Hey everyone I'm Anita. I know in this economy everyone is struggling with mon⌠Anita Yount needs your support for Down payment and closing
Thanks to this AMAZING economy we have, I need help with buying a house.
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@writeandvent
Hey everyone I'm Anita. I know in this economy everyone is struggling with mon⌠Anita Yount needs your support for Down payment and closing
Thanks to this AMAZING economy we have, I need help with buying a house.
me: *writes fic*
me: great! time to post to ao3-
ao3 summary box: *exists*
me:Â
ao3 summary box:
me:
ao3 summary box:Â
me:
Ooh, this is actually kinda a neat thing, because you can think of it as a checklist:
Who: Main character(s)
Why: Character goal or desire (stated)
Why: Character need (implied)
When: Inciting Incident
What: Means (that achieves the goal/need)
Where: Place A >> Place B
How: The Plan
Obstacle(s): antagonist or challenge
For example:
Who: Bilbo Baggins, a respectable hobbit of Hobbiton
Why: Treasure, wealth (stated)
Why: Adventure, self-respect (implied)
When: After supper
What: Quest
Where: Hobbiton >> The Lonely Mountain
How: A company of dwarves, a wizard, and an ancient map and key
Main antagonist(s): a dragon
Thus, in less than 100 words:
Bilbo Baggins is a respectable hobbit in Hobbiton, never making any trouble or having any adventures. But when a wizard and a company of dwarves invite themselves to dinner, Bilbo finds himself joining their quest from the shires of Hobbiton to the legendary Lonely Mountain, the home of a long lost treasure, and quite, possibly, a dragon. Â
~~~~
The Anatomy of Story by John Truby is a really good book by the by, if anyoneâs interested in this sort of thing.
This is super helpful!â
My Personal HeroesđĽ
How to Finish
I drew this poster for Jon Acuff and his FINISH book tour. Big thanks to Jon for this collaboration, his book has some great ideas about how to complete creative and life goals.
Love this, but reblogging it specifically for âGet rid of secret rules.â Thatâs one of the most amazing illustrationsâand pointsâIâve ever seen.
[Image ID:
Facebook post by Tips from your Mail Carrier
Post reads: âIâve been at USPS for about 25 years now. Iâve never seen anything like this year. I usually have 50 to 120 packages a day. I start at 7 and finish between 3:30 and 5 depending on amount of mail and boxholders. So, I still start at 7 but getting done between 5:30 and 7. I fill my truck with packages. I had 249 today. OTHER EMPLOYEES delivered about 50 more. I have almost 600 mailboxes that I deliver to. So half the people got a package. This is unprecedented. We are doing our best. Carriers are working their day off. Some carriers working Sunday too. Weâre tired. Try to be understanding and kind. Leave your porch light on if youâre expecting a package and itâs dark. Keep the dog in the house until weâre gone. Open the garage door. Donât block mailboxes with trashcans or vehicles. Help us help you! Its dangerous delivering in the dark. Hopefully weâll all get through this safety. â Emojis for the american flag, a mailbox, and various winter/cold things
End Image ID ]
My dad is a mailman and this is 100% what heâs going through! Please be kind to your delivery people. They are working super hard to get your packages to you in a timely manner!
What if humans are the only species with teeth?
Human: Struggling with wrapping on ration pack.
Alien: Do you require assistance human Andy?
Andy: (With a mouth full of plastic) Na Iâve got it.
Riiiiippppp
See?
Alien: Loses her shit.
*****
Alien looking at a caramel apple: Soooo you eat this?
Human: Yes we love them!
Alien: But theyâre so hard. How do you consume them?
Human: Well yeah sometimes people do break teeth on them.
Alien: Iâm sorry you can break your mouth bones on them but you eat them anyway!!??!
Human (Already biting into it): Mhuh.
*****
Evil alien: We have you now human!
Human: OH HELL NO YOU UGLY LITTLE SHITS YOU AINT GOT ME YOU THINK HUMANS ARE EASY TO KILL YOUâVE GOT ANOTHER THING COMING YOUâŚ
Evil alien captain: Shut it up will you!
Evil alien: Yes sir OWWWW!
Evil alien captain: What just happened?!!? WHY IS THE HUMAN ESCAPING!!!?!!??
Evil alien: Humans have mouth bones.
Evil alien captain: ARE YOU KIDDING ME WHY DO HUMANS HAVE MOUTH BONES??!!!!???
human: yeah we had to invent cooking because our teeth are kinda small and useless. look *bares teeth*
alien, already disturbed by these peculiar soft endoshelled creatures: cool. cool. so uh just out of interest what do big, useful teeth look like?
