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ArtsWork Special ENIGMA
Traditions and rituals of Lanna which are highly significant and abundant in numbers and which have been widely prac
āļāļ§āļĩ āļĢāļąāļāļāļĩāļāļĢ āļĻāļīāļĨāļāļīāļāđāļŦāđāļāļāļēāļāļī
Sakranon Supap
drawing 75x49 CM. with Frame 91x65 CM.
āļĻāļąāļāļĢāļēāļāļāļāđ āļŠāļļāļ āļēāļ āđāļāđāļāļĻāļīāļĨāļāļīāļāļāļĩāđāļāļķāļāļāļđāļāļāļ§āļēāļĄāļŠāļāđāļāļāļāļāļāļāļĢāļąāļāļāļēāļ āļĻāļīāļĨāļāļ°āļāļāļāļĻāļīāļĨāļāļīāļ āđāļāļĒāļāļĩāđāļāđāļēāļāļīāļāļāļēāļĄāļāļ§āļēāļĄāļŠāļ§āļĒāļāļēāļĄāļāļāļāļ āļēāļāļ§āļēāļāļāļĩāđāļĨāļ°āđāļāļĩāļĒāļāđāļĨāļ°āļŠāļ§āļĒāļāļēāļĄ āđāļāļāļĢāļĢāļĒāļēāļāļēāļĻ āļāļĩāļ§āļīāļāļāļāļāđāļāđāļāđ āđāļāļāļāļāļāļāļĩāļŠāļēāļ āđāļāđāļāđ āļŠāļ§āļĄāđāļŠāļ·āđāļāļāđāļēāļāļĩāđāļāļąāļāļāļāđāļāļĒ āļāļđāđāđāļŦāļāđāđāļāļāļĢāļāļāļāļĢāļąāļ§ āļāļĩāđāļĄāļĩāļĨāļ§āļāļĨāļēāļĒāļŠāļ§āļĒāļāļēāļĄāđāļāđāļāđāļāļāļĨāļąāļāļĐāļāđāļāļąāđāļāļāđāļēāđāļŦāļĄ āļāđāļēāļĒ āđāļāđāļāļāļēāļĢāļāļģāđāļŠāļāļāđāļāļĒāđāļāļāļāļēāļāļĩāđ āđāļāđāļāļĢāļđāļāđāļāļāļāļĩāđāđāļāđāļāđāļāļāļĨāļąāļāļĐāļāđ āđāļāđāļāđāļāļāļāļĩāđāđāļŦāđāļāđāļāđāđāļāļĒāļāļąāđāļ§āđāļ āđāļāđāļĄāļĩāļāļ§āļēāļĄāđāļāļāđāļāđāļāđāļ āđāļāļāļāļāļąāļāļāļāļāđāļāļēāđāļāļ āđāļĄāļ·āđāļāļĄāļĩāđāļāļāļēāļŠāđāļāđāļŠāļąāļĄāļ āļēāļĐāļāđāļāļīāļāļąāļ āļāļāļ§āđāļē āļĻāļąāļāļĢāļēāļāļāļāđ āļŠāļļāļ āļēāļ āđāļāđāļ āļĻāļīāļĨāļāļīāļāļāļĩāđāļĄāļĩāļĢāļ°āđāļāļĩāļĒāļāļ§āļīāļāļąāļĒāļāļāļāļāļēāļĢāļāļģāļāļēāļāļŠāļđāļ āļāļĨāļāļēāļāđāļŠāļāļāļāļķāļāļāļļāļāļāđāļēāđāļĨāļ°āļāļēāļĢ āđāļāļĨāļ·āđāļāļāđāļŦāļ§āļĢāļēāļ§āļāļąāļāļ āļēāļāļĄāļĩāļāļĩāļ§āļīāļ āđāļāļāļēāļĢāļāļāļļāļĢāļąāļāļĐāđ āļāļģāđāļŠāļāļāđāļāđāļāļ āļēāļāļāļĩāđāļĄāļĩāļāļĩāļ§āļīāļāđāļāđāļāđāđāļ āļāđāļāļāļāļīāđāļāļāļĩāļŠāļēāļ āđāļĨāļ°āļĄāļĩāļāļ§āļēāļĄāļŠāļļāļāļāļ°āļāļāļĄāļē
Sakaranon Supap is an artist who attracts the attention of art lovers of Thai artists who follow the beauty of detailed and beautiful paintings in the atmosphere of the life of children in rural Isaan. They wear garments knitted by adults with unique beauty patterns in both silk and cotton, It is an intentional presentation that is typical and outstanding.
