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"I could keep you safe," he rasped. "They're all afraid of me. No one would hurt you again, or I'd kill them." (A Clash of Kings - Sansa VII)
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"I could keep you safe," he rasped. "They're all afraid of me. No one would hurt you again, or I'd kill them." (A Clash of Kings - Sansa VII)
Sansa started as Joffrey laid his hand on her arm. "It grows late," the prince said. He had a queer look on his face, as if he were not seeing her at all. "Do you need an escort back to the castle?"
"No," Sansa began. She looked to Septa Mordane, and was startled to find her with her head on the table, snoring soft and ladylike snores. "I mean to say . . . yes, thank you, that would be most kind. I am tired, and the way is so dark. I should be glad for some protection."
Joffrey called out, "Dog!"
Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog's head sewn on the front. The light of the torches made his burned face shine a dull red. "Yes, Your Grace?" he said.
"Take my betrothed back to the castle, and see that no harm befalls her," the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there.
Sansa could feel the Hound watching her. "Did you think Joff was going to take you himself?" He laughed. He had a laugh like the snarling of dogs in a pit. "Small chance of that." He pulled her unresisting to her feet. "Come, you're not the only one needs sleep. I've drunk too much, and I may need to kill my brother tomorrow." He laughed again.
Suddenly terrified, Sansa pushed at Septa Mordane's shoulder, hoping to wake her, but she only snored the louder. King Robert had stumbled off and half the benches were suddenly empty. The feast was over, and the beautiful dream had ended with it.
The Hound snatched up a torch to light their way. Sansa followed close beside him. The ground was rocky and uneven; the flickering light made it seem to shift and move beneath her. She kept her eyes lowered, watching where she placed her feet. They walked among the pavilions, each with its banner and its armor hung outside, the silence weighing heavier with every step. Sansa could not bear the sight of him, he frightened her so, yet she had been raised in all the ways of courtesy. A true lady would not notice his face, she told herself. "You rode gallantly today, Ser Sandor," she made herself say.
Sandor Clegane snarled at her. "Spare me your empty little compliments, girl . . . and your ser's. I am no knight. I spit on them and their vows. My brother is a knight. Did you see him ride today?"
"Yes," Sansa whispered, trembling. "He was . . ."
"Gallant?" the Hound finished.
He was mocking her, she realized. "No one could withstand him," she managed at last, proud of herself. It was no lie.
Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. "Some septa trained you well. You're like one of those birds from the Summer Isles, aren't you? A pretty little talking bird, repeating all the pretty little words they taught you to recite."
"That's unkind." Sansa could feel her heart fluttering in her chest. "You're frightening me. I want to go now."
"No one could withstand him," the Hound rasped. "That's truth enough. No one could ever withstand Gregor. That boy today, his second joust, oh, that was a pretty bit of business. You saw that, did you? Fool boy, he had no business riding in this company. No money, no squire, no one to help him with that armor. That gorget wasn't fastened proper. You think Gregor didn't notice that? You think Ser Gregor's lance rode up by chance, do you? Pretty little talking girl, you believe that, you're empty-headed as a bird for true. Gregor's lance goes where Gregor wants it to go. Look at me. Look at me!" Sandor Clegane put a huge hand under her chin and forced her face up. He squatted in front of her, and moved the torch close. "There's a pretty for you. Take a good long stare. You know you want to. I've watched you turning away all the way down the kingsroad. Piss on that. Take your look."
His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look.
The right side of his face was gaunt, with sharp cheek-bones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face.
The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks that gleamed red and wet when he moved. Down by his jaw, you could see a hint of bone where the flesh had been seared away.
