Modernissta

A curious minimalist thinker. Find me on Twitter var sc_project=6977431; var sc_invisible=1; var sc_security="c6fa9a5c";

[vickysita]

D&G jackets drama vs Armani suits discipline. Choose your fighter

D&G Fall 2026 came in all black with shoulders that walked in first. Sharp cuts, secret‑coded silhouettes, and the backwards jackets everyone’s still replaying. Hourglass shapes where the back copies the front, buttons running up the spine, oversized double breasted pieces flashing lace like a wink.

Armani Fall 2026 went almost minimalist. Gray flannel, clean lines, soft movement. Strong shoulders but in a quiet way. A muted red belt, wide trousers, layered knits. Everything smooth, everything controlled.

Same masculine tailoring. Same oversized energy. One bold and Sicilian and feminine. One formal and fluid and calm. Bestie, pick your fashion code.

[vickysita]

Nicolas Di Felice at Courrèges F/W 2026 speaks my vocabulary

Courrèges F/W 2026 has me in full analysis mode because the geometric codes of the ’60s and ’70s are doing overtime. The silhouettes stretch out, collars rise, tops skim like they’re tracing the body on purpose. Coats stay structured and Paris metro‑ticket fragments slip into the dresses like you’re meant to ride the city without paying.

The palette stays strict: deep black, tweed with an attitude, cream so smooth it feels almost monastic but ’60s go‑go, Jettison. Then leather steps in with that quiet confidence. The finale in immaculate white feels like a reset button pressed with intention.

The influence of Minimalism is unmistakable, all that seriality, repetition, geometry, three‑dimensional clarity. It’s attentive to modernity while staying exquisite, refined, tasteful. Nicolas Di Felice speaks my vocabulary and I’m fully tuned in.

If you’re in the storyline, you already feel where this is drifting next.

[vickysita]

Christian Dior Haute Couture SS 2026 is so Dior next level

Christian Dior Haute Couture SS 2026 had Jonathan Anderson stepping out like “ok everyone, we’re going outside to sniff flowers and feel things.” He was digging up Galliano’s old fairy dust and tossing it around. Those cyclamen posies with the black ribbons were giving starter‑pack energy and suddenly they’re clipped to models’ ears like Dior invented botanical headphones. Galliano sitting front row after his twelve‑year exile arc was its own plot twist.

The opening hit with these big pleated bubble dresses serving early Dior meets Odundo pottery girl. Then a black Bar coat with pink tufted mules quietly channeling Raf Simons. The gowns drifted straight into peak Galliano nostalgia with that Belle Epoque slink, like he’s still whispering notes to the atelier.

Hair turned into its own subplot. The floral pieces skipped the cute‑bun vibe and went straight for “girl with giant headphones but couture.” Flowers pushed right to the front of the face. Then a third look appeared, brushed back and waterfalling down the back like a mermaid who just clocked in at Dior.

Anderson’s donating the first couture look to the V&A as part of a push to get the public closer to a craft that’s fading fast. Couture for all had me fully glitching in the best way. Artsy chaos, emotional sparkles, heart doing a whole musical number.

[vickysita]

Piccioli gloss making Balenciaga boys type in all caps. Pre‑Fall 2026

Balenciaga boys, brace yourselves. Piccioli walked in with his first menswear for the house and the vibe was comfy‑rich chaos. Loafers that look like they whisper “I brunch”, round jeans ready to trend for months, tracksuits for the hype beasts, chunky sneakers for the gym‑adjacent crowd, hoodies and logo tees for the airport‑fit disciples. Then he layered in leather, sculpted shapes, clean tailoring and that Piccioli gloss that makes fashion kids type in all caps.

Surprise collab with Manolo on mules, plus one with the NBA on jerseys, shorts, tees, bombers and tracksuits for the fashion bros who swear they watch every game.

Piccioli started talking about sports and values. Integrity, equality, stepping onto a court with nothing but performance gear. The whole thing feels zesty in a softer way, a quieter Balenciaga moment that’s already spiraling into a virality arc.

[vickysita]

Women’s confidence is the whole tea. Kaia Gerber in SS26 Givenchy

Kaia in Sarah Burton’s SS 2026 Givenchy? Bold vibe. Muse, friend, inspo everywhere. SS26 power feminized, it’s giving fluidity, it’s giving confidence that makes you stop scrolling.

Burton said she wanted power without the usual suit. She went into female iconography, into soft power, into skin revealed just enough. It’s structure but softened, tailoring peeled back, lightness slipping through.

Women’s confidence is the whole tea. People get uncomfortable when it shows, but we stand in it anyway. How do you stay bold: I stay bold, full of passion. That’s my confidence, carrying that passion, trying to enjoy the journey even when it’s tough, sometimes draining. How do you stay so confident? 

[vickysita]

Fashion as Protest

Fashion has always been a little bit rebellion. Sarah Burton flipping dresses backwards like it’s the most normal thing in the world. Tailoring so clean it makes you double‑take. Dior folding chino skirts into full‑on architectural drama, like Anderson’s Dior menswear era got remixed for the main stage. And Lacoste? They’ve ditched the country‑club vibe and pulled up in green‑orange technicolor, screaming “tennis is for everyone, not just the elites.”

And let’s not skip the glam. Dior Makeup’s Peter Philips pulled up with the ultimate “barely‑there” beat that’s actually everything. Skin looking like glass, lips soft but loud in their own way—he basically proved minimal isn’t boring. Besties, less is more, and the Dior SS2026 look is serving proof.

Teenage me was DIY runway before Depop even existed. But then I hit my minimalist phase like: “actually… we don’t need more stuff.” Give me one perfect piece I can wear 100 ways, cut with love, precision, and a little edge.

And don’t even get me started on rawness. Imperfection? That’s where the beauty sneaks in. 

[vickysita]

Courrèges Spring/Summer 2026

The 60s called, the 90s answered. Courrèges Spring/Summer 2026 came out swinging with Nicolas Di Felice basically saying “the mini never left.” Minis as dresses, minis as skirts that secretly double as shorts, minis with cutouts that feel like side‑eye. Even the biker jackets had sleeve zips so your outfit could literally catch the breeze like it’s flirting with the air. The whole show was a lucid dream, lights, sound, clothes moving like they were alive.

The pure lines, the restraint, the subtle cutouts, and that flicker of avant‑garde optimism give Courrèges the rare quality of minimalism with a pulse. It’s pared‑back futurism, sleek and alive. I’m a fan of that kind of avant‑garde restraint.

[vickysita]

I’m Calvin Klein’s Biggest Cheerleader NYFW SS2026

Calvin Klein walked in, dropped a ‘90s minimalism nuke, and left us all clutching our pearls. 

I’ve always loved the imperfection of the ever‑so‑slightly oversized suits. Beauty and anxiety co‑existing. Veronica Leoni said proportions and vibes only. One minute it’s gallery‑opening calf‑length dresses, the next it’s silky garter belts with pompoms like “yes I’m chic but also unhinged.”

Front row was basically the Met Gala but make it industrial art school: Jung Kook angel‑coded, Rosalía owning the room, Solange radiating “don’t talk to me unless you’re a genius,” Lily Collins in her Emily in Paris but she moved to SoHo era.

Minimalism is pure authenticity. No fluff, no noise, just the real, unbothered slay. Fresh. Modern. Instinctive. And yes, I will be selling my soul (and maybe my couch) for one of those suits.

[vickysita]

Givenchy’s Fall/Winter 2025 Campaign Has Kaia Gerber and Vittoria Ceretti as Subjects and Storytellers

Kaia Gerber and Vittoria Ceretti, at ease, slip through photographer Collier Schorr’s frame like they own it.  Sarah Burton’s Givenchy’s Fall/Winter 2025 Campaign honors the women who orbit her work, icons, provocateurs, and the ones who usually stay just beyond the frame. Center stage is the now‑viral “makeup dress,” a couture fever dream of georgette, satin, and velvet. Circular panels evoke antique compacts; lipstick tubes and powder cases are hand‑embroidered into a corseted core. Beauty culture, rebuilt as wearable art.

The cast spans generations and aesthetics: Eva Herzigova’s assured cool, Adut Akech’s kinetic magnetism, Liu Wen’s controlled fire, Nyaduola Gabriel’s cinematic drama, Emeline Hoareau’s unapologetic glamour. Burton’s Paris debut pulls them into one story, where muse and maker share the spotlight.

Givenchy’s Fall/Winter 2025 steps away from gloss for authenticity charged with viral energy,  proof we could all use more chapters like this.

[vickysita]

The Gucci Portrait Series Fall Winder 2025

Fashion is attitude turned art, style is where it gets personal.

Gucci’s Fall/Winter 2025 campaign, The Gucci Portrait Series is a pivot from runway spectacle to raw introspection. Picture ‘60s mod silhouettes clashing with ‘90s glam minimalism, all filtered through Gucci’s signature lens of beautiful defiance. Shot by Catherine Opie, the campaign features 42 individual souls. A reminder that style doesn’t need a megaphone to make noise.

A coat hangs like a second skin. A purse clutched like a secret. A glance, a slouch, a smirk, these micro-movements speak louder than any logo. The clothes don’t just adorn; they absorb. Each frame strips away the excess, letting every twitch of personality bleed through. It’s fashion stripped down to its most intimate rebellion.

