>?????????????? A Vintage Moschino Coat

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noise dept.
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PR's Tumblrdome
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Love Begins
tumblr dot com
Jules of Nature
d e v o n

@theartofmadeline
$LAYYYTER
"I'm Dorothy Gale from Kansas"

Product Placement
we're not kids anymore.
Misplaced Lens Cap
Acquired Stardust

Janaina Medeiros
Three Goblin Art

Andulka

izzy's playlists!
seen from Indonesia

seen from United States
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seen from United States

seen from Malaysia
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@vanitywastebasket
>?????????????? A Vintage Moschino Coat
An antique 1870s Cashmere Shawl that’s also a map of Kashmir.
I would love to see mapmaking like this
I’m a Cyborg But That’s OK (2006) dir. Park Chan-wook
Xiaoqiao by Erika Kamano
Duckie Thot by Jack Bridgland for KING KONG Magazine , SS 21
Pharrell for Alpine Stars
Dolce & Gabbana
PJ Harvey for MTV video awards, 1995
Toni Morrison (1931—2019)
Jenny Holzer
Abuse of Power Comes as No Surprise (1983)
Offset lithograph on paper
8-½ x 8-½ x ½ inches (book)
“I find I am constantly being encouraged to pluck out some one aspect of myself and present this as the meaningful whole, eclipsing or denying the other parts of self.”
— Audre Lorde
Undersong, ‘Change of Season’ (1969) by Audre Lorde
[ID: Am I to be cursed forever with becoming / somebody else on the way to myself?]
“The “generation gap” is an important social tool for any repressive society. If the younger members of a community view the older members as contemptible or suspect or excess, they will never be able to join hands and examine the living memories of the community, nor ask the all important question, “Why?” This gives rise to a historical amnesia that keeps us working to invent the wheel every time we have to go to the store for bread.
We find ourselves having to repeat and relearn the same old lessons over and over that our mothers did because we do not pass on what we have learned, or because we are unable to listen. For instance, how many times has this all been said before? For another, who would have believed that once again our daughters are allowing their bodies to be hampered and purgatorial by girdles and high heels and hobble skirts?”
— Audre Lorde, “Age, Race, Class, and Sex,” in Sister Outsider (bolding mine)
Kenosha I and Oris, 1996 by Dawoud Bey
Amishi (1993). Dawoud Bey.