This week in Nantes: n°523 | Point de chute, by Grégory Valton ↦ FRA
More → https://gregoryvalton.org/ More → oripeau.art Submit → oripeau.art/submit Playlist → open.spotify.com/playlist/4R7PXexzD8ifWlzb7YiH76
This project is supported by trempo.com
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noise dept.
𓃗
Color Me Curious
PUT YOUR BEARD IN MY MOUTH

#extradirty

Origami Around
Not today Justin
NASA
🩵 avery cochrane 🩵

shark vs the universe
occasionally subtle

Love Begins
d e v o n

Discoholic 🪩

❣ Chile in a Photography ❣
Monterey Bay Aquarium
Lint Roller? I Barely Know Her
The Stonewall Inn
Doug Jones

seen from Malaysia

seen from Singapore

seen from Spain

seen from Algeria

seen from United States
seen from United States

seen from United States
seen from United Kingdom

seen from Iraq
seen from Argentina
seen from Brazil
seen from Venezuela
seen from United States

seen from United States

seen from Morocco

seen from United Kingdom
seen from Australia

seen from Bahrain
seen from Türkiye

seen from Armenia
@whatisgraphic-blog
This week in Nantes: n°523 | Point de chute, by Grégory Valton ↦ FRA
More → https://gregoryvalton.org/ More → oripeau.art Submit → oripeau.art/submit Playlist → open.spotify.com/playlist/4R7PXexzD8ifWlzb7YiH76
This project is supported by trempo.com
This week in Montréal: n°525 | Lon_ fol_e_, by Harry Bratt ↦ GBR
More → oripeau.art Submit → oripeau.art/submit Playlist → open.spotify.com/playlist/4R7PXexzD8ifWlzb7YiH76
This project is supported by OBNL blanc couleur and groupeimmoclass.com and Bâtiment 7
Miller’s Scherz
LAST LETTER This text is an extract of a break-up letter, in handwriting. The photographs show up as pieces of memories not specifically related to the person in the break-up situation. The scratching symbolizes the demolition of feelings over time. The barren paper represents the period when memories foggy. The wrapping of these items in plastic points to the final position.
http://gallery.98bowery.com/2018/museum-of-fine-arts-alan-sonfist-signed-exhibition-catalogue-1977/
https://twitter.com/mthvn/status/818784950027776000
Onkruid
REVIVAL Revival, as in rebirth a fresh start. There is a 1% shade difference between how the pages are printed. The unobservable passing of time is represented by these tender difference to the naked eye. The unending stream of projects is displayed by the spiral binding of the pages, like a never-ending book.
http://lauracoombs.com/
happy edge day everyone!
Emilio Villa poeta e scrittore, Edited by Claudio Parmiggiani, Mazzotta, Milano, 2008. Exhibition: Reggio Emilia, February 24 – April 6, 2008
yalegraphicdesign:Evan Chang (MFA 2019) https://ift.tt/2OCM2T0
Clayton Ciolac / CCCCCCITIZON / Stationery / Printed Matter / 2016
John Cage’s original score for his 1958 Concerto for piano and orchestra.