My tablet’s still busted, but I wanted to do somethin cute for Halloween
Click to see what these silly ghosts are up to~
in the year 2018, I can not believe
in the year 2019, i can not believe
Noah Kahan
Not today Justin

ellievsbear

roma★
DEAR READER
macklin celebrini has autism
Keni

tannertan36
Sade Olutola

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No title available

Janaina Medeiros
Today's Document
One Nice Bug Per Day

❣ Chile in a Photography ❣

Product Placement
𓃗

Love Begins
Fai_Ryy
taylor price
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@watanabeshuuya
My tablet’s still busted, but I wanted to do somethin cute for Halloween
Click to see what these silly ghosts are up to~
in the year 2018, I can not believe
in the year 2019, i can not believe
Me: Alright I’m going to be super productive tomorrow!
Me, the second my alarm goes off:
{{ the OTP’s }} ↳ nozakura, wakaseo, horikashi
‘‘I think I saw you in a movie once!!’‘
Sakura’s future husband (≧◡≦)
me as a writer: obsessed with being original, constantly worried that ill copy another artist by accident, i can’t use that phrase i saw someone use it on may 12th, 2014 and
me as a reader: happily reads 2349460283 different versions of the exact same plot
Oh my god it’s true
Truer post does not exist.
3D-printed Sovereign Armor with LED lights [x]
baby dragon pokemon
Can you write akeshu where during the end of the game when you're saving your team mates from the velvet room Akira finds akechi in a cell too
The door refuses to open. “You don’t have everyone yet,” Morgana insists, but he refuses to speak anymore on the subject. He’s always stubborn but this is the worst time for it; they may be safe here but Akira keeps thinking of after, of what lies beyond that door.
He keeps looking. He checks the cells again, running past his friends who stand uncharacteristically solemn and still outside the doors; unsurprisingly, he finds nothing, and there’s an added frustration of not knowing who he’s supposed to be looking for on top of where he’s supposed to be looking. Is Mishima in a cell somewhere? Sojiro? It’s a long shot, but maybe it’s Sae?
He’s in the main hall when he realizes the area where his “rehabilitation” occurred had more cells than just his. He spins around and heads back to the main room and checks the cell- empty, empty, and then-
Goro Akechi sits against the wall, his legs drawn to his chest. His head is bowed, fingers interlaced over his head and weaved between strands of hair. No wonder Akira had missed him the first time. For someone who made such a big entrance into his life, and had such a dramatic exit, Akechi is oddly small here.
Akechi is also oddly alive. But then, so Akira, and the others, and he knows better than anyone that dying in the Metaverse does not necessarily mean one dies in real life.
He looks up when Akira approaches, his hands slowly sliding down and folding neatly in his lap instead, his legs straightening into something of a forced casualness. He attempts a smile but this, too, is forced. He looks tired.
“Joker.” There’s a weary amusement here. “I should have known.”
“You’re alive,” Akira responds.
Akechi looks down at his hands. The smile is more present now, as sad as it is small. “Am I? I suppose there’s some truth to that.”
Akira waits, as he did with the others. Despite the urgency of the situation he knows not to push Akechi to talk, instinctively knowing he’ll express his apprehensions and doubts.
“Do you think the Phantom Thieves made a difference?” Akechi asks, and it could be taken as a taunt were it not for how tired he sounds, as though he may fade away the same way the rest of the Phantom Thieves had. “A group of high schoolers, going up against the world. And for what? Do you think society can be so easily swayed by a few confessions of wrong-doing? The system is in place for a reason, is it not?”
“Are you giving up?” Akira asks.
“I’m just trying to figure you out,” Akechi explains. “We all fit into our roles. It seems I was always meant to be used for an adult’s convenience and thrown away when I am no longer of assistance. That’s what happened to you, is it not? You were handed off to a stranger the first time you got in trouble. Your own parents abandoned you.”
Akira breathes and shoves the thought down.
“There’s no room in society for troublemakers,” Akechi continues. “Society craves compliance and order. Do you truly think you made a difference?”
“Why were you fighting?” Akira asks.
Akechi’s eyes widen at that. “I…” He laughs quietly. “That’s right. I was fighting for one person to acknowledge me. I didn’t care about the others so long as Shido recognized me as his son. And you didn’t care about the others- not directly, anyway. It’s like the story of the starfish, isn’t it? Saving one person may not make much of a difference to society at large, but saving one at a time can incite a change.” He pauses, looking down at his hands. “You’ve saved me as well, haven’t you? Indirectly and inadvertently, you opened my eyes to other possibilities. For once, I yearned for something other than revenge…”
He stands, dusting his palms on his pants. “I’d like to return the favor. Let me expose you to other possibilities as well. Let me be there for you, as you have been for me.”
