small hours.
Game of Thrones Daily
let's talk about Bridgerton tea, my ask is open
Keni

Andulka
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Jules of Nature
will byers stan first human second
🪼
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DEAR READER
dirt enthusiast
cherry valley forever
Cosimo Galluzzi
Three Goblin Art

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we're not kids anymore.
One Nice Bug Per Day

❣ Chile in a Photography ❣
RMH

seen from United States
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seen from Malaysia
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seen from Brazil
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seen from Sri Lanka

seen from Germany

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@wildarrows-blog
small hours.
Philamore Lincoln and Roy Wood have had my attention for a few months.
Robert Smith non-famously once replied to the assertion "You can't go wrong with Bowie" with a glib "No, you can go wrong with Bowie," to a Boston radio DJ.
Somehow here Bowie was able to dodge questionable 80s sounds and even 80s saxophone to capture a song that didn't go wrong.
I know when to go out, I know when to stay in.
How in the world did I miss this until now??? Just someone tell me this.
I forgot I had a blog. Now that I remember this should be on it. I instantly loved the way this song sounded the second I heard it.
Enjoy Arts and Crafts time with Wild Arrows. Go on a stop-motion walk through Brooklyn. Spend some time with Mike as he brings you on a tour around the side streets and alley ways. Learn about the dangers of the big city. Everything you wanted to know about Brooklyn but were afraid to ask. Just ask.
I played with this woman a few years ago in Japan, Nikaidoh Kazumi. Her songs are beautiful. This is still one of my favorite recordings.
WHAT IS YOUR EARLIEST HUMAN MEMORY?
Dear Tumblrbot,
My earliest memory is my father carrying me through the snow to our car. He had been shoveling the car and sidewalk out of the snow. He didn't have a proper jacket on and his blazer was cold against my face.
I never get tired of this song. Plus Five has been my bed time for the last few weeks. There is another version floating around where they trot out a harp at the end, but this one gets the idea across.
You will be safe with duct tape.
Hemlock branches burst and kill off all,
hopes pace, displaced, flowers flow out pollen paste.
The words your rights are written in are in lower case, then reshaped.
Potted plants are all need,
while you are stuck their hurt with wall painted obscene,
unclean,
weeds weave up a dead tree,
the letters the alphabet ruined then heated up your disease,
then repeat, wake the ghosts.
Radio signals reach then teach the untruth.
Fortified with calcium and no proof, mis-used.
Fills the air in a frequency that just doesn't happen to be,
tightly around your neck in a noose.
Wake the Ghosts.
Sent out signals by old father Christmas' troops, let loose,
and mourners march in quiet retreat nailing fact sheets to their feet,
they are missing those who did not leave and are still alive for them to see,
we introduce ourselves eternally in a farewell toast.
We are the silent living, they are the loud ghosts.
America is just a word, but I use it.
I have seen Fugazi play at least a dozen times. I have driven to the Fort Reno shows in D.C., to Montreal and even caught one out of coincidence in Utah. My band EULCID was lucky enough to play on the last Fugazi tour in 2002. They were a band that changed my life. No really… changed my life. I am not using hyperbole.
Reclamation is the first song I remember. The guitars were lightning fast, the drums and bass were slow. I heard it. I listened to it. I was within it. Many of my friends felt the same way. There is something sacred about their music, something that makes it feel wrong to do a cover of a Fugazi song.
But that is exactly the power of the band. They blurred to larger than life and somehow shed that pretense at the same time. They are a living entity beyond the four (and sometimes five) people that made the sounds.
Lightning Fast.
At one Fort Reno show there was a particularly bad lightning storm. Since this was an outside stage it posed a pretty big risk to the band and the crowd. Several thousand people were essentially in the open. But so many people showed up to the free show, (and some from ten hours away like us) when there was a break in the storm the band tried to get in a few songs. The plastic covering came off the amps and instantly every chord and lyric was familiar to the people that were standing around me. Being able to hear the audience and band blend as one was always stunning at a Fugazi show. I’ve seen a crowd finish a song when Guy’s mic went out (Rend It). Anyway, back at the Fort Reno show, four or five songs into the set the storm began to return. The bass line to Waiting Room had just begun and the thunder matched it. At the familiar break before the vocals came in, seemingly on cue, a huge bolt of lightning spread out across the sky without pattern, like a crack in the sidewalk. This was staggering, like staggering in a way that I don’t recall ever seeing that kind of lightning in my life. It felt like Fugazi vs. Nature and it was a lopsided bout, the power from the stage dwarfed the clouds colliding.
After the show my friend Pete said that the weather fought Fugazi and Fugazi won. I am pretty sure he was correct.
A Slow Kite.
For me growing up in a post-industrial manufacturing city in America Fugazi was like a kite hovering over the skyline of crumbling brick factory buildings. It was an affirmation that some things I suspected were wrong actually were, and that there were other people like me who noticed. They were making an articulate description of the cracks all around me. Though I initially misunderstood the intent of the words to Reclamation I got some ideas right away, that I didn’t need to try and fulfill this aggressive macho idea of a person I was forming, or aspire to be a consumer, an employee. The voices of ignorance I heard around me, in media, on the radio that just didn’t seem to add up were fucking wrong at best (I remember thinking the Rush Limbaugh’s of the world were not honest from a very young age even though I couldn’t articulate why.) Maybe I would have found my way out of that Rising When People Fall mentality regardless, and Fugazi didn’t save me from it, but I know they made it a LOT easier… and to be honest, I think they might have saved me from it. To invoke Howard Zinn, you couldn’t be neutral on that moving train.