-later-
alien, to her friends: AND THEN THEY SHOWED ME A THING CALLED A PET DOG AND I DID NOT LIKE IT
Re-blogging to save for my âEarth is Space Australiaâ Novelette
Thatâs not even getting into the issue that being bitten by a human is worse than being bitten by nearly any animal.
Alien: Commander, the human bit me!
Commander: Are humans venomous?
Human: No.
Commander: Oh, good.
Human: Human mouths donât really need venom.Â
Alien: The skin of my hand is expanding and excreting pain!
Hey I absolutely love your blog! It's awesome & very helpful! Can you give some tips for enemies to lovers plot, it's research & story development? If you could I would really really love & appreciate that. Thank you so much for providing such amazing contents! âŁď¸đđđđĽâ¨
Thank you so much! Your love is appreciated.Â
Enemies-to-lovers resources...
I have a few articles you may find useful, organized by area of struggle:
Enemies to Lovers
Guide To Writing Enemies To Lovers
Enemies-To-Lovers Prompts
How to develop an Enemies-To-Lovers story
Enemies to Lovers Tips
20 Mistakes to Avoid in Enemies to Lovers
Romance Genre
20 Mistakes To Avoid in YA/Romance
Resources For Writing YA Fiction/Romance
Resources For Romance Writers
Tips On Writing Skinny Love
Skinny Love Writing Prompts
On Romantic Subplots
How To Write The Perfect Kiss
Romantic Prompts
Research
Useful Writing Resources | Part II
Guide to Story Researching
How To Make A Scene More Heartfelt
How To Perfect The Tone
A Guide To Tension & Suspense
Tips on Balancing Development
Development
Resources For Plot Development
Guide To Plot Development
How To Write A Good Plot Twist
How To Foreshadow
How To Engage The Reader
â
Masterlist | WIP Blog
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.
Imagine you're at a symphony and a harpist screams fuck this and just starts eating their harp
How to enjoy writing more
Iâve seen, shared, and created plenty of posts about how to make your writing better, but Iâve decided, fuck that. It is 2020 and everything feels like crap and hereâs a guide for how to enjoy your own writing more.
(Obviously! Like everything! Not all of these will work for everyone! These are just reminders for people who feel they could be a little sillier in their writing!)
1. Write at your own pace! It seems simple but deadlines that you canât reach wonât help you. (And donât force yourself to do Nano when itâs not your style.)
2. Write fanfic! All types of fanfic! Shitty OCs, OOC interpretations of characters, self inserts, etc etc etc. Write it without the intention of posting anywhere.
3. Write fanfic⌠of your own stories. Canon is a construct but that soulmates AU is real if only you write it.
4. Mercilessly switch between WIPs! Abandon them whenever you get bored! Write only the most interesting scenes!
5. Write without a plot! You donât need to have conflict to have fun.
6. Fuck plot continuity. Write the scenes that make you happy. If they donât line up? Who gives a shit.
7. If you read something you wrote and itâs not finished, donât feel guilty. Just. Donât. Your stories donât deserve finishing; they provided you happiness as you wrote them, and thatâs whatâs important. (Itâs the process, not the product.)
8. If you write something thatâs sad, make it cathartic instead of depressing. Angst is great and all, but donât stack sad scene upon sad scene for the sake of sadness.
9. Fuck genre. Itâs okay if you arenât sure whether your story is sci-fi or fantasy, itâs okay if you include random paranormal aspects in your historical romance, itâs GREAT if you blur the line between realistic and speculative. Donât trap yourself in history which has been built upon marketability.
10. Write like no oneâs ever gonna read it. It will help you in the long run. It doesnât matter if it slows your âobjectiveâ improvement, it will help you feel less dependent on validation from others and make you write becauseâand only becauseâyou want to write.
