Anomieus
Sweet Seals For You, Always

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Sade Olutola

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Cookie Run:Kingdom Official!
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Origami Around

shark vs the universe
Lint Roller? I Barely Know Her
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Not today Justin

if i look back, i am lost

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Xuebing Du
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PUT YOUR BEARD IN MY MOUTH
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@whimsography
Anomieus
Remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I’ve taken for granted.
Sylvia Plath (via kvtes)
I knew who I was this morning, but I’ve changed a few times since then.
Lewis Carroll, Alice’s Adventures in Wonderland & Through the Looking-Glass (via larmoyante)
Glenorchy, NZ
Queenstown, NZ
"show me, show me, show me how you do that trick, the one that makes me scream,” she said "the one that makes me laugh," she said threw her arms around my neck show me how you do it and i promise you, i promise that i’ll run away with you i’ll run away with you
Wadjda | 2013 | dir. Haifaa Al-Mansour
For me, the most meaningful final image of 2013 came from a perfect little poetic film that the Oscars have already ignored — the first Saudi Arabian film directed by a woman, and as first features go, basically a miracle — Wadjda. In Saudi Arabia, where Wadjda’s mother (like all women) is prohibited to drive a car, Wadjda wants something little girls aren’t allowed to have either — a bicycle. It won’t spoil too much to say that Wadjda bravely attains that bike by the end of the film, and after racing past the boy who one day wants to marry her, she arrives at this intersection. There at the crossroads, all of adulthood streams past her, the men in their cars and she on her bike. She looks left, she looks right; she smiles. And our hearts swell with the certainty that nothing on earth will stop her.
Rakiura Track Stewart Island, NZ
A room with a view.
Arrowtown, NZ
Gibbs Farm, New Zealand
The Four Sisters Waipoua Forest, New Zealand
If it’s both terrifying and amazing then you should definitely pursue it.
Erada (via caitlacoop)