Uncredited, from an Informix ad in the November 1996 issue of Italian computer magazine Bit. “Whatever form your data takes, there is only one technology that can handle it”
RMH
d e v o n
noise dept.

Janaina Medeiros
Lint Roller? I Barely Know Her

titsay

shark vs the universe

pixel skylines
occasionally subtle
we're not kids anymore.

No title available

ellievsbear

No title available
DEAR READER
Stranger Things

Discoholic 🪩
h

JBB: An Artblog!
Alisa U Zemlji Chuda

Andulka
seen from United States
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@virgael
Uncredited, from an Informix ad in the November 1996 issue of Italian computer magazine Bit. “Whatever form your data takes, there is only one technology that can handle it”
Wonderful peach. Floral catalogue. Nanz & Neuner. 1898.
Me at the function acting like I didn't just slice the shit out of my thighs in the bathroom
Like yeah sure it's not what normal people do but I'm chillin brah
Karl Hofer - Frau mit Pflanzen. 1922
Chora, Patmos, Dodecanese, Greece, 2016
painting murals in an abandoned villa in tuscany, italy
Two women hitchhiking in Toronto, Canada, 1974
Richad Foster, The Foster House, Wilton, Connecticut, 1967
One boy, one girl, two hearts, their world
Ghana, Photo by Marc Riboud, 1960
Jamal Shabazz
Miss-Wahl, Frankfurt. Barbara Klemm, 1977
julie fuentes by ada navarro aguilera
Frederick Stuart Church (American,1842–1924)
Desolation, 1887
Oil on canvas laid on board
the private unphotographable spaces, spaces where one can feel free, free from the constant gaze of the Other, to be disrobed, bare, letting go of jusgements, washing away the tension. but how does one remove the constant gaze of oneself? https://www.instagram.com/p/Bxs4L1mhD4d/?igshid=1hw666zbkeekf