? What do they find stupid? 40. How is their sense of humor? Do they have one? 41. Is your character aware of who they are? Strengths? Weaknesses? Idiosyncrasies? Capable of self-irony? 42. What does your character want most? What do they need really badly, compulsively? What are they willing to do, to sacrifice, to obtain? 43. Does your character have any secrets? If so, are they holding them back? 44. How badly do they want to obtain their life objectives? How do they pursue them? 45. Is your character pragmatic? Think first? Responsible? All action? A visionary? Passionate? Quixotic? 46. Is your character tall? Short? What about size? Weight? Posture? How do they feel about their physical body? 47. Do they want to project an image of a younger, older, more important person? Does they want to be visible or invisible? 48. How are your character’s gestures? Vigorous? Weak? Controlled? Compulsive? Energetic? Sluggish? 49. What about voice? Pitch? Strength? Tempo and rhythm of speech? Pronunciation? Accent? 50. What are the prevailing facial expressions? Sour? Cheerful? Dominating?

[unspector]

you shouldn't see me like this.

he kneels beside him and they are sixteen again, sharing the painful parts of themselves through offhand comments they will not expand upon — kougami in his aloofness, ginoza in his paranoia. the fear grows inside him as insidiously as the need for revenge grows inside kougami. he will not touch him, even now crouches at a slight distance, lanky form leaning away from him, as if the growing decline in his psycho - pass that ginoza was so aware of was contagious. he had always been told it could be. discomfort and something nearing shame invades him without his permission, a mix of frustration and the overwhelming feeling of wrongness here.

he looks at him over the rim of his glasses, brow furrowed. ❝ I DON'T WANT TO. I WISH I DIDN'T HAVE TO. ❞ he thinks: you were always one step ahead of me, leaving me to follow in your trail. you are going somewhere i cannot follow. why won't you stop yourself? be stronger than me one more time. for all his jealousy, he feels no sense of satisfaction in kougami's descent, but rather a painful realization that maybe he enjoyed being in his stride, that he was not ready to miss it. wasn't it the joy of competition that kept them growing together so successfully? if you give up, where does that leave me? stagnant, alone and unmoving, lost without your wake, your challenge, your example.

❝ JUST... JUST GET HELP, SHINYA. YOU CAN'T... ❞ the softness in his own voice upsets him, nearing too close to vulnerability, to admitting his unspoken reliance on him. he sighs heavy, pulls his torso upwards, braces his arms on his still - bent knees to stand towering over him. ❝ I WON'T SEE YOU CONTINUE ON LIKE THIS. YOU KNOW WHAT WILL HAPPEN. ❞ even still, he cannot keep his voice as steady as it wishes it to be, still deluding himself into thinking that kougami could come back from this, that any of them could.

[unspector]

you were my best friend, once.

❝ YES, I WAS. ❞ his stare is as unrelenting as ever, stubborn as he always had been and childish as he had grown to be in the preceding years since kougami's demotion. where kougami's anger laid steeped in his grief, ginoza's existed in complete denial of it. he could not be sad over what had happened to him as a child, nor what had happened to sasayama less than three years prior, because sadness was forbidden under the sibyl system. sadness was unproductive, sadness would lead to facing his father's fate. the consequences of sadness, of grief, were so terrifyingly evident in the man before him now, asking him to understand what ginoza refused to begin to fathom.

if he allowed himself to share in that misery, that anguish, where would it stop? where did sibyl draw the line between acceptable grief and irreparable damage? it was safer this way, he reminded himself. perpetually set in a state of forced apathy, always threatened with the edge. [ chief kasei's words rang in his mind: a relationship between genes and crime coefficients still hasn't been scientifically proven. however, that also means it hasn't been disproven. i hope that you won't make the same mistake as your father. the ever - present reminder of the repercussions in her supposed trust in him, in the failure of his colleague. ]

ginoza turns from him then, a cool glare that kougami must be overwhelmingly familiar with shot back at him once more. he positions his emotions as professional disappointment, pushes the hurt child down inside himself and forces himself to position his argument once again in sibyl's view. ❝ YOU MADE YOUR DECISION, KOUGAMI. YOU CROSSED THAT BRIDGE. ❞ the decision to live for the dead instead of the living, he thinks but does not say. the decision to leave me behind. ❝ NOW YOU HAVE TO LIVE WITH IT. ❞

[unspector]

PLOTTING CALL! like to interact with the world's grumpiest detective babysitter turned slightly more tolerable actual detective. will you get to interact with the annoying repressed gino or the more chill but severely traumatized gino? only time will tell!