There’s a flash of light. When it fades, Akechi is in his Phantom outfit. The bars around the cell glow blue and disappear, allowing Akechi to step out into the main room.
“Let me help you,” he says, “as you’ve helped me. Allow me to stand at your side.”
Akira nods, not speaking so he can prolong this moment. Just this brief period of respite. He nods again.
“We should get moving,” he says. He knows now the door is open.
Where’s my coffee date at the Leblanc?
Look. At. Them.
me: someone didn’t respond to my message, so clearly this means they hate me and it’s time to cut off all contact and never speak to them again
also me: i got this message, but i’m so overwhelmed by the prospect of answering it that i’m just. not gonna do that. hopefully they will understand
What we really need is an adaptation of the original 1740 The Beauty and the Beast
So were you aware that the The Beauty and the Beast story we all know is a heavily abridged and rewritten version of a much longer novella by Gabrielle-Suzanne Barbot de Villeneuve? And that a lot of the plot holes existing in the current versions exist because the 1756 rewrite cut out the second half of the novella, which consisted entirely of the elaborate backstory that explains all the weird shit that happened before? And that the elaborate backstory is presented in a way that’s kind of boring because the novel had only just been invented in 1740 and no one knew how they worked yet, but contains a bazillion awesome ideas that beg for a modern retelling? And that you are probably not aware that the modern world needs this story like air but the modern world absolutely needs this story like air? Allow me to explain:
The totally awesome elaborate backstory that explains Beauty and the Beast
Once upon a time there was a king, a queen, and their only son
But while the prince was still in his infancy, in a neat reversal of how these fairy tales usually go, the king tragically died, leaving his wife to act as Regent until their son reaches maturity
Unfortunately, the rulers of all the lands surrounding them go, “Hmm, the kingdom is ruled by a woman now, it must be weak, time for an invasion!”
And the Queen goes, “Well, if I let some general fight all these battles for me, he’ll totally amass enough fame and power to make a bid for the throne; if I want to protect my son’s crown, I have no choice but to take up arms and lead the troops myself!”
(Btw, I want to stress that this woman is not Eowyn or Boudica and nothing in the way her story is presented suggests that she had any interest martial exploits before or in any way came to enjoy them during these battles. This is a perfectly ordinary court lady who would much rather be embroidering altar covers for the royal chapel and playing with her child until necessity made her go, “Oh no, this sucks, I guess I have to become a Warrior Queen now” and she just happened to kick ass at it anyway.)
And the Queen totally kicked ass, but the whole “twice as good for half the credit” thing meant that no matter how many battles she won, potential enemies refused to take her and her army seriously until she had defeated them so no sooner would she fend off one invasion than another one would pop up on a different border.
So she spent the majority of her young son’s life away from the castle leading armies, but it was OK because she left him in the care of her two best friends, who just happen to be fairies! This was an awesome idea because a) fairies have magic, and therefore are like the best people to protect the prince from any threats and b) fairies consider themselves to be so above humanity that the lowest fairy outranks the highest mortal, so they’d have no interest in taking a human throne. Good thing they were both good fairies instead of one good and one evil one!
(Spoiler: they were not both good fairies.)
So the two fairies basically take turns raising the prince until he’s old enough to rule. And on the eve of his twenty-first birthday, the evil older one comes into the prince’s bedroom.
“So listen, kid. You’re about to become king, your mother’s on her way home from the war to see you crowned, and I have a third piece of good news for you! You see, I’ve actually been spending so much time here lately because Fairyland’s become a bit too hot to hold me for reasons totally not related to me being secretly evil. And if I have to hang in the human world, I might as well reside in the upper echelons of it, so even though as a powerful fairy I completely eclipse your puny human status in a staggeringly unimaginable way, since you’re about to be king and since my premonition that I should stick this whole guardianship thing out because you would be hot one day has totally proved accurate (go me), I will graciously lower myself to allowing you to marry me. Please feel free to grovel at my feet in gratitude. (Btw, we can totally start the wedding night now, we’ll tell your mother about it when she arrives tomorrow.)”
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Tsubasa Chronicle Month Day 9 & 12 - OTP & KuroFai
Stammi vicino, non te ne andare Ho paura di perderti