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@valexarts
Idk what i would do without art in my life
me and my 3848298493 fandoms. thank you guys for supporting me, i appreciate every single one of you 🌟
dad said its my turn on the xbox
RIP the wonder twins they would love the mistery twins
faces! (pt 1/?)
Each time I sketched out a new batch of characters, I went, “ooh i should draw x also!” until this became a much larger project than originally intended lmao.
part 2 will be finished soon ish maybe
Teenz
Close ups 💫
Dipper just posted !! 🌲⭐️ (A social media AU)
stranger things isnt even my guilty pleasure. its my guilty self-inflicted-torture, like what.
can they stop the capitalism
i guess i’ll post this here too
walking and talking
i want to be absolutely explicit here, because people keep trying to retrofit excuses onto choices that were fully contemporary and fully avoidable: the duffers were not “working within censorship codes.” they weren’t navigating some invisible 1950s moral panic. they made a choice, a contemporary, fully resourced, fully optional choice, to handle will’s storyline through a homophobic lens. and as someone who spent a significant portion of my degree studying queer media history, i’m not misusing that word.
what they did to one of the core four, the only canonically gay member of that group, was disgraceful. that coming out scene is a farce. it’s not just clumsy; it’s structurally homophobic. you do not stage a coming out moment with twelve characters in the room unless you fundamentally misunderstand (or disregard) the emotional, historical, and cinematic weight of queer disclosure and coming out narratives. it’s the opposite of intimacy, the opposite of safety, the opposite of respect. it’s a spectacle. it’s humiliation dressed up as catharsis.
and the blocking makes it worse. the camera doesn’t protect will. it exposes him. it treats his vulnerability like a plot device, not a person. even noah’s performance, which is extraordinary, can’t salvage a scene that was built on such a fundamentally hostile foundation. the text, the staging, the proxemics, the emotional architecture: all of it betrays him.
people can debate intent all they want, but the impact is right there on screen. and it’s ugly.
Leo trying Jason’s glasses (Colored version!!)
I honestly loved how it turned out
the people (me) YEARN for valgrace week