
blake kathryn

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noise dept.
🪼
"I'm Dorothy Gale from Kansas"

roma★

Janaina Medeiros
taylor price

Product Placement
Cosmic Funnies
AnasAbdin
Game of Thrones Daily
Cosimo Galluzzi
KIROKAZE
dirt enthusiast
Three Goblin Art
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❣ Chile in a Photography ❣

Love Begins

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@wildsorcerer
Joscha Bender (*1991) - Pair, 2018
what i've gathered from the grishaverse fandom
happy pride month dykes i love you dykes
i've been phasing the phrase 'google it' out of my vocabulary and going back to 'look it up'. fuck you youve lost your generic trademark privileges
consuming media like
*deep breath* If the antifascist (esp. American-centered) art you make or consume refuses to acknowledge the truth that framing this time period as the "sudden rise of fascism" along with its supposed volatility (i.e. "it can't last; that's not how its built") is just a comforting construct to keep white Americans from reckoning with their literal centuries of active and passive participation in this country's fascist, genocidal violence against Indigenous and Black people, your art isn't just wrong...it's worthless. How can you imagine dismantling unjust systems without seeing the blood on your own hands? How do you comprehend the size of the fight for mutual liberation without seeing that the scale of the threat is exponentially larger than your personal experience of the danger of state violence; or is your envisioned win condition only as shallow as the return to your previous sense of safety?
Ignoring the complexities and well-established enmeshment of fascism in Western culture for the sake of simpler stories to inspire rising to this moment in history only builds fair-weather fighters ill-prepared for the rigors of revolutionary action. It also widens the rift between those newly awakened to the struggle and their neighbors that have lived it for generations (and have built and maintained systems of community support and resistance that have protected them for just as long).
If antifascist art doesn't first demand you turn the eye inward, it is only escapist fluff.
Too much responsibly
Inde Navarrette ph. by Nick Rasmussen for Schön! Magazine
Miloš Tomić's "Book of stains, holes, and patches." Posted here by an art books blogger; unfortunately the linkback there goes out to a broken website. Tomić's instagram is here.
[image ID: three photos of an art book, open to three different page spreads. the pages are made out of pieces of textile, each stained or torn or worn through in a different way. one has the neckline of a tshirt at the top. the pages are bound into stiff endboards. end image ID.]
teeniest of lil ep7 gong doodles (+1 from ep 6)
Anya Hindmarch S/S 2018 Bag
happy family
how do i put this. I think it's important to take some responsibility for the state of the world. I think it's also important not to feel guilt over it. That you are obliged to take some responsibility does not imply that you are guilty of something; it's just a matter of being an adult human being in society. The responsibility is to act to change things for the better on the basis of your actual ability & capacity. Guilt for things you did not do does not help you in that.