
titsay
trying on a metaphor
h

Andulka
macklin celebrini has autism
sheepfilms
Fai_Ryy
Lint Roller? I Barely Know Her
YOU ARE THE REASON

Jar Jar Binks Fan Club

gracie abrams
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❣ Chile in a Photography ❣

PR's Tumblrdome
Xuebing Du
RMH

bliss lane

Love Begins
Sweet Seals For You, Always

blake kathryn

seen from United States

seen from United States
seen from Argentina

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
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seen from Spain

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seen from Poland
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seen from United Kingdom

seen from Türkiye
@veurona
Do you want to know the real reason why I came here tonight? Because I knew this was gonna be hard for you. And for the first time in a really long time, I wanted to be there for somebody. Yeah. All right. I messed up. I did. I’m sorry. And I’m gonna turn around, I’m gonna walk away. I’m gonna vanish. You’ll never see me again, I promise. But I want you to know that I think you deserve — I think you deserve more than what you’ve settled for. I do. I think you deserve to be taken care of for a change. I— I believe that.
JAMES MARSDEN as KEVIN DOYLE in 27 DRESSES (2008) dir. Anne Fletcher
Roe Deer/Capreolus capreolus/rådjur. Värmland, Sweden (3 July 2020).
You don’t have to belong everywhere (textile home)
Fight Club (1999) dir. David Fincher
CLARA OSWALD IN EVERY EPISODE → 9.03 "Under the Lake" ↳ "Come on. We're on a roll. Monsters. Things blowing up. Okay, can we go back to that place with the people with the long necks who've been celebrating New Year's for two centuries? I left my sunglasses there. And most of my dignity."
Stoker (2013) dir. Park Chan-wook
“I love that photograph. It’s so weird - the dog, my brother jumping into the air, and Stella in a world of her own. I could look at it for ages. It’s not set up at all; it’s all about watching and timing. I bet she didn’t even change the lens to take it, just used the same old 50mm lens she always did. That’s what I mean about instinctive. There’s a faith that it will be all right and it is. She just gets it.” - Mary McCartney
In the Same Space by C. P. Cavafy
acrylic on craft wood, partially fingerpainted. natural lighting.
A polar bear in carved bone, Inuit art, early 20th century
Artcurial
I’m gonna bury you underground.
THE BEAR — 1.02
Near Mandalay on the Irrawaddy river in Myanmar. What a contrast..
Théodore Gudin - "Effect of light in the heart of a storm at sea" (1867)