When I had the opportunity to interview him, I found that Sakaranon Supap was a highly disciplined artist who's work represents value and movement in conservation and is presented as living and happy images.
I CAN'T GIVE YOU ANYTHING BUT MY LOVE
 ðāļāļāļĢāļ§āļąāļâĶāļŠāļļāļĢāļīāļĒāļ° āļ§āļīāļĄāļēāļ āļāļļāļāļāļ° āļŠāļļāļĢāļīāļĒāļ§āļĢāļĄāļąāļ āļāļĩāđ2 āļāļđāđāļĄāļĩāļŠāļļāļĢāļīāļĒāļ°āļāļāļāđāļāļāļāļļāđāļĄāļāļĢāļāļ āđāļāđāļāļāļđāđāļŠāļĢāđāļēāļāļŠāļĢāļĢāļāđāļāļāļĢāļ§āļąāļ āļāļ·āļāđāļāđāļāļĒāļļāļāļĢāļļāđāļāđāļĢāļ·āļāļāļāļĩāđāļŠāļļāļāļāđāļēāļāļĻāļīāļĨāļāļ§āļąāļāļāļāļĢāļĢāļĄāđāļāļĄ.
Phra Phutta Chinnarat : At my home 9" x 14"
āđāļāļīāļĄāļāđāļāļāļĢāļ°āļāļĢāļ°āļāļēāļāļāļāļāļāļĢāļāļāļāļĢāļąāļ§ āļāđāļēāļāļ°āđāļāļ·āļāļ70 āļāļĩāļāļ°āļāļ°
Phra Phuttha Chinnarat in Silver over a hundred year 6" x 10"
Phra Phuttha Chinnarat āļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļ Phra Phuttha Chinnarat, Wat Phra Si Rattana Mahathat, Phitsanulok Province āļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļ āļ§āļąāļāļāļĢāļ°āļĻāļĢāļĩ āļĢāļąāļāļāļĄāļŦāļēāļāļēāļāļļ āļāļąāļāļŦāļ§āļąāļāļāļīāļĐāļāļļāđāļĨāļ Phra Phuttha Chinnarat is located in the main wihan of Wat Phra Si Rattana Mahathat. King Rama IV praised it as one of the three most highly respected Buddha images in Thailand along with Phra Phuttha Chinnasi and Phra Si Satsada. The Sukhothai-style Phra Phuttha Chinnarats built in the subduing Mara posture and is about 100 inches in width and 140 inches in height. āļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļāļāļĢāļ°āļāļīāļĐāļāļēāļāļāļĒāļđāđāļāļĩāđāļ§āļīāļŦāļēāļĢāļŦāļĨāļ§āļāļ§āļąāļāļāļĢāļ°āļĻāļĢāļĩ āļĢāļąāļāļāļĄāļŦāļēāļāļēāļāļļ āļāļĢāļ°āļāļēāļāļŠāļĄāđāļāđāļāļāļĢāļ°āļāļāļĄāđāļāļĨāđāļēāđāļāđāļēāļāļĒāļđāđāļŦāļąāļ§ āļĢāļąāļāļāļēāļĨāļāļĩāđ 4 āļāļĢāļąāļŠāļāļĄāđāļāļĒāļ§āđāļēāđāļāđāļāļŦāļāļķāđāļāđāļāļāļĢāļ°āļāļļāļāļāļĢāļđāļāļāļĩāđāđāļāđāļāļāļĩāđāđāļāļēāļĢāļāļŠāļąāļāļāļēāļĢāļ°āļĄāļēāļāļāļĩāđāļŠāļļāļāđāļāļāļĢāļ°āđāļāļĻāđāļāļĒāļāļ§āļāļāļđāđāđāļāļāļąāļāļāļĢāļ°āļāļļāļāļāļāļīāļāļŠāļĩāļŦāđāđāļĨāļ°āđāļĨāļ°āļāļĢāļ°āļĻāļĢāļĩāļĻāļēāļŠāļāļē āļŠāļĢāđāļēāļāđāļāļĢāļđāļāđāļāļāļŠāļĄāļąāļĒāļŠāļļāđāļāļāļąāļĒ āļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļāļāļđāļāļŠāļĢāđāļēāļāļāļķāđāļāđāļāđāļāļāļĢāļ°āļāļļāļāļāļĢāļđāļāļāļēāļāļĄāļēāļĢāļ§āļīāļāļąāļĒāļĄāļĩāļŦāļāđāļēāļāļąāļāļāļ§āđāļēāļ 100 āļāļīāđāļ§āđāļĨāļ°āļāļ§āļēāļĄāļŠāļđāļ 140 āļāļīāđāļ§ Historical records say that Phra Phuttha Chinnarat was Cast during the reign of Phra Si Thammapidok (or Phraya Lithai) at the same time as Phra Phuttha Chinnasi and Phra Si Satsada. The making of the three images was done by local craftsmen from Si Satchanalai and Hariphunchai. Two images were successfully cast apart from Phra Phuttha Chinnarat that needed to be re-cast three times until its completion in 1357 A.D. (āļšB.E. 1900) āļāļąāļāļāļķāļāļāļĢāļ°āļ§āļąāļāļīāļĻāļēāļŠāļāļĢāđāļāļģāđāļŦāđāļāļĢāļēāļāļ§āđāļēāļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļāļāļđāļāļŦāļĨāđāļāļāļķāđāļāļĄāļēāđāļāļĢāļąāļāļŠāļĄāļąāļĒāļāļāļāļāļĢāļ°āļĻāļĢāļĩāļāļĢāļĢāļĄāļāļīāļāļ (āļāļāļēāļĨāļīāđāļ) āđāļāđāļ§āļĨāļēāđāļāļĩāļĒāļ§āļāļąāļĒāļāļĢāļ°āļāļļāļāļāļāļīāļāļŠāļĩāļŦāđāđāļĨāļ°āđāļĨāļ°āļāļĢāļ°āļĻāļĢāļĩāļĻāļēāļŠāļāļē āļāļĢāļ°āļāļļāļāļāļĢāļđāļāļāļąāđāļāļŠāļēāļĄāļāļāļāđāļāļđāļāļāļģāļāļķāđāļāđāļāđāļāļĒāļāđāļēāļāļāļĩāļĄāļ·āļāļāđāļāļāļāļīāđāļāļāļēāļāđāļĄāļ·āļāļāļĻāļĢāļĩāļŠāļąāļāļāļēāļĨāļąāļĒāđāļĨāļ°āđāļĄāļ·āļāļāļŦāļĢāļīāļ āļļāļāļāļąāļĒ āļāļĢāļ°āļāļļāļāļāļĢāļđāļāļāļąāđāļāļŠāļāļāļāļāļāđāļāļđāļāļŦāļĨāđāļāļāļķāđāļāļāļāļŠāļģāđāļĢāđāļāļĒāļāđāļ§āđāļāļāļĢāļ°āļāļļāļāļāļāļīāļāļĢāļēāļāļāļĩāđāļāđāļāļāļāļģāļāļēāļĢāļŦāļĨāđāļāđāļŦāļĄāđāļāļķāļāļŠāļēāļĄāļāļĢāļąāđāļāļāļāļāļĢāļ°āļāļąāđāļāđāļĨāđāļ§āđāļŠāļĢāđāļāđāļāļāļĩāļ.āļĻ. 1900 (āļ.āļĻ. 1357) Phra Phutta Chinnarat : At my home 9" x 14"Phra Phuttha Chinnarat in Frame over a hundred year 6" x 10"
Visiting  An Artistâs life..
by Janine Yasovant
āļāļĨāļīāļāđāļāļ·āđāļāļāđāļēāļāļāļāļāļ§āļēāļĄāļāļĩāđ āđāļāđāļāļ āļēāļĐāļēāđāļāļĒ
For a long time, it was my intention and strong desire to visit Mr. Visoot Charoenporn, my painting mentor, especially when he had moved from Bangkok to Chiang Mai 20 years ago. He also has his parentâs house on the beach in Prachuapkhirikhan, a province in the South of Thailand, where he had grown up. What fascinates me is what fascinates him and his family to spend so much time living in Chiang Mai? For me, this is an intriguing story.