Sansa began to cry. He let go of her then, and snuffed out the torch in the dirt. "No pretty words for that, girl? No little compliment the septa taught you?" When there was no answer, he continued. "Most of them, they think it was some battle. A siege, a burning tower, an enemy with a torch. One fool asked if it was dragonsbreath." His laugh was softer this time, but just as bitter. "I'll tell you what it was, girl," he said, a voice from the night, a shadow leaning so close now that she could smell the sour stench of wine on his breath. "I was younger than you, six, maybe seven. A woodcarver set up shop in the village under my father's keep, and to buy favor he sent us gifts. The old man made marvelous toys. I don't remember what I got, but it was Gregor's gift I wanted. A wooden knight, all painted up, every joint pegged separate and fixed with strings, so you could make make him fight. Gregor is five years older than me, the toy was nothing to him, he was already a squire, near six foot tall and mus cled like an ox. So I took his knight, but there was no joy to it, I tell you. I was scared all the while, and true enough, he found me. There was a brazier in the room. Gregor never said a word, just picked me up under his arm and shoved the side of my face down in the burning coals and held me there while I screamed and screamed. You saw how strong he is. Even then, it took three grown men to drag him off me. The septons preach about the seven hells. What do they know? Only a man who's been burned knows what hell is truly like. "My father told everyone my bedding had caught fire, and our maester gave me ointments. Ointments! Gregor got his ointments too. Four years later, they anointed him with the seven oils and he recited his knightly vows and Rhaegar Targaryen tapped him on the shoulder and said, 'Arise, Ser Gregor.""
The rasping voice trailed off. He squatted silently before her, a hulking black shape shrouded in the night, hidden from her eyes. Sansa could hear his ragged breathing. She was sad for him, she realized. Somehow, the fear had gone away.
The silence went on and on, so long that she began to grow afraid once more, but she was afraid for him now, not for herself. She found his massive shoulder with her hand. "He was no true knight," she whispered to him.
The Hound threw back his head and roared. Sansa stumbled back, away from him, but he caught her arm. "No." he growled at her, "no, little bird, he was no true knight."
The rest of the way into the city, Sandor Clegane said not a word. He led her to where the carts were waiting, told a driver to take them back to the Red Keep, and climbed in after her. They rode in silence through the King's Gate and up torchlit city streets. He opened the postern door and led her into the castle, his burned face twitching and his eyes brooding, and he was one step behind her as they climbed the tower stairs. He took her safe all the way to the corridor outside her bedchamber.
"Thank you, my lord," Sansa said meekly.
The Hound caught her by the arm and leaned close. "The things I told you tonight," he said, his voice sounding even rougher than usual. "If you ever tell Joffrey, your sister, your father . . . any of them . . ."
"I won't," Sansa whispered. "I promise."
It was not enough. "If you ever tell anyone," he finished, "I'll kill you."
— A Game of Thrones, Sansa II
Sansa and Septa Mordane were given places of high honor, to the left of the raised dais where the king himself sat beside his queen. When Prince Joffrey seated himself to her right, she felt her throat tighten. He had not spoken a word to her since the awful thing had happened, and she had not dared to speak to him. At first she thought she hated him for what they'd done to Lady, but after Sansa had wept her eyes dry, she told herself that it had not been Joffrey's doing, not truly. The queen had done it; she was the one to hate, her and Arya. Nothing bad would have happened except for Arya.
She could not hate Joffrey tonight. He was too beautiful to hate. He wore a deep blue doublet studded with a double row of golden lion's heads, and around his brow a slim coronet made of gold and sapphires. His hair was as bright as the metal. Sansa looked at him and trembled, afraid that he might ignore her or, worse, turn hateful again and send her weeping from the table.
Instead Joffrey smiled and kissed her hand, handsome and gallant as any prince in the songs, and said, "Ser Loras has a keen eye for beauty, sweet lady."
"He was too kind," she demurred, trying to remain modest and calm, though her heart was singing. "Ser Loras is a true knight. Do you think he will win tomorrow, my lord?"
— A Game of Thrones, Sansa II
Lots to unpack there. Sansa is afraid and intimidated by Joffrey. The spell isn't entirely broken, but she at this point knows that Joffrey is not a gallant prince from her dreams. She knows this. She saw what happened and she was terrified, but she is in denial at this point.
And why wouldn't she be? She is betrothed to Joffrey at this point. He is to be her husband and if Sansa allowed herself to acknowledge the true monstrosity of who Joffrey is ... then she'd have to come to terms with the life that is awaiting her.