Great Cop
My Grandfather really did not like cops. He had all kinds of jokes about them. At least once when we got pulled over he refused to speak to a cop and just handed him his license. Another time he rolled down the window while displaying a greeting of his middle finger. One of my particular favorites was when he was asked a question by a regular cop traffic cop he replied, “You’re a fucking detective, you figure it out.” Though I am not sure, I doubt it had anything to do with them as individuals but what they represented to him. My Grandmother thinks it’s from just not wanting to be told what to do, ever, and the beatings he took from cops when he was young. Her exact quote I think is, “Well… he never did go peacefully.”
Similarly, I also don’t know exactly what Ian McKaye meant with these lyrics, I know he didn’t grow up a Native American kid in West Virginia like my Grandfather. I imagine there is some in-between though. There is some general revulsion most of us have to the sentiment I am reacting to in this song, the bullying by what amounts to in some cases a thug. The implication that you are supposed to be a certain way and the questions if you aren’t, the arbitrary power over the “others” that cops possess. I can’t stand someone being bullied, ever. I wanted to cover this song for a very long time. I would always think of my Grandfather. It does feel different to me though; I wasn’t perceived an “other” in America's identity like my Grandfather was, but maybe in thought. Perhaps that is where the feelings met. I was also given another huge advantage, Fugazi flew a kite over my town via distros and mix-tapes. Now when I get a lot of demeaning questions directed at me in just about any situation, I know that pig would make a great cop, and I’ll let them figure it out themselves.
Sunny Murray's drumming at the beginning of Albert Ayler's "Live In Greenwich Village" is one of the most magical things I've heard captured to record. The particular track is Holy Ghost. For now however, I am pretty fascinated by this interview. Thanks to one of my other favorite drummers Balazs Pandi for pointing this out.
http://paristransatlantic.com/magazine/interviews/murray.html
Feeling better.
Typically I do not like to quote a single line from a song or even a few lines, but I recently listened to this album a few times and I sink into these with each listen. The way he sings them and the way they vibrate over the content of the combined words when I look at them is perfect. I have never been a huge fan, but I should be.
You don't deserve to be lonely But those drugs you got won't make you feel better Pretty soon you'll find it's the only Little part of your life you're keeping together
http://www.youtube.com/watch?v=-CqS-fbiIAw&feature=related
"Wild arrows are on the attack” is a line that kept repeating in my head around 2008.
A similar line made it into a song, but for some reason I intentionally kept “Wild Arrows” out of the text. The two words sounded good alone. I created a few music pages for the name around that time on things like myspace and occasionally put up homemade songs. I never told anyone about it. The pages would get a few hits, I wondered how people accidentally typed in the name. It seemed funny. I liked the idea of totally random people finding it, maybe they had a friend named Will Arrow. Maybe they wanted wild aromas.
In March and April of this year I decided for various reasons that I needed to be able to record music at a faster pace. Wild Arrows would of course be my working title, or so I thought. It was not long after I became comfortable with this plan that I also noticed a few other bands using the name Wild in the title. Although I had never heard them at the time I did recognize some names of the people involved.
I had gone to meet up with Mary Timony some years ago when I was living in Boston. She was looking for a roommate. It was awhile ago so I don't remember the details. At the time I knew she had been in Helium although I am not sure I had actually heard them (later I bought her great solo albums. I seem to remember Mountains being my favorite.) It was a nice meeting somewhere in the Jamaica Plain part of Boston. For one reason or another I didn't move into her apartment. It was probably more expensive than I was used to, or I didn't want to live in JP when most of my friends were in Allston, who knows. But the meeting did stay with me. I felt her to be a good presence. All the sudden it is 2011 and I am getting excited to call my band Wild Arrows only I started seeing a band called Wild Flag around and a few others with Wild in the title. It kind of sent me into a tailspin. I really wanted to be happy with this band name I had chosen. I had never been totally happy with one before. Plus there is the music press who seem to revel in finding any reason to discount your work, so giving them another Wild seemed like a free pass. In thinking about this post I just found a pitchfork article where they describe one of Mary Timony's albums as putting her "...exactly as famous as she needs to be." Aside from the fact I don't even know what that means the rest of the 2002 review is just generally inane. But you catch my pattern here, I had began to really, really over think this band name on the premise of a couple of unrelated but kind of similarly combined words. The reality for me though is choosing this name was quite important. I wanted it to feel right. I wanted it to feel as though it served me. I came up with some others I thought were OK, but this name does serve me. I am keeping it. I thank the other Wild bands of the moment and I thank Mary Timony for buying me tea that day. I am going to find my copy of mountains to listen to, and I am going to start posting some Wild Arrows songs. Here is the first. It is called Cloudbursting.