Ramón del Valle-Inclán, La laámpara maravillosa, ejercicios espiritualis, 1916

Andulka
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Alisa U Zemlji Chuda

祝日 / Permanent Vacation

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occasionally subtle
hello vonnie
Peter Solarz
$LAYYYTER

Janaina Medeiros
Cosmic Funnies

shark vs the universe
YOU ARE THE REASON

JBB: An Artblog!
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

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taylor price

titsay
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@veratrums
Ramón del Valle-Inclán, La laámpara maravillosa, ejercicios espiritualis, 1916
The Queen of Quilting. Another one done!
Mushroom Shelves // Leily Cloud on Etsy
Millie Amber
wise words
don’t forget this important gem
The Secret Path by Alexander Riek
Circle Rugs
By Gab Bois
I honestly think Elias is a deeply boring man who is also insane in ways people don't give him credit for... He isn't an overtly campy villain to me. He likes to have his fun in the form of little private jokes but I think he has the sense of humour (and of fashion) of a mildly quirky professor. The only insane part is that he doubles down on it when he has a gun to his head. And that he saw the horrors and decided to end the world about it, I guess.
Guardians - Kukeri from Bulgaria/ Evo Danchev
Motel signs created by the Johnson Brothers Sign Company
by Samantha Cavet
feather wings shawl commission! 🪶 🪶 🪶
i have been working on this project on-and-off since May. finally finished, and i’m so proud of how it turned out!
another beautiful pattern by Crafty Intentions!
🌊🌊🌊🌊
describe nyc in 3 words
new york city
Okay, I love making a nice thick book, but there's something about boxes that is just SO rewarding. Now, who here has heard of a peller pop-up box? I have to add a disclaimer that even of this post, I have made... three whole boxes, ever. But my personal take is that what's the point of diving into a craft if I'm not gunning for a target far above my skill level? The ambition gives me a thrill, I don't have to feel bad if I fail, and if I succeed, the rush is SUBLIME. And now I have a box with a mechanism (a ribbon) that pops the book out of an inner sleeve when I open it. I'm in love.
This was a learning process and a half! The only instructions I can find for this are some handwritten notes from a class in 1990, and the person who posted those notes also posted a number of critiques of the technique as described in the class. Also, the class notes (and addendums) come from an expert perspective, catering to experts. I'm an enthusiastic amateur who's still learning basic competence with leather. I was smart enough not to do a leather slipcase, but overconfident enough to cover my spine and edges in leather, haha. But even though I have a LOT of notes for what to tweak next time, I love it SO MUCH
I arbitrarily decided to work with my millimeter binding of 'and love unbolts the dark' by blackkat for this experiment, because it's small, it's one of my favorites, I had more of the leather I used for its edges, and I thought I had more of the cover fabric and it would be a good match to one of my yellow marbled papers. As you can probably tell from those photos, things didn't quite go that route!
First, I couldn't find the fabric. It might be in here somewhere, but I have FAR too much fabric, lmao. But I did find a lot of this dark green one, in the same line, and with some lovely color overlap, and a nice aesthetic match for the leather. And then I also realized that the marbled paper was a Lot in comparison to the rest of what I was pulling together. So I left it as a liner for the inner slipcase, to tie into the yellows of the original fabric. Then I dug up an embossed teal paper that matched the dominant palette of the new fabric, and went for broke. And I love this so much, truly, it was a headache trying to wrap my head around the instructions and I still have some minor complaints about the process, but I am so, so pleased right now. I would joke about how little time it will be before I do this again, but... I've already started