At this point, she can still come up with excuses and she is, after all, only eleven years old. And she has a very romantic view of the world. Joffrey is handsome and beautiful—too beautiful to hate, too beautiful to truly be cruel. But she knows he is cruel and she is afraid of him, afraid of being ignored by him or of him turning hateful. But instead he greets her like a "gallant prince from the songs" and she is happy.
She is very much in a state of transition between innocence of childhood and the turbulence of adolescence as she realizes the world is far crueler and more complicated than the songs have led her to believe, but she clings to her childhood notions and fantasies because she is afraid.
Also, I like this moment.
He raised his hand to summon a servant with a flagon of iced summerwine, and poured her a cup. She looked anxiously at Septa Mordane, until Joffrey leaned over and filled the septa's cup as well, so she nodded and thanked him graciously and said not another word.
It was said in her previous chapter that her father doesn't allow her to drink wine except on special occasions and only ever one cup. When it was just her and Joffrey, she drank more without complaint, but with Septa Mordane being here she looks to her for guidance on what the correct way to behave should be. Sansa cares very much about being a proper lady and having the approval of others especially her Septa.
When Sansa finally looked up, a man was standing over her, staring. He was short, with a pointed beard and a silver streak in his hair, almost as old as her father. "You must be one of her daughters," he said to her. He had grey-green eyes that did not smile when his mouth did. "You have the Tully look."
"I'm Sansa Stark," she said, ill at ease. The man wore a heavy cloak with a fur collar, fastened with a silver mockingbird, and he had the effortless manner of a high lord, but she did not know him. "I have not had the honor, my lord."
Septa Mordane quickly took a hand. "Sweet child, this is Lord Petyr Baelish, of the king's small council."
"Your mother was my queen of beauty once," the man said quietly. His breath smelled of mint. "You have her hair." His fingers brushed against her cheek as he stroked one auburn lock. Quite abruptly he turned and walked away.
— A Game of Thrones, Sansa II
I find Sansa's reaction to the death of the young knight during the Hand's tourney to be incredibly interesting. This is my first time reading this book (well, second but the true first was so long ago as to not count) so I don't have any thoughts or analysis at the moment, but I just wanted to save some interesting quotes from the chapter for future viewing.
First, we have the opening of the chapter where Sansa's perspective is its usual overly romantic and idealized perspective that emphasizes Sansa's love of songs and stories.
Sansa rode to the Hand's tourney with Septa Mordane and Jeyne Poole, in a litter with curtains of yellow silk so fine she could see right through them. They turned the whole world gold. Beyond the city walls, a hundred pavilions had been raised beside the river, and the common folk came out in the thousands to watch the games. The splendor of it all took Sansa's breath away; the shining armor, the great chargers caparisoned in silver and gold, the shouts of the crowd, the banners snapping in the wind and . . . the knights themselves, the knights most of all.
"It is better than the songs," she whispered when they found the places that her father had promised her, among the high lords and ladies. Sansa was dressed beautifully that day, in a green gown that brought out the auburn of her hair, and she knew they were looking at her and smiling.
They watched the heroes of a hundred songs ride forth, each more fabulous than the last.
And then we have this moment. Sansa, in contrast with Arya, has a tendency to be seen as the more "sensitive" one by the fandom. But here we see Sansa contrasted with Jeyne and instead Sansa is described as "made of sterner stuff." Sansa is a girl who very much cares about how she acts and has trained herself to emulate all the right behaviors that a lady must have. She is a child that still has all these romantic and idealized notions, but she also has a lot of inner strength.
The jousting went all day and into the dusk, the hooves of the great warhorses pounding down the lists until the field was a ragged wasteland of torn earth. A dozen times Jeyne and Sansa cried out in unison as riders crashed together, lances exploding into splinters while the commons screamed for their favorites. Jeyne covered her eyes whenever a man fell, like a frightened little girl, but Sansa was made of sterner stuff. A great lady knew how to behave at tournaments. Even Septa Mordane noted her composure and nodded in approval.
And then we have this moment where Sansa reacts to the death of a young knight and I really love this moment.
