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Nick Waplington
Natalia Stuyk’s stock minerals for Adobe Stock Found.
Photo taken during a routine military expedition in Chukchi Peninsula, Soviet Union. It isn’t sure if the Chukchi Peninsula has more people or white bears. The climate is very severe and sometimes weather can be so fierce in winter that the temperature falls 40C degrees below zero (it is the same by Fahrenheit, -40F) so that poor white bears and their cubs start starving and freezing. The soldiers, who served on the Army District of Chukchi Peninsula, didn’t turn their backs on the poor and starving animals and started to feed them every now and then. Of course you do not have such big amounts of meat at home to feed several white bears. And soldiers decided to feed the bears up with what they had in abundance – tins, or to be more exact, condensed milk. / Source: Vintage News
Yanns Floriniotis by greek photographer Spyros Staveris
Rui Palma / Konika Blues
#3: These things, they go away, replaced by everyday.
“Untitled #1 - the project is based on vintage photographs purchased from an image bank. Most of these photos came from American archives from the 1950s and 1960s.” / Weronika Gęsicka
KangHee Kim
"The pliage developed out of nothing. It was necessary to simply put myself in the place of someone who had seen nothing... in the place of the canvas. You could fill the folded canvas without knowing where the edge was. You don't know where things stop. You could even go further, and paint with your eyes closed." / Simon Hantaï
Simon Hantaï
Architecture practice Studio Ossidiana has reinterpreted traditional Persian carpets as a series of concrete pieces installed at this year’s Dutch Design Week.
The Petrified Carpets installation was designed by Alessandra Covini and Tomas Dirrix of Studio Ossidiana.
Architecture practice Studio Ossidiana has reinterpreted traditional Persian carpets as a series of concrete pieces installed at this year's Dutch Design Week.
The Petrified Carpets installation was designed by Alessandra Covini and Tomas Dirrix of Studio Ossidiana.
"Gufram and Paul Smith are two dimensions descending from the 70s. The strength of this project lies in the fusion between two different worlds: Sir Paul Smith did not merely cover a cactus with colours, but he reimagined and transformed it by drawing inspiration from the hallucinogenic vibes of that crazy time period. The outcome is psychedelic, a creativity peyote." / Gufram's Charley Vezza on Paul Smith’s interpretation of Gufram Cactus.
Maurizio Cattelan
Undisputed king of Japanese Graphic design, Shigeo Fukuda
From an elephant stopping traffic to a fireman leaving a blaze to buy a pumpkin, a new show gathers together the astonishing work of Joel Sternfeld, who has influenced generations of photographers. Joel Sternfeld at Beetles and Huxley, “Colour photographs 1977-1988″, 27/01 - 18/02/17.