The Nightmare (1894) Eugène Thivier (1845–1920)
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The Nightmare (1894) Eugène Thivier (1845–1920)
Pina Bausch - Orpheus and Eurydice - Paris Opera Ballet 2018
Last light, Mary Mattingly
So You Think You Can Abolish It Without Abolishing The Social Conditions That Give Rise To It: my new game show
2000-year-old green serpentine stone mask found at the base of the pyramid of the Sun, Teotihuacan, Mexico.
can someone remove my curse
hello is anyone there
hey so QUITTING SOMETHING THATS HORRIBLE FOR YOU DOESNT MAKE YOU A QUITTER. IT MEANS YOURE SMART ENOUGH TO KNOW WHEN SOMETHING ISNT WORTH IT ANYMORE.
Alright that’s enough from male filmmakers
Truest thing ever unfortunately
Del Monte Foods shuttered its Modesto and Hughson cannery plants in April.
One of the inspirations for cinematographer James Laxton for his work on the film Moonlight was Dutch art photographer Viviane Sassen. Her work had a huge influence on Laxton’s choice of colors for some of the film’s most iconic scenes like the swimming lesson, set in it high contrast colors and crystalline blues. The moment feels biblical as Juan holds Chiron in what looks like a pieta over the waves. As Juan releases him to float, Chiron quickly steadies himself and Juan says, “Right there, you’re in the middle of the world”. In the midst of this pivotal moment of self-discovery there’s a real awareness of the camera as the water is lapping against the lens. Laxton had to maneuver a 200-pound camera in an underwater housing for the scene. The waves distort the lens to accentuate the feeling of being present at such an intimate moment.
Moonlight (2016) dir. Barry Jenkins
Andy Goldsworthy’s Ice and Snow Ephemeral Sculpture
Footsteps (feat. Laucan) Samuel Organ
contemplative Pegasus resting J. Gordon Legg
Jan van Eyck - Lucca Madonna. Detail. 1437