Now that the movie theater in my hometown is closing forever, I can finally tell you all about the absolutely batshit job I had my freshman year of college.Â
I am 19 years old and apply to work at the local movie theater, which is owned/founded by a wannabe business tycoon baby boomer who was like a cross between Donald Trump, Danny DeVito, and Jay Gastby (the Gatsby parallel will make sense in a minute, I promise. But itâs very important to me that you know that this man looked like a Danny DeVito clone with Trumpâs toupee.)Â
They are paying me minimum wage, which back then was about $6.50 an hour, to sweep popcorn off of the carpet with a tiny broom and occasionally hand out mints at the door at the end of movies. Our uniforms were unisex and consisted of a dark green tuxedo jacket and shirt with black bow-ties. There was also a stupid little hat but nobody actually wore them. This isnât very important, except the uniform actually went with the interior ~design~ of the theater, which I think was supposed to look âfancyâ but actually looked like the person who designs Cheesecake Factories dropped acid and got set loose in a Home Depot with an unlimited budget and no directions.Â
I do my job, sweeping popcorn off of the rugs, wandering the hallways, and occasionally handing out mints. We get free popcorn on break (with no butter) which at 19 I thought was the most amazing thing I ever experienced. Because I was poor, my diet probably consisted of about 80% movie theater popcorn by volume. We could also stand in the back of the theater and watch like 5 minutes of a movie if there was no popcorn left to sweep up with our little brooms.Â
For some reason Donald DeVito-Gatsby took a liking to me. Not in a creepy wayâhe just thought I was the shit for some reason. He called me âTammyâ once, which is not even close to my real nameâdoesnât even have any of the actual letters of my name in it, which I think he eventually figured out was wrong, but still didnât care enough to find out my actual name, so he just started calling me âsportâ every time he saw me (which was almost daily).Â
Heâd saunter up on his tiny legs while I was sweeping popcorn and say something like, âDoing great today, sport! Keep it up!â and clap me on my little epaulet-clad shoulder and leave. I could never figure out why I appeared to be his favorite popcorn-sweeper. It was baffling.Â
I have no idea what he actually did to run the theater except wander the halls, occasionally yell at the managers for letting the concession stand use too much butter, and talk about how much his tailored suits cost. Probably nothing.
He would also occasionally hire dance troops to perform Vegas-style routines at the front of the theater before big premiers. This was 1) very weird, and 2) somehow perfectly in-character with everything about this manâs personality and aesthetic.Â
He once had his high school reunion there, and made a mixtape of songs from the 1960s to play on a loop during the big event. They were all terrible songs, and the CD just played on a loop for years and years and years afterward because he liked it and no one could be bothered to turn it off, I guess. I think it was probably still playing on loop when the theater shut down. It is because of this that I now have a classically-trained rage response to the song âAquariusâ by the 5th Dimension.Â
Anyway, sometime while I was working there, he decided that what the theater really needed to keep up with the times was to knock out the end of one of the hallways and build an enormous IMAX theater with like 500 seats and itâs own dedicated concession stand that served more expensive food. We didnât have anything like that in our town, so it was kind of a big deal.Â
The wall gets knocked out, and the concrete gets poured, and there is a crew working to put in all of the wiring needed for the giant speakers, etc. Donald DeVito-Gatsby is very distressed about this because he was super racist and literally scared of Mexicans, who made up most of the construction crew on-site.
Donald DeVito-Gatsby decides that I am the perfect person to âkeep an eye on themâ and âmake sure theyâre not planning anythingâ because somehow he thinks I speak Spanish. I do not speak Spanish. I attempted to correct him. He doesnât believe me.Â
So he sets me up in the unfinished theater with my own little pink hardhat, and now my job is to sit there on an unattached memory foam IMAX seat all day and âwatch themâ. For what? I donât know. I donât think he knew, either.Â
The helmet is pink because, I donât know, maybe he thought a girl would be offended by a normal hardhat? Iâm not sure. Anyway, the best part of this was that he got some shiny stickers and put âIN CHARGEâ on the hardhat when he sent me off into the construction zone. I was not, in fact, in charge of anything. I donât know why he did this.
The foreman spoke English, but most of his crew didnât, and we eventually figured out that Mr. DeVito-Gatsby had probably heard me speak Sicilian on the phone with my family and thought it was Spanish, but I still understood almost none of what was being said between the crew at the site. Over the course of about three months we developed this kind of pidgin language when he wasnât there to translate. After figuring out that I had nothing to eat but popcorn during my shift, one of the guys started bringing me lunch, which was probably the nicest thing anyone had ever done for me at 19.
I have no idea what Mr. DeVito-Gatsby thought these guys were going to do. He made some noise about how they were probably going to âsteal somethingâ, which would have been impossible because most of the audio equipment weighed hundreds of pounds. It apparently never occurred to him that the person most likely to steal anything would probably be the person who made the least moneyâwhich was me, making $6.50 an hour.Â
I didnât actually steal anything, though. Occasionally Iâd make off with an extra cup of popcorn on my break, and one time one of the concessions people felt bad for us and brought us the hotdogs they were going to throw out. Mr. DeVito-Gatsby yelled at them for it.
