Wildvoz: Speak Freely

These posts are all about that moment when you realize your emotions are said perfectly, eloquently out loud. Website: http://kayleighphillips.com

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@arlojamesbarnes @ihopeyouthinkmyfavouritesong @campusstoner @corinnefjord-blog-blog @thedreamikeephaving @loveandknowledge-blog @dudenamedmike @yambajuice @alatame @cityandthesea-blog @smalltalkband-blog-blog @imealishandimawesome-blog @altjunkie-blog @bananaphan @newsofthefire-blog-blog @gnomevillage-blog @electronicalsuicide-blog @timothyashustoff-blog @lacktheluster @kurtlikesthis-blog-blog @erinroseobrien @thegirlwithkaleidoscopeeyes @carlywagner-blog @dur-den-blog @snapsnapphotos-blog-blog @blondelasagna @advertisingandotherdrugs-blog @chasemyface-blog @the-absolute-best-posts 

Ray-Ban Sunglasses reduced by 90%

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Obvs p stoked ab this and the playlist that goes widdit.

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I can’t keep this inside anymore! You know when you throw a bunch of shit into a playlist to check it all out and every so often a song will come on and you’ll go, “Oi, I really like that, who does this one?” and every time you check it’s the same fucking band? That’s Fickle Friends for me right now. I’m just obsessed. There’s no other word for it. Maybe bandsessed? Bandsumed? There’s something here.. 

Do yourself a favor, listen to me and listen to them. They just came out with this new little number called Swim, which is, of course, on the may wildvoz playlist. But you really should just add all their songs to whatever mix you’re listening to right now because THEY’RE ALL GOOD, DAMN IT. 

Sounds like: MØ, Vérité, Oh Wonder, Chelsea Lankes

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MØ’s latest, Final Song, is an upbeat, summer car ride jam if I’ve ever heard one. God love ya, MØ! On the wildvoz may playlist now!

[cleversomedayprints-blog]

Mouthful of Diamonds

Inspired by the song by Phantogram

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ayyyyy!

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(Death Cab For Yeezy)

everybody is out there listening to Life of Pablo or watching Yeezy Season 3 and I was like, “yeah, whatever Kanye.”

and then this bastard popped up.

dude is inescapable, but i’m not ashamed to admit this is my new favorite thing.

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the hand-clapping, feet-stomping, barrel-banging trio is back. Ophelia from The Lumineers is on the feb ‘list now. hey!

[dressestheband-deactivated20170]

We released a new song today called catch! Get it on iTunes! ❤️

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Not released in february. but discovered in february. so it’s on the feb list. deal with it. Listen now!

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hot damn. ANTI is out on Tidal if you’re into that kind of thing.

via The Fader.

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It’s heeeereeeee! There’s one more new music Friday left, but check out the wildvoz playlist of the best from this month so far! Can I get a hallelujah for a new year and new music!

Some highlights from this month’s list:

St. Lucia Help Me Run Away

Chairlift Crying in Public

Jack Garratt Worry

Oliver Riot Ivory Black

Wet All the Ways

Kiiara Feels

Flume Never Be Like You (feat. Kai)

Santigold Chasing Shadows

And more that I guarantee you haven’t heard (yet), but want to.

<< hear it now >> and while you’re at it, give me a follow on Spotify for more playlist updates!

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CAN’T STOP LISTENING

Crying in Public,Chairlift. On the january playlist now. 

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Wrote a little review of a recent Mr Little Jeans / Soren Bryce show at The Crocodile in Seattle for The Drainage. Here’s a taste, but you have to click through to get the supersize:

As the familiar smell of the fog machine rolled in, Soren Bryce took the stage at The Crocodile much the same way: quietly from the shadows, but with a presence that lets you know something is about to go down.

Dressed in a high-collared paisley shirt, bell-bottom overalls and chunky platforms that would make your inner ‘90s self freak, Bryce took the stage in Seattle for her first time ever solo, starting out with the melancholy (but gorgeous) “Newport” off her self-titled debut EP (2015). A slight departure from her other songs, “Newport” is grounded, yet ethereal, with a delicate husk reminiscent of A Fine Frenzy’s Alison Sudol. Read more at The Drainage.

[guacamolele]

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God. Yes. 

American Money, BØRNS. 

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*Kool-aid man voice* OH YEAHHH new playlist!

That’s right, a new playlist hit the internet shelves this week. Two, technically. Get the best of November on SoundCloud and Spotify!

So, before you get started, if you’re not listening to Wet, you’re living your life all wrong. It’s All In Vain is a perfect little pop song with crystal clear vocals, a slight R&B influence, and lyrics that could kill. 

On a different note, AQUILO’s Never Seen You Get So Low reminds me of a British and much more polished Jason Reeves (if you were into that kind of thing - late 2000s era...).It’s a beaut. 

If you need something a little more upbeat to get you through November, wayfarers are hooking you up with Colors, a song that is much more summery than any song has a right to be this close to the holidays. But we’ll let it slide because it’s adorable. 

As usual, I’ll be adding to this playlist all month so save it and keep coming back for mo’!

[wildvoz]

I promised you all I’d have more info on these wonderful humans and now I do! This is FOURS and after they graciously answered a bunch of my questions, I’ve contributed a review of their new EP and an interview over on The Drainage. Check the sneak peek below and click through for the full story!

Meet your new favorite FOURS-some (get it?!). These wonderful Brits popped up (as so many of the best new discoveries do), on my SoundCloud feed and I have not stopped listening since.

An indie pop crew from across the pond, FOURS blends bold, sultry vocals, with a dash of ‘80s guitar pop reminiscent of The Police. FOURS consists of Edith Violet (vocals), Dan Smith (guitar), Jezza Wells (bass), and Luke Jeffries (drums), all hailing from Shepherds Bush, West London.

It all started three years ago when Violet and Smith met through a mutual friend at a jam session on Kingston’s riverside. The two worked together to develop some of Violet’s solo songs into pieces better suited for a band. Soon enough Wells and Jeffries, who were flatmates at the time (as an American, flatmates never gets old), got in on the action and FOURS was born. The group worked for months to find and refine their unique blend of soulful vocals, dance-ready beats and innocently thundering guitars. When asked what they were all doing before starting FOURS, Smith jokes about past band experiences, admitting, “We’ve all played in some terrible bands, but that’s the only way to do it, right?”

Read more on The Drainage.

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My favorite shots from the Lydia show at The Crocodile in Seattle. Watching this guy was like seeing an ADHD child on meth at his birthday party: super fidgety, but unbelievably happy and excited to be there. 

Seriously, though, they were a gracious group who genuinely seemed like they were close friends that just happen to be playing for a crowd of people.

A self-described ambient indie band, their latest album, Run Wild (8|21|2015) was produced by Aaron Marsh of Copeland. If you just want a taste, I highly recommend Dark Nights and When It Gets Dark Out, but the crowd favorite (by far) was 2008′s This Is Twice Now.