i guess the coastal air gets a girl to reflect

i've had this for 10 years and here we are

[partynthem]

+

[geritsel]

George Hyde Pownall - London

[zanephillips]

Hugh Grant in Notting Hill (1999) dir. Roger Michell

[somanyhumanbeings]

Virginie Géo-Rémy, L’éventail de Grand-Mère (1887)

[leatherhearted]

CLÉO DE 5 À 7 (1962, dir. Agnès Varda)

[twirld]

Young Beauty Wearing Art Nouveau Jewels (detail, 1904) Alphonse Léon Germain-Thill

[hellogirls]

normalize being in your 20's without a drivers license. normalize being in your 60's without a drivers license. normalize never ever getting your license. death to automobiles peace and love on planet earth

[obiwan]

ARCTIC MONKEYS I AIN’T QUITE WHERE I THINK I AM

[vtasdora]

Portrait of a Young Man, detail - Bronzino (Agnolo di Cosimo di Mariano)

[deathcap]

Young women of the 21st century will read about a sick, spiteful, unattractive forty-year-old man in 19th-century Russia and say, “this is literally me”.

[sedmikrsky]

ulyana sergeenko couture spring 2019

[joliecomer]

Villaneve in 3.03: ‘Meetings Have Biscuits’

KILLING EVE (2018-)

[twixnmix]

Anna May Wong photographed by Carl Van Vechten on September 22, 1935.

[fuckyeahmrleonardcohen]

Leonard shucking corn in the yard of his Montréal home, 1974

Photo by John Rowlands

[havanasliu]

Smell me, Eve.

Villanelle in 3X03

[selfportraitsofcolor]

Zohra Opoku, b. Germany, 1976 Selfportraits: Sassa, Rhododendron, Cyperus Papyrus, Pyracantha, Wisteria, Ficus Carica Ghana (2015) Pigment print on Hahnemühle Photo Rag [Source]

The artist’s website says:

Zohra Opoku is a German/Ghanaian multidisciplinary artist living and working in Accra.

With a keen and disciplined eye for textile and design, Opoku employees installation, sculpture, and photography at the helm of her practice. She conceptualizes West African traditions, spirituality, the thread of family lineage as they relate to self authorship and the politics of her hybrid identity. A globalized social consumption and the commodification of all things African are a driving force in what she sees as the nemesis of her thesis, and the relevance of cultural credentials within this state of being.

[notchainedtotrauma]

Carrie Mae Weems, from The Kitchen Table Series