
Origami Around
🪼

pixel skylines
YOU ARE THE REASON
occasionally subtle
let's talk about Bridgerton tea, my ask is open

izzy's playlists!
Monterey Bay Aquarium
The Stonewall Inn
noise dept.
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❣ Chile in a Photography ❣
macklin celebrini has autism
Today's Document

roma★
tumblr dot com
Noah Kahan
KIROKAZE
almost home
seen from Australia

seen from Türkiye
seen from United Kingdom
seen from France
seen from United States

seen from Bangladesh

seen from Bangladesh
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
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seen from United States
seen from United Kingdom
@veurona
Do you want to know the real reason why I came here tonight? Because I knew this was gonna be hard for you. And for the first time in a really long time, I wanted to be there for somebody. Yeah. All right. I messed up. I did. I’m sorry. And I’m gonna turn around, I’m gonna walk away. I’m gonna vanish. You’ll never see me again, I promise. But I want you to know that I think you deserve — I think you deserve more than what you’ve settled for. I do. I think you deserve to be taken care of for a change. I— I believe that.
JAMES MARSDEN as KEVIN DOYLE in 27 DRESSES (2008) dir. Anne Fletcher
Roe Deer/Capreolus capreolus/rådjur. Värmland, Sweden (3 July 2020).
You don’t have to belong everywhere (textile home)
Fight Club (1999) dir. David Fincher
CLARA OSWALD IN EVERY EPISODE → 9.03 "Under the Lake" ↳ "Come on. We're on a roll. Monsters. Things blowing up. Okay, can we go back to that place with the people with the long necks who've been celebrating New Year's for two centuries? I left my sunglasses there. And most of my dignity."
Stoker (2013) dir. Park Chan-wook
“I love that photograph. It’s so weird - the dog, my brother jumping into the air, and Stella in a world of her own. I could look at it for ages. It’s not set up at all; it’s all about watching and timing. I bet she didn’t even change the lens to take it, just used the same old 50mm lens she always did. That’s what I mean about instinctive. There’s a faith that it will be all right and it is. She just gets it.” - Mary McCartney
In the Same Space by C. P. Cavafy
acrylic on craft wood, partially fingerpainted. natural lighting.
A polar bear in carved bone, Inuit art, early 20th century
Artcurial
I’m gonna bury you underground.
THE BEAR — 1.02
Near Mandalay on the Irrawaddy river in Myanmar. What a contrast..
Théodore Gudin - "Effect of light in the heart of a storm at sea" (1867)