Vignettes/

Short impressionistic scenes with focus on one moment or gives a trenchant impression about a character, idea, setting, or object

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“Marilyn Monroe at Philippe Halsman’s Studio” (1959), by Philippe Halsman/Magnum.

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“Bullet Through Apple” (1964), by Harold E. Edgerton. Courtesty of the M.I.T. Museum.

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“Milk Drop Coronet” (1957), by Harold E. Edgerton. Courtesy of the M.I.T. Museum.

[spaceswithwords-deactivated2016]

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Ballet

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Y aquí un video sobre el proceso.

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Giant Snail

[booooooom]

the best video on youtube at this moment.

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¿Quieren algodón de azúcar?

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On Advertising

 People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are “The Advertisers” and they are laughing at you.

You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity.

Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head.

You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.”

~ Banksy

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Photo by Martin Reis.

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Photo by Martin Reis.

Torontoist:

The cARTography spokesman insisted that the group wasn’t vandalizing the pillars, but was rather undoing acts of “vandalism” perpetrated by Astral. “Astral is vandalizing our city,” he said.

“We’re not really trying to do any permanent damage. They’ve done a lot of permanent damage, tearing up sidewalks, cutting down bike posts, and creating a sightline hazard for pedestrians, drivers, and cyclists…. We don’t see it as vandalism. We’re just offering an alternative.”

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Photo by Martin Reis.

Media Pillars Reclaimed:

This weekend, cARTographyTO replaced ads in Astral Media “Info” Pillars with art-maps created by Toronto residents and local artists. This site-specific art offers new possibilities for these spaces, and information about the surrounding neighborhoods. This is a response to sidewalk billboards, and the erosion and privatization of public spaces.

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Photo by Martin Reis.

Sean Martindale: “They’re privatizing pubic spaces with these huge walls.”

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Un Derecho de Nacimiento (by 1derechodenacimiento)

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Touch of Evil: Mia Wasikowska. Directed by Alex Prager.

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