Sandor Clegane and his immense brother, Ser Gregor the Mountain, seemed unstoppable as well, riding down one foe after the next in ferocious style. The most terrifying moment of the day came during Ser Gregor's second joust, when his lance rode up and struck a young knight from the Vale under the gorget with such force that it drove through his throat, killing him instantly. The youth fell not ten feet from where Sansa was seated. The point of Ser Gregor's lance had snapped off in his neck, and his life's blood flowed out in slow pulses, each weaker than the one before. His armor was shiny new; a bright streak of fire ran down his outstretched arm, as the steel caught the light. Then the sun went behind a cloud, and it was gone. His cloak was blue, the color of the sky on a clear summer's day, trimmed with a border of crescent moons, but as his blood seeped into it, the cloth darkened and the moons turned red, one by one.
Jeyne Poole wept so hysterically that Septa Mordane finally took her off to regain her composure, but Sansa sat with her hands folded in her lap, watching with a strange fascination. She had never seen a man die before. She ought to be crying too, she thought, but the tears would not come. Perhaps she had used up all her tears for Lady and Bran. It would be different if it had been Jory or Ser Rodrik or Father, she told herself. The young knight in the blue cloak was nothing to her, some stranger from the Vale of Arryn whose name she had forgotten as soon as she heard it. And now the world would forget his name too, Sansa realized; there would be no songs sung for him. That was sad.
There's a lot that is interesting here. Firstly, we have the man's death that Sansa describes in detail with particular attention being paid to his attire. Throughout the chapter, Sansa spends a lot of time describing the finery that the various knights are draped in, in contrast to the more dull armor of Ser Jory and the Northmen, and here we see as that beautiful cloak becomes soaked in blood. And it's described in a romanticized way. Sansa's description of the man's death is no grotesque or brutal as it is in the show where the man struggles to breathe as blood spurts from his throat, but here the death is almost gentle. The death is immediate, instant, and the blood flows out in "slow pulses." The imagery of the moons on a blue cloak, that is compared to the summer day, turning red as the sun in the sky goes behind a cloud is beautiful.
The death isn't beautiful but the way Sansa describes it is beautiful and the next time confirms for us that Sansa is utterly fascinated by this death. Her reaction to it is incredibly interesting.
Firstly, while Jeyne screams and must be taken away. Sansa remains, at least in her POV, poised and composed. Her hands are folded in her lap. She sits as a lady must sit and her hands are folded, not even clenched, but relaxed. Here, we are shown and not just told that Sansa is indeed made of sterner stuff.
Secondly, I find the way that Sansa thinks she should act to be just as interesting. She thinks she "ought to be crying" and she reasons with herself that if it was someone she cared about that she would be crying. The prose specifically tells us that this is what Sansa is telling herself. We don't need that line—this is her POV, it goes without saying, so the specific emphasis on that line "she told herself," tells us a lot about Sansa in this moment. She is fascinated by this death and a little disturbed by her own reaction to it.
She isn't quite sure what to make of it. She thinks she should cry, because it's horrific and horrible, but she can't bring herself too. She can't bring herself to cry for a stranger.
And the part that she specifically notes as sad is that there will be no songs sung about the boy. That is the sad and tragic part to her.
This is the first time she has seen death and she is sort of, in my initial opinion, fitting it into her worldview which is of romantic heroes and gallant knights. She is no longer entirely innocent—the near-death of Bran and the execution of Lady has seen to that, but she is still very young and hasn't yet retired all of her notions of storybook romance. She still believes in all of that and I think she's sort of struggling with how to fit the cruelty of the world as she is seeing it into her worldview.
And I feel like there's also some elements of Death and the Maiden here as well. Death isn't personified as is typical of the trope, but the Maiden's fascination with death and how death becomes a symbol for loss of innocent seems present here to some degree.