Mr. Visoot told me: âWeather in Chiang Mai is very good. All three seasons, Summer, Rainy Season and Winter, are appropriate. These are natural changes that spice up peopleâs lives. The mountains here are very charming, beautiful and the size of them is very suitable. The beauty of this areaâs colors and nature can be captured on canvas in many fulfilling waysâ. I agreed with his comment and when I visited him, I saw paintings of the Doi Luang Chiang Dao and Doi Inthanont mountains which are quite beautiful and obviously provide memories he treasures.
Khun Penchan Premwuthi, his wife, a Silpakorn alumna, graduated in the same year as her husband. Both of them were students of Professor Silp Perasri (Corrado Feroci), the well-known sculptor from Florence, Italy who is regarded as the âfatherâ of contemporary Arts in Thailand. Â He once said âArt is forever but life is short.â Â
Not only is Khun Visoot Charoenporn a famous sculptor of Buddha statues but he is also a preeminent painter in Thailand and recognized as such internationally.
His niece, Daranee Charoenporn, who graduated from Rajabhat Bangkok University two years ago, is also a painter.
Daranee was the driver who brought Khun Visoot to see me frequently over the past year. From this gifted family, I learned about the arts and ways of living a good life. I learned how to paint and eat macrobiotic food which is a valuable option for healthy and happy living. They also inspired me to shape and arrange my house the way an artist would.
Khun Visoot Charoenporn likes to exercise a great deal  by cycling. This is how I met him in Chiang Mai stadium at the 700th anniversary of Chiang Maiâs founding. I became his painting student after I returned from a trip to Bali. I told him that I would paint what I saw in Bali and he, with great kindness, agreed to check my work frequently with his niece for months until I stopped painting.  When I did, I had 78 oil paintings of many sizes on canvas.
Once, I was informed that Khun Visoot was quite ill but he refused to let me visit him in the hospital. However, during the first month of 2010, he went to the hospital again, but this time allowed me to meet him there. I was delighted and found that many of his friends came to visit him as well. He had changed. He was pleased to see me and told me that he built another house near his old place for resting and health recovery. He offered to allow me to go there anytime when he can be at home after his hospital stay.
The route to Mae Malai â Pai
I drove there for 70 Km on a sunny day. I had a chance to see the house of an artist who, interestingly enough, is also the president of the âland and house developmentâ including the golf course in the area called, Viang Ping Villa Golf Club which was recently sold to the land and house company.
Finally I arrived at his house after I lost my way for many kilometers and turned back to the correct route in the end. From the main road, I saw houses with many bicycles and I was sure that those were his homes.
I was greeted by an old woman who stood at the corridor. I and my son greeted her back. She was framed by many paintings of flowers on the walls. She was Khun Penchan, his wife.
My son and I walked around the other houses, one with a piano on the terrace. Then Khun Phenchan and I had conversation about the exceptional arts of Chiang Mai.
Khun Penchan loves to paint flowers whereas Khun Visoot loves to paint landscapes. Itâs amazing that paintings from this family are always sold out in the gallery. Whenever an exhibition took place, all paintings were reserved all the time.
After that, Khun Daranee led me to the working room and the gallery. I saw her paintings of many kinds of boats next to the sea on small canvases along with the large paintings of the sea from Khun Visoot as well as the lovely, gentle paintings of Khun Penchan.
I felt very happy to visit great and gentle artists in Chiang Mai province.
In the morning the temperature was 7 degrees Celsius, the sun and wind from the mountain sang of the happiness to be aliveâĶ .
Carnegie Hall,Jan 28,2023. and Paris Opera Ballet
Yuja Wang â Interview with ArteConcert at KKL
The Impossible Virtuosity of Yuja Wang.
Behind my house in downtown ChiangMai
āđāļāļĨāļāļāļĢāļ°āļĢāļēāļāļāļīāļāļāļāđ - āđāļāđāļ§āļāļēāļāļ§āļąāļāđāļ (Love Light in My Heart)
Wanneeca StudioÂ
 Nick Brent : IMTF.UK President The Academic Unless you have come through bad things and have fixed them yourself; then how can you help
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