[unspector]

# ¹⁰³ they'll work that much harder and endeavor to fulfill their duties... i look forward to seeing you prove the fortitude of your spirits. . . . private writing blogs for the original division one of the public safety bureau's crime investigation department : GINOZA NOBUCHIKA, KOUGAMI SHINYA, and SASAYAMA MITSURU of the psycho - pass animanga series, as portrayed by alyssa and jude.

[unspector]

literally petitioning the psycho pass creators to give us at least a Movie of the inspector kougami manga ... they owe us some good sasayama content after butchering him (😔) in the anime. and i need content of gino where he's not as Much of a bitch as he is in season 1 but is still in his angsty repressed inspector era... i love his pre-specimen case mix of nerdiness and stress

[unspector]

PLOTTING CALL! like to interact with the world's grumpiest detective babysitter turned slightly more tolerable actual detective. will you get to interact with the annoying repressed gino or the more chill but severely traumatized gino? only time will tell!

[adrifteons]

OK COMPUTER OKNOTOK 1997 2017, sentences taken from radiohead's 2017 special anniversary edition of their 1997 album, ok computer, with bonus tracks.

disc 1.

i am born again.

i'm back to save the universe.

i'm amazed that i survived.

please, could you stop the noise?

i'm trying to get some rest.

what's that?

when i am king, you will be first against the wall.

ambition makes you look pretty ugly.

why don't you remember my name?

off with his head.

that's it, sir, you're leaving.

god loves his children.

i keep forgetting the smell of warm summer air.

i live in a town where you can't smell anything.

they're all uptight.

show me the world as i'd love to see it.

i'd tell all my friends but they'd never believe me.

they'd think that i'd finally lost it completely.

i'd show them the stars and the meaning of life.

they'd shut me away.

wake from your sleep.

today we escape.

pack and get dressed.

breathe, keep breathing.

don't lose your nerve.

i can't do this alone.

sing us a song, a song to keep us warm.

there's such a chill.

you can laugh a spineless laugh.

we hope your rules and wisdom choke you.

now we are one in everlasting peace.

we hope that you choke.

when it comes it's so, so disappointing.

let down and hanging around, crushed like a bug in the ground.

don't get sentimental.

one day i am gonna grow wings.

this is what you get when you mess with us.

i've given all i can. it's not enough.

we're still on the payroll.

for a minute there, i lost myself.

nothing so ridiculously teenage and desperate, nothing so childish.

no chance of escape.

i will stop at nothing.

say the right things when electioneering.

i trust i can rely on your vote.

when i go forwards, you go backwards, and somewhere we will meet.

if you get too far inside, you'll only see my reflection.

do not cry out or hit the alarm.

you know we're friends 'til we die.

either way you turn, i'll be there.

open up your skull, i'll be there.

it's always best when the light is off.

it's always better on the outside.

lock the kids up safe tonight.

i've got the smell of a local man who's got the loneliest feeling.

you look so tired, unhappy.

they don't speak for us.

i'll take a quiet life.

no alarms and no surprises.

this is my final fit.

such a pretty house and such a pretty garden.

get me out of here.

i'm on a roll this time.

i feel my luck could change.

kill me again with love.

it's gonna be a glorious day.

we are standing on the edge.

it barks at no one else but me.

no one else would know.

hey man, slow down.

disc 2.

i won't run away no more, i promise.

i'll say my prayers every night.

drunken confessions and hijacked affairs will just make you more alone.

when you come home i'll bake you a cake made of all their eyes.

i wish you could see me dressed for the kill.

you're my man of war.

the worms will come for you.

it all comes flooding back.

this is the place.

sit down, you're safe now.

we've been trying to reach you.

it won't hurt ever again.

it's time to come home.

remember me?

today is the first day of the rest of your days, so lighten up, squirt.

i just snapped and lost control.

i'm in a lull.

there's nothing more dull than talking about yourself.

i'm sorry that i lost control.

don't forget that you are our son.

now, go back to bed.

we just know that you'll do well.

you won't come to harm.

death to all who stand in your way.

wake, my dear.

i will not give in.

but if i do, remind me of this.

remind me that once i was free.

once i was cool, once i was me.

knock me out, smash out my brains.

remind me of this: the way we kissed.

i really meant it.

whatever happens, if we're still speaking, pick up the phone.

if i get scared i'll just call you.

sell your suit and tie and come and live with me.

there is no significant risk to your health.

she used to be beautiful once as well.

if you don't get into it, no one will.

make it go away.

use me, darling.

it a city of the future it is difficult to concentrate.

everybody's happy, everyone is made for life.

i'm too busy to see you.

i hope you're okay, too.

i throw myself into my work.

i'm too lazy.

i've been kidding myself for so long.

i was stronger. i was better.

i left you out.

let it fall.