Sansa quickly moves on from all of this though and shortly afterwards she is swooning over Loras giving her a red rose when he gave the other maidens white roses and—
Omg she was given a red rose while the other maidens were given white roses. Oh, I didn't even think of that. George R.R. Martin you beautiful man.
one thing i love about every single Stark is that they physically cannot stop themselves from chatting shit, even when it actively endangers them. if they think of a good one liner they will genuinely rather say it and die than keep quiet
birth year of ASOIAF characters if AGOT took place in 2025:
a lot of the characters in ASOIAF were aged up for the show (with good reason in a lot of cases) but one thing that always strikes me about the books is how YOUNG most of them are.
so here are what their birth years would be if the books started in 2025 (pretend their birthday this year already happened).
this based on ages in AGOT- if we meet the character later I added a year or so depending on the book (also I split groups by decades for ease of reading).
Aemon: 1926
Tywin: 1970
Jorah: 1985
Davos (if ACOK is 2026) and Oberyn (if ASOS is 2026): 1986
Robert Baratheon: 1989
Ned: 1990
Stannis: 1991
Catelyn: 1992
Jaime, Cersei, and Lysa: 1994
Drogo: 1995
Littlefinger: 1996
Sandor: 1998
Tyrion: 2001
Viserys and Renly: 2004
Theon: 2006
Shae and Brienne (if ACOK is 2026): 2007
Loras: 2009
Jon, Robb, Samwell, and Margaery: 2011
Daenerys, Joffrey, and Meera (if ACOK is 2026): 2012
Sansa: 2014
Jojun (if ACOK is 2026): 2015
Arya: 2016
Bran and Myrcella: 2018
Tommon: 2019
Robert Arryn: 2020
Rickon: 2023
please comment if I got anything wrong/forgot anyone! (characters whose ages are too ambiguous I didn't include)
Gendry/Arya Have Textual Romantic Undertones
This is for people who are in complete denial over their relationship and see it as “pedophiliac”, “wrong”, “impossible” or “disgusting” (and of course shippers like myself.) If you just don’t ship it, it’s your prerogative. But if you deny its romantic, wonderful, canon existence and label it as wrong, you, my friend, should read this.
How Arya and Gendry are portrayed as having a hinted-at-romantic relationship in the text:
Keep reading
Day 17: Jealousy - Edric and Bella
"Lords and ladies" [...] "Why don't you go back to Stoney Sept and ring that girl's stupid bells?"
A bit of appreciation for this two poor characters unfortunately wedged between Arya and Gendry.
Tobho Mott paused a long moment and set aside his wine. "The Hand did call upon me, with Lord Stannis, the king's brother. I regret to say, they did not honor me with their patronage."
Ned looked at the man evenly, saying nothing, waiting. He had found over the years that silence sometimes yielded more than questions. And so it was this time
"They asked to see the boy," the armorer said, "so I took them back to the forge."
"The boy," Ned echoed. He had no notion who the boy might be. "I should like to see the boy as well."
Tobho Mott gave him a cool, careful look. "As you wish, my lord," he said with no trace of his former friendliness. He led Ned out a rear door and across a narrow yard, back to the cavernous stone barn where the work was done. When the armorer opened the door, the blast of hot air that came through made Ned feel as though he were walking into a dragon's mouth. Inside, a forge blazed in each corner, and the air stank of smoke and sulfur. Journeymen armorers glanced up from their hammers and tongs just long enough to wipe the sweat from their brows, while bare-chested apprentice boys worked the bellows.
The master called over a tall lad about Robb's age, his arms and chest corded with muscle. "This is Lord Stark the new Hand of the King," he told him as the boy looked at Ned through sullen blue eyes and pushed back sweat-soaked hair with his fingers. Thick hair, hair, shaggy and un kempt and black as ink. The shadow of a new beard darkened his jaw. "This is Gendry. Strong for his age, and he works hard. Show the Hand that helmet you made, lad." Almost shyly, the boy led them to his bench, and a steel helm shaped like a bull's head, with two great curving horns.
Ned turned the helm over in his hands. It was raw steel, unpolished but expertly shaped. "This is fine work. I would be pleased if you would let me buy it."
The boy snatched it out of his hands. "It's not for sale."
Tobho Mott looked horror-struck. "Boy, this is the King's Hand. If his lordship wants this helm, make him a gift of it. He honors you by asking."
