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unusual-suspects

colorshow glassworks

#art #queue: the final frontier

possumtion

My favorite girls ❤️ ❤️ and frank

#the pitt #queue: the final frontier

evidmid

: system system

: acknowledge: identity?

: confirm: yes / no _

#murderbot #queue: the final frontier

pearlfishers

H of H Playbook, Anne Carson // Peter O’Toole going through pictures of T. E. Lawrence on the set of David Lean’s ‘Lawrence of Arabia’ (1962), from The Making of Lawrence of Arabia

#lawrence of arabia #queue: the final frontier

sarakipin

Stained glass and Stone (2019-2023)

#art #queue: the final frontier

leylenangel

Huntress Wizards Endless Cycle

#adventure time #fionna and cake #queue: the final frontier

apleye

One must imagine Finn Mertens happy

#fionna and cake #adventure time #queue: the final frontier

uwmspeccoll

A Moser New Year’s Eve

We close out 2022 with these somber wood-engraved landscapes separated by images of icebergs by noted wood engraver, book designer, and fine-press publisher Barry Moser from his 1983 Pennyroyal Press edition of Mary Shelley’s Frankenstein, or, The Modern Prometheus, printed by master printer Harold McGrath in a limited edition of 350 copies. The original edition, of course, was published in London in 1818, and Moser’s production was based on a copy of that edition from Special Collections at the Smith College Library.

With its somber winter imagery and our own penchant for wood engravings (18% of our posts for 2022 have wood engravings), we thought this was an appropriate way to ring out the old and ring in the new, as our graduate intern Olivia is currently working on a major exhibition of Barry Moser’s work to open in February 2023. Our copy of the Pennyroyal Frankenstein is another gift from our friend Jerry Buff.

We wish you all a safe and festive passage into the New Year!

View more posts on work by Barry Moser.

View posts from New Year’s Eves past.

View more posts with wood engravings!

#art #queue: the final frontier

vanessagillings

#art #queue: the final frontier

daily-art-academy

View of Saintes-Maries-de-la-Mer

Vincent van Gogh, 1888

Oil on canvas, 64,2 × 53 cm, Kröller-Müller Museum, Otterlo, The Netherlands

#art #queue: the final frontier

wuntrum

in transit (1), oil on canvas, 11"x14"

#art #queue: the final frontier

whereareyourightnow

WAKE UP DEAD MAN dir. Rian Johnson

#knives out #wake up dead man #queue: the final frontier

iamjapanese

Andy Lovell（British, b.1964）

1 Brecon Rhythms 4 monotype 841 x 594mm via 2 Early Morning Light Lindisfarne silkscreen print 600 x 420mm via 3 Rollers at Cullernose silkscreen print 850 x 440mm via 4 Bathing in Moonlight silkscreen print 600 x 420mm via more

#art #queue: the final frontier