Woah Sayer

Deltarune and beatles blog

[woahsayer]

Just listened to the LOVE version of Being For the Benefit of Mr. Kite! and I think I need to lie down now

[woahsayer]

While my guitar fries rice

[woahsayer]

While my guitar cries so hard it throws up

[woahsayer]

Was anybody going to tell me THE MOON IS A BASEBALL in chapter 2 or was I just supposed to find out on my own

[woahsayer]

King should be way more ominous after chapter 1. Make him stand eerily in the corner, defiant in his hatred, instead of being a big ridiculous defeated goofball. We should see in him how Jevil got to be that way

[woahsayer]

"Depends. We'll talk." instantly downloaded to my vocabulary

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

5. Mountain Top: 9/10

Yum yum yum, delicious playful inventive soundscape. The venerable Beatle tradition of taking a genre and doing it better than anybody else has reached Optimistic Millennial Indie Folk Rock. I'm so glad somebody gave Paul drugs again.

The only thing I'd change is the word "trippin" in the chorus. Yes, we get that the song is about drugs. We don't need to be explicitly told. An underrated John contribution to the Beatles was vehemently denying that the obvious drug songs (think Lucy in the Sky) were obvious drug songs.

But the SOUND! Oh, the SOUND! Listening isn't enough, I want to take a big bite of this song.

[woahsayer]

6. Down South: 8/10

A sweet little song. The little riff at the end brings it from a 7 to an 8. Nothing groundbreaking here either, but the simplicity is part of the charm. It's a happy memory, it doesn't need any tape loops or crazy chord structures. That boy loves his acoustic guitar.

[woahsayer]

7. We Two: 8/10

I can't really describe the vibe I get from this except that it's a road trip song. Something to listen to while driving west for hours. Or maybe while slow dancing. Very sweet.

Paul sure does love his funky little endings doesn't he

[woahsayer]

8. Come Inside: 9/10

It's absolutely unbelievable that his voice could sound this good at 83 years old. Blows my mind. The song is just so FUN. Love it. Probably my favorite one so far

[woahsayer]

9. Never Know: 9/10

The grooves are TIGHT. The harmonies are-

Is that a fucking mellotron?

The sound is LUSH and FUN. The song is-

Is that a fucking recorder?

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

5. Mountain Top: 9/10

Yum yum yum, delicious playful inventive soundscape. The venerable Beatle tradition of taking a genre and doing it better than anybody else has reached Optimistic Millennial Indie Folk Rock. I'm so glad somebody gave Paul drugs again.

The only thing I'd change is the word "trippin" in the chorus. Yes, we get that the song is about drugs. We don't need to be explicitly told. An underrated John contribution to the Beatles was vehemently denying that the obvious drug songs (think Lucy in the Sky) were obvious drug songs.

But the SOUND! Oh, the SOUND! Listening isn't enough, I want to take a big bite of this song.

[woahsayer]

6. Down South: 8/10

A sweet little song. The little riff at the end brings it from a 7 to an 8. Nothing groundbreaking here either, but the simplicity is part of the charm. It's a happy memory, it doesn't need any tape loops or crazy chord structures. That boy loves his acoustic guitar.

[woahsayer]

7. We Two: 8/10

I can't really describe the vibe I get from this except that it's a road trip song. Something to listen to while driving west for hours. Or maybe while slow dancing. Very sweet.

Paul sure does love his funky little endings doesn't he

[woahsayer]

8. Come Inside: 9/10

It's absolutely unbelievable that his voice could sound this good at 83 years old. Blows my mind. The song is just so FUN. Love it. Probably my favorite one so far

[woahsayer]

Which Beatles biopic should I make my wife see with me? I'm gonna see all four but I don't wanna make her sit through all of them

Paul

John

George

Ringo

Voting ended onMay 30

[woahsayer]

WHAT DO YOU MEAN JOHN IS ON DAYS WE LEFT BEHIND, PAUL

HOW

HE'S DEAD

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

5. Mountain Top: 9/10

Yum yum yum, delicious playful inventive soundscape. The venerable Beatle tradition of taking a genre and doing it better than anybody else has reached Optimistic Millennial Indie Folk Rock. I'm so glad somebody gave Paul drugs again.