"I made it for me," the boy said stubbornly.
"A hundred pardons, my lord," his master said hur-riedly to Ned. "The boy is crude as new steel, and like new steel would profit from some beating. That helm is journeyman's work at best. Forgive him and I promise I will craft you a helm like none you have ever seen."
"He's done nothing that requires my forgiveness. Gendry, when Lord Arryn came to see you, what did you talk about?"
"He asked me questions is all, m'lord."
"What sort of questions?"
The boy shrugged. "How was I, and was I well treated, and if I liked the work, and stuff about my mother. Who she was and what she looked like and all."
"What did you tell him?" Ned asked.
The boy shoved a fresh fall of black hair off his forehead. "She died when I was little. She had yellow hair, and sometimes she used to sing to me, I remember. She worked in an alehouse."
"Did Lord Stannis question you as well?"
"The bald one? No, not him. He never said no word, just glared at me, like I was some raper who done for his daughter."
"Mind your filthy tongue," the master said. "This is the King's own Hand." The boy lowered his eyes. "A the others call smart boy, but stubborn. That helm . . . the others call him bullheaded, so he threw it in their teeth."
Ned touched the boy's head, fingering the thick black hair. "Look at me, Gendry." The apprentice lifted his face. Ned studied the shape of his jaw, the eyes like blue ice. Yes, he thought, I see it. "Go back to your work, lad. I'm sorry to have bothered you." He walked back to the house with the master. "Who paid the boy's apprentice fee?" he asked lightly.
Mott looked fretful. "You saw the boy. Such a strong boy. Those hands of his, those hands were made for hammers. He had such promise, I took him on without a fee."
"The truth now," Ned urged. "The streets are full of strong boys. The day you take on an apprentice without a fee will be the day the Wall comes down. Who paid for him?"
"A lord," the master said reluctantly. "He gave no name, and wore no sigil on his coat. He paid in gold, twice the customary sum, and said he was paying once for the boy, and once for my silence."
"Describe him."
"He was stout, round of shoulder, not so tall as you. Brown beard, but there was a bit of red in it, I'll swear. He wore a rich cloak, that I do remember, heavy purple velvet worked with silver threads, but the hood shadowed his face and I never did see him clear." He hesitated a moment. "My lord, I want no trouble."
"None of us wants trouble, but I fear these are troubled times, Master Mott," Ned said. "You know who the boy is."
"I am only an armorer, my lord. I know what I'm told."
"You know who the boy is," Ned repeated patiently. "That is not a question."
"The boy is my apprentice," the master said. He looked Ned in the eye, stubborn as old iron. "Who he was before he came to me, that's none of my concern."
Ned nodded. He decided that he liked Tobho Mott, master armorer. "If the day ever comes when Gendry would rather wield a sword than forge one, send him to me. He has the look of a warrior. Until then, you have my thanks, Master Mott, and my promise. Should I ever want a helm to frighten children, this will be the first place I visit."
His guard was waiting outside with the horses. "Did you find anything, my lord?" Jacks asked as Ned mounted up.
"I did," Ned told him, wondering. What had Jon Arryn wanted with a king's bastard, and why was it worth his life?
— A Game of Thrones, Eddard VI
"Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished.
"Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf's shaggy white fur. "Do you dream of Horn Hill?" Jon asked.
—A Game of Thrones, Jon IV
On a clear day you could see half the world from the top of the Wall, and the air was always cold and bracing. He could think here, and he found himself thinking of Samwell Tarly . . . and, oddly, of Tyrion Lannister. He wondered what Tyrion would have made of the fat boy. Most men would rather deny a hard truth than face it, the dwarf had told him, grinning. The world was full of cravens who pretended to be heroes; it took a queer sort of courage to admit to cowardice as Samwell Tarly had.
