.ri†a gloom.

It'll be just like in the movies. Pretending to be somebody else.

[last-picture-show]

Edouard Boubat, Cats on a Roof in Paris, 1947

[mayflowers2002]

Francesca Woodman (1958-1981)

[surfingkaliyuga]

Art Deco statues sculpted by Luis Perlotti as part of the gate at the Municipal Cemetery in Luján, Buenos Aires, Argentina. The gate itself was designed by Viktor Sulčič and erected in 1928.

[cosechadehuellas]

Tilly Losch

Hans Böhm, 1925

[yesterdaysprint]

The Philadelphia Inquirer, Pennsylvania, October 10, 1925

[swampthingy]

[donnerpartyofone]

We've all been there

[yesterdaysprint]

The Days' Doings, London, August 3, 1872

[yesterdaysprint]

The Richmond Independent, August 24, 1942

[namedvesta]

“𝘐𝘵'𝘴 𝘵𝘰𝘰 𝘩𝘢𝘳𝘥. 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘯𝘦𝘷𝘦𝘳 𝘸𝘢𝘵𝘤𝘩 𝘰𝘶𝘳 𝘧𝘪𝘭𝘮𝘴 𝘢𝘨𝘢𝘪𝘯. 𝘛𝘩𝘢𝘵 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦 𝘪𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. 𝘛𝘰 𝘩𝘦𝘢𝘳 𝘙𝘰𝘮𝘺 𝘴𝘢𝘺 '𝘐 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶', 𝘸𝘩𝘦𝘯 𝘴𝘩𝘦 𝘪𝘴 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘩𝘦𝘳𝘦, 𝘐 𝘫𝘶𝘴𝘵 𝘤𝘢𝘯'𝘵 𝘣𝘦𝘢𝘳 𝘪𝘵. 𝘚𝘩𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘭𝘰𝘷𝘦 𝘰𝘧 𝘮𝘺 𝘭𝘪𝘧𝘦.”

Alain Delon & Romy Schneider, Paris, 1960.

[stillgotscars]

Daphne du Maurier, from Rebecca

[semioticapocalypse]

Ghislain Dussart. Brigitte Bardot sunbathing with her duckling. 1965

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[semioticapocalypse]

George Rinhart. A view of the London Tower Bridge. 1900

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[semioticapocalypse]

A still from the seance scene in the German silent film ‘Dr Mabuse, the gambler (Dr. Mabuse, der Spieler), directed by Fritz Lang. 1922.

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[woundgallery]

Rebecca Horn, Measure Box, 1970, metal

[garadinervi]

Rebecca Horn (1944-2024)

♥

(image: Martine Franck (photograph), Rebecca Horn, Paris, 2003. © Martine Franck/Magnum Photos)

[semioticapocalypse]

Vivian Wu and the calligraphe. The pillow book by Peter Greenaway. 1996

[::SemAp Twitter || SemAp::]

[semioticapocalypse]

Bernard Plossu. Oklahoma. 1980

[::SemAp Twitter || SemAp::]