I need you to be a monster / which is to say, I am trying not to love you / which is to say, I am still dreaming of kissing your claws.
Fortesa Latifi (via 89words)
One Nice Bug Per Day
Lint Roller? I Barely Know Her

pixel skylines
Peter Solarz
DEAR READER
Stranger Things
hello vonnie
$LAYYYTER

@theartofmadeline

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❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
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Origami Around
Jules of Nature

JVL

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izzy's playlists!
I'd rather be in outer space 🛸
Sade Olutola
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@utsukino
I need you to be a monster / which is to say, I am trying not to love you / which is to say, I am still dreaming of kissing your claws.
Fortesa Latifi (via 89words)
when hozier said “there is no sweeter innocence than our gentle sin,” and when hozier said, “there’s no plan, there’s no kingdom to come,” and when hozier said, “would things be easier if there was a right way? honey, there is no right way,” and when hozier said, “innocence died screaming– honey ask me I should know. I slithered here from eden just to sit outside your door,” and when hozier said “if the lord don’t forgive me, I’d still have my baby and my babe would have me,” and when hozier s-
H.D., from Helen in Egypt
[Text ID: will what she invoked / destroy her?]
chaos amongst the storm:
st. jude - florence + the machine / storms - fleetwood mac / olivier de serres—a single passion, two witnesses - hélène cixous / cannibal woman - ada limón / thus spoke zarathustra - friedrich nietzsche / nikita gill
Kenny Mooney, “And All That She Was Is Everything I Am”
I kept my oath. Howl’s Moving Castle ハウルの動く城 (2004) dir. Hayao Miyazaki
(and I think silently: love is a bow-string pulled back to the point of breaking)
Marina Tsvetaeva, trans. by Elaine Feinstein, from Bride of Ice: “Poem of the End” (via 89words)
Oscar Isaac as William Tell – THE CARD COUNTER (2021)
The National, from ‘The Pull of You’
I did crave attention, but I refused to humiliate myself by asking for it.
Ottessa Moshfegh, My Year of Rest and Relaxation (via anditslove)
LOVIE SIMONE as Tabby in THE CRAFT: LEGACY (2020)
Oh Lord, my grief is like a / river inside me; filled / with dead things I didn't / kill.
Pádraig Ó Tuama, from "Jesus Texts", When Did We See You Naked?: Jesus as a Victim of Sexual Abuse, ed. Jayme R. Reaves, David Tombs, and Rocío Figueroa
a little life by hanya yanagihara // the embrace by peter wever // the predatory wasp of the palisades is out to get us by sufjan stevens // every ounce of me by atticus // a text from my best friend grace // winnie the pooh by a. a. milne // like real people do by hozier // lamia by john waterhouse // the raven cycle by maggie stiefvater // the boy, the mole, the fox, and the horse by charlie mackesy
on all-encompassing friendship, and the beautiful, unclear line between platonic and romantic.
inspired by this post
Neil Kryszak (American, b. New York, NY, USA, based Los Angeles, CA, USA) - From Chromatic Experiments Photography
Rainer Maria Rilke, Selected Letters, 1902-1922
George Seferis, tr. by Edmund Keeley and Philip Sherrard, from The Collected Poems 1924-1955