I literally did nothing for months. I justâŚsat there and took naps and played Pokemon on my Gameboy. There was literally no point in me being there at all, and I was probably in the way sometimes, but I was being paid $6.50 an hour with the ownerâs approval to sit there and literally do nothing at all because he was racist.Â
Eventually, DeVito-Gatsby started adding stickers to my hardhat for some reason. He didnât tell me whyâI would just show up and thereâd be more stickers. I would later find out that apparently he went into the equipment room and would just add a sticker whenever he felt I had done an âespecially good jobâ, and I have no idea what that even means considering I was doing literally nothing. One day I came in and he had added âSPORT!!!â to the font in sharpie, so now my hardhat said âSPORT!!! IN CHARGEâ with a bunch of random stickers. I was not, in fact, in charge of anything at all, and I donât know what the exclamation points were for.
Months went by and the IMAX was basically finished, but neither Donald DeVito-Gatsby nor any of the managers ever showed up to reassign me, and I wasnât going to ask about it because I Really Liked this gig where I was basically being paid to sit there and sleep and play video games all day.Â
One morning, I came in and the crew was finally packed up and gone, the theater was finished, and I hadâŚnothing to do. At all. It was just⌠empty. When I went to find a manager to ask if I needed to go do something else, he waved me off and told me that my job was now to âbabysitâ the IMAX theater until they started selling tickets for the first show. Ownerâs orders. OK, I said, and went to sit in the now finished IMAX theater by myself.
This went on for several weeks before my desire to see other humans finally outweighed my desire to be paid to do nothing. I asked again to be reassigned again, but nope, that was my job now. When the theater wasnât going to be showing movies, my job was going to be to justâŚsit in the theater. For no reason, and justâŚI donât know, stare at the blank screen.Â
I hung up my pink hardhat, put away my little green tuxedo jacket and went home, and never went back. No one ever called me about missing a shift. Iâm not sure anyone even noticed I had left.Â
Just in case anyone thought I was even remotely fucking around when I described what the interior of this neon-lit hellscape looked like, hereâs a picture of the main lobby back in its heyday.Â
I KNEW YOU WERE TALKING ABOUT THE WARREN
Holy shit dude
This sounds like... really important? What the FUCK Disney??
They are just straight up not paying loyalties! "Disneyâs argument is that they have purchased the rights but not the obligations of the contract."
This is seriously dangerous to creators
Read the letter from Alan Dean Foster:
Dear Mickey,
We have a lot in common, you and I. We share a birthday: November 18. My dadâs nickname was Mickey. Thereâs more.
When you purchased Lucasfilm you acquired the rights to some books I wrote. STAR WARS, the novelization of the very first film. SPLINTER OF THE MINDâS EYE, the first sequel novel. You owe me royalties on these books. You stopped paying them.
When you purchased 20th Century Fox, you eventually acquired the rights to other books I had written. The novelizations of ALIEN, ALIENS, and ALIEN 3. Youâve never paid royalties on any of these, or even issued royalty statements for them.
All these books are all still very much in print. They still earn money. For you. When one company buys another, they acquire its liabilities as well as its assets. Youâre certainly reaping the benefits of the assets. Iâd very much like my miniscule (though itâs not small to me) share.
You want me to sign an NDA (Non-disclosure agreement) before even talking. Iâve signed a lot of NDAs in my 50-year career. Never once did anyone ever ask me to sign one prior to negotiations. For the obvious reason that once you sign, you can no longer talk about the matter at hand. Every one of my representatives in this matter, with many, many decades of experience in such business, echo my bewilderment.
You continue to ignore requests from my agents. You continue to ignore queries from SFWA, the Science Fiction and Fantasy Writers of America. You continue to ignore my legal representatives. I know this is what gargantuan corporations often do. Ignore requests and inquiries hoping the petitioner will simply go away. Or possibly die. But Iâm still here, and I am still entitled to what you owe me. Including not to be ignored, just because Iâm only one lone writer. How many other writers and artists out there are you similarly ignoring?
My wife has serious medical issues and in 2016 I was diagnosed with an advanced form of cancer. We could use the money. Not charity: just what Iâm owed. Iâve always loved Disney. The films, the parks, growing up with the Disneyland TV show. I donât think Unca Walt would approve of how you are currently treating me. Maybe someone in the right position just hasnât received the word, though after all these months of ignored requests and queries, thatâs hard to countenance. Or as a guy named Bob Iger saidâŚ.
