Apple zine! With a little poem I wrote

gracie abrams
KIROKAZE
Show & Tell
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taylor price
Lint Roller? I Barely Know Her
The Stonewall Inn
d e v o n
ojovivo
I'd rather be in outer space 🛸

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let's talk about Bridgerton tea, my ask is open

ellievsbear

oozey mess
occasionally subtle
todays bird
Fai_Ryy
icyghini twinkie
official daine visual archive
Monterey Bay Aquarium

seen from Bangladesh
seen from Lebanon
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seen from United States
seen from Chile
seen from United States

seen from United States
seen from Paraguay
seen from United States

seen from Türkiye
seen from United States

seen from Argentina
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seen from United States

seen from United States
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seen from Australia
@unspen
Apple zine! With a little poem I wrote
imagine that
the storm is over
and all you have left
is love.
I learn everything the hard way
Keith Haring's story is usually told as a solo rise, but that version leaves out Angel "LA II" Ortiz, a Puerto Rican artist from the Lower East Side who collaborated with Haring from the very beginning. Angel was a teenager when they met, already active in the neighborhood's graffiti culture. He taught Keith how tagging worked on the street, painted alongside him, and guided him through spaces Keith did not come from. Angel's tags, infill, and visual language appear across works that later became associated with Keith Haring's public legacy.
After Keith Haring's death, the story changed. Museums mounted exhibitions, publishers released books, and merchandise entered the market under a single name.
In that process, Angel Ortiz was framed as hired labor instead of a collaborator, even though his work remains visible on paintings, sculptures, and objects shown in major institutions today. Angel has said openly that race played a role in his erasure, and photographer Clayton Patterson has explained how institutions chose a simpler version of the story that centered one white artist and removed a Puerto Rican collaborator. Angel Ortiz is still working as an artist today, and the time has come for the art world to give him clear credit for the work he helped create…yuliaxgon
two drafts at once in doublecloth blocks on a 24-harness compudobby
Sunspots - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 36 x 36 in.
And so it is.
And so it is.
And so it is.
Northern Fires, Sunset - William H. Hays , 2026.
American , b. 1956 -
Colour reduction linocut print , 9 x 12 in.
Mogli - Sven Kroner , 2020.
German, b. 1973 -
Acrylics on canvas, 140 × 160 cm.
Words by Andrea Gibson