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I'm replaying DAO right now, and, don't get me wrong, I like it quite a lot! And thanks DAO for introducing Dragon Age and several great characters, including Leliana, I love Leliana sm, but sometimes the game has such unique writing moments. - (fem)Tabris is detained by Cauthrien. Tabris, whose origin starts with being kidnapped by human nobles and threatened with sexual violence. - She is charged with murder and treason. She is in a dungeon, and we are shown torture equipment, mutilated bodies, hear screams and crying. Tabris talks to her cellmate with a 'welp, my friends are coming for me' attitude. - Then, Leliana (potentially) comes to rescue you. Leliana, who has been falsely accused of treason, tortured and, heavily implied, sexually assaulted in prison. - She find the warden, half-naked (because the game didn't bother with prison rags model, but still) and alone. And Leli's first words are: "There you are! Come quickly, the arl is waiting for you!" said in a casual manner.
So Mi and Brooklyn
I'm replaying Cyberpunk and PL again, which means I'm back to being head over heels for So Mi. And another of the myriad details I love about the way she's written is that during Somewhat Damaged, when we see flashbacks from her teenage years, we also see that she was a frankly obnoxious child.
Like, blasting music too loud, yelling at neighbors, ignoring you when you talk to her, and having attitude and a frankly atrocious haircut disaster stoner typa kid. Very much not the "she was a kind, good girl who ain't never hurt no one".
And it just hurts even more. Cos all of that is life, loud, uncompromising. Cos the So Mi we know is almost the opposite. Agent Songbird is well-spoken, well-dressed, always trying to play the game and scheme her way out, with wires poking out of her back (probably for maintenance, -- she's a tool, after all, she gets maintenance, not care). And constantly suffocating in guilt.
She yearns for the past: it's the only place she could escape to for most of her life. She grieves her home, and a body that was hers, and a jacket with band pins and a shitty hipster cyberdeck. And even those memories are something that's being taken away from her, the last frontier.
The tragic, and weirdly beautiful thing is that So Mi will never be that old her again, she'll never go back to 'warm Brooklyn walls' -- literally and figuratively. When she wakes up at Tycho, remembering feeling like she's about to die and coming clean, unable to lie anymore, there will be no going back. After doing everything to get free, she'll have to learn to be free again. As this new her.
HIGH PRIESTESS
oh thank you for drawing it, it's gorgeous! Caer is such a great character and deserves so much love!
Hot take: the person who's done most harm to Zaun is definitely not Cait, not Jayce, but Heimerdinger with his 'oh we should just wait 20 years and see what happens without doing anything' attitude. And he's been in power for god knows how long as opposed to Caitlyn's most girlfailure junta.
Alternate ending to the Rhalâta questline:
Oh gosh yes I just couldn't with him and his misogyny... Like, he's interesting and well done, but it gets tough to tolerate at times.
I made this Edelgard animatic months and months ago but I doubt I'm ever gonna clean this bad boy up. so here you go!
pope culture
Fuck it, I’ve changed my mind about her kissing stats. Minthara having the lowest numbers of all companions is far from being a bad thing. I think it’s awesome, actually.
It shows who the real connoisseurs are. Hey, when you kiss the killer drow with the messy bun, you’re among the elite. You’ve got taste, baby, and she knows it.
If she was a worm?
Almost every time you stumble upon a well-liked morally complex woman, you’ll see someone raise THE counterpoint against her.
“And would you still like her if she were a man?”
Or something along those lines. The two game characters that really gripped me lately - Song So Mi from 2077 and Edelgard from FE3H both had this question thrown around. And I find this question mildly infuriating. Because it just so misses the point.
Sometimes, what people really mean is “what if they were not attractive”, to which I would answer absolutely yes. But that’s not how the question is usually framed. It’s framed as being about gender.
Thing is, to the question about gender I would answer “yes, still would, but probably less.” And yet not for the reasons the askers assume.
This question basically conflates gender to appearance, attractiveness or simply some outward characteristics, which is simply very wrong. Gender is complicated, multifaceted, performative and yet ingrained, and often just the fact that someone is of a certain gender already makes us unconsciously change how we approach them. In media we can see a curious example of this – in the games with player-determined protagonist gender and where the hero and heroine say mostly the same lines, there are often different interpretations, headcanons and imagery attached to them. If this character is voiced (meaning that it is a woman VA and a man VA saying mostly the same things), the gap grows even larger. Gender, by itself, brings buttloads of baggage, even if we do not notice it.
And different story beats, and behavioral patterns, and character arcs just can hit differently depending on gender. Returning to the initial two I mentioned. Do I just like unrepentant self-demonizing revolutionaries? Yes. But the fact that they are a hurt woman in a sexist world adds so much to it. Am I deeply affected by stories of escaping prolonged abuse, regaining autonomy, learning to love yourself again? Yes. But these themes shine in a new light to me when centered on a woman (and there is a reason such storylines are often focused on women). Because womanhood almost always comes packaged with struggles with bodily autonomy and objectification [I mean look at the harassment statistics or just ads].
And of course because I subconsciously rely on my own experiences when engaging with these themes. When centered on a woman, such storylines make me feel not just involved, but recognised. Seen, maybe. It's not about the looks. It's about personal connection.
I understand I’m somewhat relying on assumptions here, and this is in no way a well-researched thesis or a general rule. But I hope that maybe if there are people who felt the same way as I did, they would be happy to see that they have co-conpirators :)
Bioware is typically pretty bad at writing religious characters (especially in ME) because it comes off as cringy and weird and brought up inorganically, in a way that’s clearly supposed to just cause conflict and isn’t really thought out or meaningful
But Leliana is the exception to this in my mind because she’s objectively hilarious about how she interprets her beliefs and spends three games being like “God told me to follow you. Now that we’re dating I want you to know that god sent you to me as a little treat because I was a very good girl. God wants me to have sex with girls. Revolution is the will of god and it’s ok if I kill people for it. I know that the pope is supposed to be celibate but god wants me to have a wife so I’m not giving up sex. Yes I can still assassinate peopled gods ok with it”