âThe way you do anything is the way you do everything.â
Iâm not feeling it.
Alan Dean Foster
SIGNAL.
BOOST.
Because you know if Disney gets away with not paying creators, everyone else will want to see if they can get away with it.
First of all, yes to all of this.
But something I think should be highlighted is the difference between the Disney franchise model, and a lot of previous franchise models, and why the Disney model sucks.
If you, say, write an original novel, and it gets published in a traditional publishing house, they will give you a check up front and also pay you royalties, that is, a percentage of the profits the book makes. (If youâre asking âwhy donât you get ALL the profit, if youâre the sole author?â the answer is that the editors, typesetters, printers, cover artist, advertisers, and bookstores need to get paid, too; they arenât producing and selling your book out of the goodness of their heart.) If the book is a flop, youâll get nothing but the up-front check; if itâs a smash hit that sells a lot really quickly and then gets forgotten about, youâll get a lot of money in the first year and not much thereafter; if it becomes a classic or perennial favorite you will have a small but steady stream of revenue trickling in for years.
When Disney hires someone to create something for a franchise they own, they do not pay royalties. They never have, to the best of my knowledge. The contract is a strict one off, work-for-hire. You create something to their specifications, they give you a check, and off you go. If the thing you created is the greatest of its kind ever, you donât get royalties. Disney can profit for the next century, but you donât get anything. This is legal, because when you signed the contract you agreed to it--you got all your money up front, not tied to the success or failure of your creation. If your creation is a failure, this is a really good deal, because youâll make more money. If your creation does medium-well, itâs a toss-up, because you might have made more money with royalties, but you might not; and the accounting and business angle is simpler if you get a lump sum vs. dribs and drabs trickling in for the next couple of years. But if your work is a great success ... then not getting royalties for it means the contract was a really terrible deal for you and a great deal for Disney.
But the thing is, Disney has spent the last several years buying up franchises from other people and corporations. And some of those franchises did pay royalties, at least for some authors. See, especially back in the 70s through the 90s, if you wanted a big-name author to write a novelization or tie-in (and thus have a better chance of that book selling well), offering royalties was how you did it. Because sure, there were a lot of mid-list or bottom-list or newbie authors who would write work-for-hire (i.e. payment up front but no royalties) just because they needed the cash. For a newbie or bottom-list or mid-list author, they might actually make more money doing work-for-hire for a major franchise than they would writing their own original stuff. You churn out a novel to their specifications, you take your check, pay your bills, and then go back to writing the stuff you actually want to write. Which is why so many novelizations and tie-ins are mediocre at best. But a major author (who might do a better job, and who would attract readers who otherwise donât bother with tie-ins and novelizations) wouldnât take a contract like that because theyâd make more money on their own stuff where they would get royalties.
Alan Dean Foster was one of the leading SF/F authors of the late 20th Century. And he had a positive talent for writing tie-ins and novelizations and making them really good. Which is why he got good contracts with royalties to write those books instead of them being work-for-hire, and also why many of those books are still in print and still selling steadily, today, literally 40 years later, decades after most of the other tie-ins and novelizations of that era are out of print.
So even after snaffling up all these other franchises, there probably arenât too many authors who wrote books that Disney now owns the rights to who are due royalties. And most of the books Disney now owns where the authors are due royalties ... it probably doesnât matter much because the books are old enough that they havenât sold many copies in the last decade or so, so itâs a moot point.
I bet that what happened was that Disney doesnât have anyone on staff who actually handles figuring out who is owed royalties and how much, because ... theyâve never had to deal with royalties because they do everything work-for-hire. So then Alan Dean Foster, one of the few people who a) wrote novels that Disney now owns the rights to, b) is entitled to royalties on them, and c) those novels actually sell enough on a regular basis to generate royalties, starts asking why heâs not getting his quarterly check. And Disney is like, who does this dude think he is, why should we pay him for books that he wrote forty years ago, heâs already been paid, we own the books now fair and square.
Except thatâs not what the contract says. And now theyâre trying to wiggle out of it.
I hope they get laughed out of court and have to pay not only the royalties but any legal bills Foster may have.