This isn’t a performance, it’s a confession. A moodboard of emotional states: stubborn, daring, fearless, optimist, bold, idealist, quiet, calm, fun, cautious, bad b…!, cool girl, visible, rooted, pragmatist, minimalist, maximalist, complicated, pessimist, angry, very angry, homebody, feeler, healer, hopeful, soft, classical, misunderstood. No filters. Just presence.

Let fashion carve your story into the world, unfiltered. Especially if I can just wear Miu Miu ballet, satin ballerinas in pink, like a rebel pirouetting through the chaos.

Will Demna pick up this thread and stitch personal narrative deeper into fashion’s collective psyche?

[vickysita]

Phoebe Philo Collection D Preview

Forget fitting in. Phoebe Philo says it’s time to let your bizarre side strut. Her Collection D distills the alchemy of how women want to look and feel, structured enough to feel grounded, yet fluid enough to move through the day with elusive nonchalance. It’s about quiet power, intelligent design, and emotional impact.

There’s fun in letting clothes feel slightly off, askew in the easiest manner, with the driest wit. My current fashion obsession lives in the tension between crisp structure and crumpled spontaneity. It’s the contrast of hard versus soft, fantasy colliding with reality, creating a language of independence and experimentation. A go see outfit moment might be the most simple, clean, super minimalist look, yet the grandeur comes from proportion and nuance: men’s-style loose trousers with a white tee, or a dressy top paired with bashed-up jeans flecked with imperfections, a new take on evening dressing.

In pure minimalist style, Collection D reimagines the “big dress” as a massive black tee, wearable as a tunic or a standalone statement. A go see outfit moment might be an oversized T-shirt paired with outlandish bottoms like the wisp feather trousers. Nothing couture in the traditional sense, yet completely couture in attitude. There’s a coat with a peek-over collar, echoing Balenciaga’s 60s silhouettes, and a tank top with the gravity of a trapeze dress. Philo leans into fluid men’s tailoring, mottled suits, flowing trousers with fringe or cargo details, styled effortlessly with a tank, tee, or trailing shirt.

And then there’s abstract fashion that feels like emotional architecture, tailoring with substance and soul. Silhouettes are exaggerated, yet always restrained. Philo designs for women who hold space not through noise, but through presence, a quiet power, a muted rebellion. She doesn’t chase applause, she is the moment, and you’re lucky to witness it. My current modern uniform hovers between accident and intention, minimal yet expressive, complex in its simplicity. It’s fashion that never begs for attention, but trust, you’ll stare.

[vickysita]

Victoria Beckham Fall/Winter 2025-26 

Victoria Beckham’s Fall/Winter 2025-26 collection is here to speak in a sharply tailored accent, daring you to rethink what power dressing really looks like. A tension-filled blend of cool refinement and raw strength defines the line, where femininity is neither submissive nor saccharine. It’s calculated. Stylish with bite.

The interplay of masculine codes and unapologetic softness creates a magnetic push-pull: utilitarian silhouettes clash beautifully with sheer overlays and union suits are transformed into rompers with subversive charm. It’s not borrowing from the boys—it’s reimagining.

Beckham flexes her signature precision tailoring to near-sculptural extremes. Oversized jackets with exaggerated sleeves and metallic undertones stand like armor beside mini dresses that coil into surreal scrolls of fabric. Trousers stretch into the abstract, almost theatrical in their proportions, brushing past loafers like a living installation of movement and structure.

Beckham's approach to fashion is not about excess but about a piece that commands attention through its simplicity and impeccable fit. Every detail of which has been obsessively made. In our attentiveness to the demands of modernity, this kind of minimalism is exquisite, refined and, above all, tasteful. It's not loud, it doesn't need to be.

[vickysita]

Studio Oliver Gutav in Copenhagen

Studio Oliver Gustav doesn’t play by the rules of Scandinavian minimalism, its contemplation and stillness hit harder. Set inside a neoclassicist relic from 1914, formerly an art museum, the studio cuts through the noise of white spaces and invites a more introspectove realm. In Østerbro, Copenhagen, Gustav, a Danish curator, designer, and collector, has transformed the 10-room space into a brooding showcase for works by Rick Owens, Axel Vervoordt, Vincent Van Duysen, Fritz Baumann, and Faye Toogood. His personal collection of home pieces and art also haunt the space with intention.

Original arched skylights and timeworn wooden floors remain as relics of the building’s former life, now recast into a hybrid of moody monumentality and modern restraint. Grayscale dominates, not as an absence of color but as a statement of tension. The silence inside isn’t empty, it resonates. Everything here is curated to endure: stone, untreated wood, hand-blown glass, raw linen.