The only thing I'd change is the word "trippin" in the chorus. Yes, we get that the song is about drugs. We don't need to be explicitly told. An underrated John contribution to the Beatles was vehemently denying that the obvious drug songs (think Lucy in the Sky) were obvious drug songs.

But the SOUND! Oh, the SOUND! Listening isn't enough, I want to take a big bite of this song.

[woahsayer]

6. Down South: 8/10

A sweet little song. The little riff at the end brings it from a 7 to an 8. Nothing groundbreaking here either, but the simplicity is part of the charm. It's a happy memory, it doesn't need any tape loops or crazy chord structures. That boy loves his acoustic guitar.

[woahsayer]

7. We Two: 8/10

I can't really describe the vibe I get from this except that it's a road trip song. Something to listen to while driving west for hours. Or maybe while slow dancing. Very sweet.

Paul sure does love his funky little endings doesn't he

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

5. Mountain Top: 9/10

Yum yum yum, delicious playful inventive soundscape. The venerable Beatle tradition of taking a genre and doing it better than anybody else has reached Optimistic Millennial Indie Folk Rock. I'm so glad somebody gave Paul drugs again.

The only thing I'd change is the word "trippin" in the chorus. Yes, we get that the song is about drugs. We don't need to be explicitly told. An underrated John contribution to the Beatles was vehemently denying that the obvious drug songs (think Lucy in the Sky) were obvious drug songs.

But the SOUND! Oh, the SOUND! Listening isn't enough, I want to take a big bite of this song.

[woahsayer]

6. Down South: 8/10

A sweet little song. The little riff at the end brings it from a 7 to an 8. Nothing groundbreaking here either, but the simplicity is part of the charm. It's a happy memory, it doesn't need any tape loops or crazy chord structures. That boy loves his acoustic guitar.

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

5. Mountain Top: 9/10

Yum yum yum, delicious playful inventive soundscape. The venerable Beatle tradition of taking a genre and doing it better than anybody else has reached Optimistic Millennial Indie Folk Rock. I'm so glad somebody gave Paul drugs again.

The only thing I'd change is the word "trippin" in the chorus. Yes, we get that the song is about drugs. We don't need to be explicitly told. An underrated John contribution to the Beatles was vehemently denying that the obvious drug songs (think Lucy in the Sky) were obvious drug songs.

But the SOUND! Oh, the SOUND! Listening isn't enough, I want to take a big bite of this song.

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

4. Ripples in a Pond: 9/10

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

3. Days We Left Behind: 8/10

It's beautiful and bittersweet. Love it. My only two hangups are the mixing and the singing. It's not the best-mixed song I've ever heard, and let's be honest, Paul's voice has aged, especially when it comes to soft singing like this. But it is a beautiful song, and it hits home for anyone who's ever lost some friends along the way.

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 8/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.

[woahsayer]

2. Lost Horizon: 7/10

It's cool, it's fun, but nothing life-changing. (Maybe it's not fair to compare this album to the Beatles at the height of their creative output where literally every song was life-changing.) It's catchy. I like how it leans towards a country- or folk-ish sound. Could very easily imagine this playing on radios or in pubs across the world.

[woahsayer]

Boys of Dungeon Lane Review Thread

[woahsayer]

As You Lie There: 9/10

HOLY FUCK HE'S STILL GOT IT

I like how the first minute or so is almost a fake-out. I haven't listened to any of Paul's stuff past 1970 so I had no idea what to expect. When the song started with just acoustic guitar and Paul kind of talk-singing in his grandpa voice that has admittedly gotten weaker with age, I was afraid the whole album would just be that. Then he started fucking SCREECHING (complimentary).

Great music. Great guitar. The choruses feel huge. Lyrics aren't exactly groundbreaking but they get the message across. If I had to change anything I'd bring down the reverb on his voice during the first minute.