I like to draw Compress like one of those parents where their kid runs up to them to show them the leaf they found on the floor, and they're just like 'Sure, why the hell not.'

Janaina Medeiros
he wasn't even looking at me and he found me
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occasionally subtle
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sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document

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ellievsbear

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Jules of Nature
Sweet Seals For You, Always
"I'm Dorothy Gale from Kansas"
almost home
styofa doing anything
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@uselessfox
I like to draw Compress like one of those parents where their kid runs up to them to show them the leaf they found on the floor, and they're just like 'Sure, why the hell not.'
I made this after seeing a post by c73333041 on twt ❗️❗️
This artfight i dabbled in animated attacks! Ow...ow my hand...ougough my haaaaaaand!!!!!! Never doing ts aGAAAAAAAIN
Yu.kie belongs to @uselessfox
Spades4Hades belongs to newblood on artfight
Some more attacks :3
Gumee PacNSquid on artfight
Halo eliotbronze on artfight
Dolly and Mark by @mecykiddo
Null and "One" by @harrmare
Four by @akheku
Is it still cool to participate in this trend?
SLAYY, SLAYYY, VERY PRETTY‼️‼️
Been going through a lot of animation reels this past week and a bit and one prevailing thing I noticed was that a lot of animators either struggle with, or completely disregard, the timing and pacing of their frames. Timing and spacing is (to me) utterly essential to create some nice, smooth and well flowing animation, otherwise it can look very jittery, jumpy, volume will fluctuate greatly and won't look too good.
This clip here should help show you how I place my keys, breakdowns and inbetweens to get some nice movement. (I wish I had room for timing charts!)
As you can see from the timeline grab here, a lot of this is on 3's, with a few 2's here and there. Even some 4's to help ease. With proper placing of frames even 3's and 4's can look smooth!
AND, if you have toon boom, and you wanna have a deep dive into this file, I've attached it below so you can really have a good look!
I just think this is neat.