— A Game of Thrones, Jon IV
gendrya fic recs
a non-comprehensive list of my favorite arya/gendry fics
required reading; or: arya and gendry fall in love today, tomorrow, and probably for the rest of eternity (modern au)
hope will put the colors in the sky by monroeslittle
the most iconic gendrya modern!au. reading this is an intitation into the gendrya fandom. so true to their characters and angsty and will probably hurt you but still so good.
we can pretend that they don’t know our name by scrubclub
fulfills your wildest richgirl!arya x stableboy!gendry dreams. this fic is an absolute gift. please read it for the romance in the countryside aesthetic and the westerosi political intrigue. inspired by this timeless photoset.
the dating game by scrubclub
arya’s friends set her up on dates and have a terrible taste in men, but that’s okay because there’s good old gendry right around the corner if only both of them would open their eyes.
the waiting game by scrubclub
companion to “the dating game” by scrubclub, equally adorable, guaranteed to make you love gendry more if that was even possible.
pascal’s triangle, revisited. by pentaghastly
in which arya thinks sansa and gendry are together behind her back, and gendry continues to be a clueless idiot with hearts in his eyes. fluffy and angsty and straight out of a teen romcom, just the way i like it.
insert here - a sentiment re: our golden years by pentaghastly
the fake!dating trope is a privilege and a right.
five times in the bathroom by stutteringpeach
obviously arya and gendry can’t stay away from each other. in different bathrooms. repeatedly.
grrm wishes he wrote this (in-universe au)
all we know is falling by youcallitwinter
a beautiful take on gendry in the post-season two uncertainty.
when next to wild animals – by arbitrarily
haunting, mesmerizing, dark and twisty; a third person, almost out-of-body narration of a girl and no one.
five times arya stark shared a bed with gendry by vixleonard
it is established canon that arya and gendry slept next to each other and that is of greatest importance; end of message.
gonna make this place your home by argyledpenguin
(part 1) (part 2) (part 3) (part 4) (part 5)
a series of five different au’s that range from arya and gendry growing up on the streets of king’s landing; a gendry stark character swap; and arya as a granddaughter of the lannisters.
a dark world aches (for a splash of the sun) by argyledpenguin
(part 1) (part 2) (part 3) (part 4)
a four-part au about prince gendry, heir to the throne, and lady arya, his bethrothed, and the royalty!au we deserve because theirs is the fury (and fury burns).
another in-universe au by argyledpenguin
they are betrothed at an early age and slowly fall in love because of course they do, they always do.
they belong together, again and again and again (other au)
dream until your dreams come true by crossingwinter
softball and dreams and guess what they were soulmates. a soulmates fic where the soulmates don’t communicate and it gets angsty but it’s so obvious they love each other.
misfits au by argyledpenguin
in which arya really is death and there’s superhuman powers and time travel and arya and gendry fall in love in this one too.
the dry season by arbitrarily
a stylistic masterpiece. the starks meets the grapes of wrath. arya finding justice when it bled her dry. gendry on a ranch, leaned against his worn pickup truck.
fixing the hole that season 8 left in us (s8 canon)
left for dead by nymja
award for best use of a “still rowing” punchline. bonus points for jon losing his mind over his little sister and the random blacksmith he met in a cave.
5 ways jon snow finds out about arya and gendry by vixleonard
another jon snow knows nothing fic because arya and gendry are the opposite of subtle.
1,500 miles by nymja
arya and the hound on the road to king’s landing and the comedy writes itself.
approval by nymja
i will read any and all fic where the hound spectates his favorite idiot murder couple.
with the wild wolves around you by lady_lyannarose
post battle-fic that is so soft and tender and aches with beautiful prose: “he’ll love her anywhere she’ll let him.”
quiet birds in circled flight, soft stars that shine at night by Anonymous
arya reflects on surviving the long night and the life that comes after.
MAISIE WILLIAMS & SOPHIE TURNER as ARYA & SANSA STARK in Game of Thrones | 8x06 "The Iron Throne"
I love them so much.
I’ve never got so far with drawing.
Here is the first piece of fanart I did in 2019. And the new updated version for 2022.
I'm very excited to read why you ship arya x gendry
And the time for you to find out has finally come, anon. Haha sorry for the wait.
No, but seriously- I love Arya and Gendry and find them so easy to ship for a variety of reasons.
Warning: May give you feels
10 Reasons Why I Ship Arya and Gendry
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