"Better a stray dog than a police dog"

Game Changer & Make Some Noise
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

roma★
sheepfilms

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Misplaced Lens Cap
One Nice Bug Per Day
Xuebing Du

izzy's playlists!
The Bowery Presents
Noah Kahan
taylor price

Jar Jar Binks Fan Club
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
h
Interview Vampire Daily

shark vs the universe
I'd rather be in outer space 🛸

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@what-does-the-moose-say
"Better a stray dog than a police dog"
what an awesome thousand+ note post about how everyone needs to be feminist again i sure hope op isn't well known to be someone for whom "feminism" means "sexually harassing trans women"
"Captain Nemo" by Clara Scintilla
art featuring a character missing a shoe: might be horny, might just be stylistic
art featuring a character with a loose shoe: this image was drawn with foam around the artist's mouth
Nature is healing
“fujoshis are harmful to gay men” not this gay man.
on twitter this got a bunch of responses like “wow even the evil fujoshis? the homophobic yet hypocritically fetishistic ones? what if the fujoshi is racist?” and like well no obviously not in that case.
“shoutout to everybody from new jersey!” “even the new jersey serial killers…?”
A good tip to remember!
Shout out to the amazing character acting in breaking bad that makes the everything feel so fucking organic. The little sneer that Bryan Cranston does whenever Walt decides to drop the facade and start bringing the hammer down in a conversation. The way Anna Gunn visibly unfocuses when Walt starts spinning his bullshit and she's looking right at him but it's so obvious from nothing but her face she's not seeing him at all. The visible edge in Aaron Paul's eyes when Jesse is using, his little tics and constant movement and comparative lack thereof when Jesse is clean. The way Marie has a whole internal battle from start to resolution in the span of coming home to paralysed Hank looking at his rocks and being told to fuck off, and all of that from just Betsy Brandt's expressions alone with no overt text whatsoever. The way Dean Norris's face and manner go from affable, probably-homophobic uncle, to genuinely terrifying deadly angry guy you would believe capable of murder, when he's face to face with Walt in his garage being threatened. The way Jesse Plemmons just does not emote at all as Todd so you have no idea what he's thinking at any time, and this being a narratively significant feature of the character. The way Mike only ever smiles at his granddaughter and also Jesse when he saves their asses in Mexico. The differences in the expressions of Walt's affectations of dismay and his real dismay. The way Giancarlo Esposito's manner transitions seamlessly from friendly diner manager to ruthless mob boss in the same thirty seconds. The way he is still visibly uptight around Don Eladio. David Costabile's little microexpressions when Walt is chewing Gale out. The hollowness in his voice when he knows he's done. I could keep on going it's all so well done
One piece of advice that’s always stuck with me is to never hold back a compliment. If you think someone looks nice/is doing a good job/is very talented tell them! Could improve someone’s day or make you a new friend.
this image will not fucking leave my mind no matter what I do
You bring me to life just to torture me. Just let me died. Fuck
Can You Guess Who These Minions Are?
Reblog With The Names Of The Four Minions Show Here For A Chance To Win a Trip To DisneyWorld!
their names are ass mcdougal dick piece of shit large muscle cock
Just Fuck of..
generational tweet
Legalizing copyright infringement would be dismantling one of the few limitations on the white urge to steal from Black Art and Black Artists. The practical application of it would be anti-Black as fuck
this argument makes so many assumptions that I disagree with that I don't know where to start
damn asker, that's crazy and would suck. good thing we have robust IP law in the United States to prevent theft from Black artists
now to take a big sip of coffee and look up who owns Tupac Shakur's likeness
Steven Spielberg has received criticism for buying the film rights to MLK's speeches, and further controversy stems from King's estate.
In 2009, Steven Spielberg's DreamWorks company paid the estate for film rights to King's words, along with his life rights, which allow a person or company to make content based on an individual's story. DreamWorks has yet to produce or direct Spielberg's planned King biopic, but the rights have caused complications for numerous filmmakers. (Neither Spielberg's literary agent nor King's estate returned Broadly's request for comment.)
King has received only one major biopic, 2014's Selma, directed by Ava DuVernay […] Instead of using King's speeches, DuVernay wrote original monologues that sounded like soliloquies the civil rights leader could have given. […] When asked about the changes in 2014, DuVernay told the Washington Post, "We knew those rights are already gone. They're with Spielberg."