The past, the present, and the possibilities of Modernism. We carry our roots while drifting through cultural change, connecting, disconnecting, evolving. There's a tension in transition, a constant shuffle between where we’ve come from and where we're headed. Modernism, though fixated on the now, is itself history, a contradiction that feels urgent. Perhaps that's where its edge lies—in provocation made necessary by time.

[vickysita]

Alaïa Paris Store by SANAA’s Kazuyo Sejima and Ryue Nishizawa

Modernism introduces the white cube as a reductive experience where all but the essence is wiped clean. It strives to improve our understanding and participation in feeling art. At 15 Rue du Faubourg Saint-Honoré, SANAA’s Kazuyo Sejima and Ryue Nishizawa channel this ethos into the Alaïa Paris Store: a stripped-down sanctuary where fashion, architecture, and design are distilled into pure presence. The space reads like a manifesto in restraint—open, ambiguous, precise. A laboratory for the senses.

In the 1980s, Azzedine Alaïa sculpted the female form. His silhouettes bent fashion’s linear expectations into something curved, carnal, and precise. At the Paris store, that spirit lives on. Everything hums in ballet-pink and skin-toned hush. Plush white seating and translucent tubular rooms invite voyeurism masked as minimalism. It’s a place that doesn’t just welcome your gaze but dares you to look deeper.

Center stage: a spiral staircase, unapologetically architectural, echoing Alaïa’s obsession with structure and seduction. It’s a quiet provocation, an homage in crisp curvature.

The white space remains. Not empty but defiant. It’s a refusal to explain, a rejection of noise, a modernist temple stripped of moralizing and bursting with quiet power. And honestly? I could live in that kind of philosophy.

[vickysita]

Denim Obsessed

I have a denim obsession, and I’m not shy in declaring my love for flare, low waist, washed jeans. A fashion love affair that never fades.

Jeans aren’t just pants; they’re a whole mood. A blank canvas for self-expression. A fashion statement that never quits. From rebellious teens in the ’50s to couture runways today, denim has done it all. Flare, wide-leg, skinny, embellished—you name it.

Are skinny jeans dead? Maybe. But fashion’s leaning into looser fits. Off-duty models are living in their slouchiest, baggy jeans, while straight-leg denim is the perfect middle ground. And matching dark-wash denim-on-denim? It’s officially ready for its evening wear moment, an instant go-to look. Effortless, sleek, and always on point. 

Who said denim can’t be couture? From cowboys to catwalks, it’s been the staple. Yves Saint Laurent got it right: “I have often said that I wish I had invented blue jeans,” he stated. “They have expression, modesty, sex appeal, simplicity — all that I hope for in my clothes.”

Ordinary? Never. Denim is extraordinary. And we get to decide what’s precious. Jeans—chic as heck!

[vickysita]

Givenchy Fall 2025 

Fashion thrives on intellectual rigor, but when pattern making is directionally simple, it’s all about precision—the shape, the structure, the quiet power of restraint. This Givenchy Fall 2025 season, it’s about silhouette and cut, possibly more sensitively functional. No excess—just the pure essence of form—very, very stripped back to just the silhouette. 

Welcome to the new intellectual core of Givenchy. For Fall 2025, Sarah Burton redefined tailoring—her forte—with a fresh attitude. Oversized suits, sharply nipped at the waist. Cocoon-like shoulders, puffed up just enough. Hourglass coats and biker jackets morphing into mini-dresses, geometric babydolls, and austere gowns. Burton’s Givenchy is about feeling everything at once—powerful, vulnerable, bold. Sometimes zesty, but mostly the pinnacle of adult sophistication.  

Thoroughly modern, meticulously minimal—never overpowering, always masterfully restrained. Clean lines take center stage. Functionality at its finest.  

I have the biggest smile on my face. It is joy.  

Givenchy Fall 2025 @givenchy  @davidsimsofficial

[vickysita]

Ene House by Francesc Rifé Studio

Minimalism demands a thoughtful, pragmatic approach that responds to its surroundings. What is it? A safe harbor from visual noise—where details are concealed rather than displayed. Achieving precise minimalism isn’t just about aesthetics; it’s about perfection from the very first step.

Francesc Rifé Studio presents a masterclass in precision design and sustainability, where every detail melts into the whole. Wrapped in a muted palette —stone accents, concrete walls, resin floors, and smoked oak— Ene House by Francesc Rifé Studio in Alicante, Spain embraces its surroundings with quiet confidence. The lacquered aluminum garage volume integrates effortlessly, keeping the monolithic form efficient and uninterrupted.  

Minimalism in design invites the viewer to fill in the blanks—an open-ended narrative shaped by imagination and presence. Its so-called aloofness, its cool detachment, can stir emotions in unexpected ways—whether joy, resistance, or something in between. Cool detachment or quiet drama? You decide.