BEYOND obsessed with this house in fort worth, texas i mean
okay pretty normal, letâs look at the interior photosâ
WHAT THE FUCK
here we see the first example of a pattern that will recur throughout the house, which is that once your eyes adjust to the bonkers dictator chic marble-and-gilded-everything, you notice some pretty egregiously shoddy workmanship. look at how that baseboard intersects with the outlet. look at how the marble⌠uh, thing on the wall (i was gonna call it a fireplace but itâs not a fireplace, i have no idea what that is) has gaps and weird angles wherever two pieces meet. itâs like theyâre trying to recreate versailles on an ikea budget
i⌠donât hate the kitchen. i mean, obviously itâs ugly and #toomuch and there was zero effort made to match the very modern appliances and sink to the cabinets, but still, iâm a sucker for a pass-through and a big sink with a window above it.
this ceiling Fucks but the wrinkly, uneven curtains and terrible caulking around the faux-column in the middle anti-Fuck
why did we suddenly completely switch aesthetics. why is there an old TV set into the wall at floor level. why is there a tiny set of doors next to it. why does the fireplace look like an asset ripped from the original dark souls. i feel a sinister presence sucking at my soul the longer i look at this photo
i feel like whoever designed this monstrosity started with the dining room and then once theyâd finished it realized theyâd blown half their budget on just this one room. itâs so overdecorated that the gaudiness feels intentional, like itâs a statement rather than a side effect of genuine tastelessness. i can applaud that.
here we have the antithesis of the dining room. i donât know what this room is supposed to be but i hate it. iâm pretty sure everything in this photo literally came from ikea. there is a lack of commitment here and it is rancid
ladies, gentlemen, distinguished colleagues, we have now hit the cornerstone of any great tacky real estate listing: the heart-shaped bathtub! this one gets bonus points for being next to a gilded mirror and surrounded by bright red damask wallpaper. as a bathtub iâd give it a 1/10 because those angles look incredibly uncomfortable, but as a place to shoot my lover through the heart while wearing a gauzy fur-trimmed bathrobe before fleeing with our ill-gotten fortune iâd give it a solid 11/10
here we are with the lack of commitment again. this literally looks like the kitchen in my college dorm but with a weird fringey lamp and some curtains that are absolutely too long for their windows
again, the mix of styles here is just killing me. half damask wallpaper and carved wall panels, half normal-ass bathroom? really? isnât there anything truly unhinged left in this house? anything truly opulent, decadent, off the chain, extravagant, gaudyâ
THATâS WHAT IâM TALKING ABOUT BAY BEE!!! THATâS MORE THE FUCK LIKE IT!!! COMMIT! TO! THE! BIT! GO BIG OR GO HOME! IF YOUâRE GONNA STICK A CEILING DOME IN THE FOYER OF YOUR SUBURBAN TEXAS HOUSE IT HAD BETTER BE TWELVE FEET IN DIAMETER AND PAINTED WITH DOZENS OF FLOWERS OR ELSE WHAT THE FUCK ARE WE EVEN DOING HERE??
and finally, to close out the show, a reminder that this entire acid trip of a real estate listing took place in an ordinary, modern single-story house in texas, one with a backyard and utility boxes on the exterior walls and neighbors who may be blissfully unaware that they live mere feet from a yawning pit of madness.
i love tacky real estate listings.
Limits of the Human Body
Body Heat = 107.6 F
Cold Water = 40 F
Hot Air = 300 F
High Altitude = 15,000 ft
Starvation = 45 days
Diving Depth = 282 ft
Lack of Oxygen = 11 minutes
Blood Loss = 40%
Dehydration = 7 days
Writers finding this post:
Thank you
Europeans about half of this post:
Body Heat = 42 C
Cold Water = 4 C
Hot Air = 148 C
High Altitude = 4572m
Starvation = 45 days
Diving Depth = 390m
Lack Of Oxygen = 11 minutes
Blood Loss = 40%
Dehydration = 7 days
Europeans seeing this version of this post:
writers
write that sentence, that dialogue, that scene that terrifies you
donât delete shit, just move it to another document
have a âbits and piecesâ document for all the odds and ends you canât fit anywhere else
think of the color of a personâs eyes, imagine something reflected in them, now write that scene
fiction doesnât have to be 100% accurate, donât research yourself to boredom
iâm being serious thereâs a thing called suspension of disbelief and itâs magical (yes thatâs me making a joke)
write something that makes you cry
write something that makes you laugh
write something you canât explain to other people
write something you wonât remember until you read it the next day
donât read about the publishing industry until you really, really need to. all it will do is make you unbelievably tired
listen to music from open world RPG video games, youâre welcome
always take a small journal or some paper and a pen with you
write by hand in a journal every once in a while
put the ending of your story in the beginning and see what happens
listen to input from other people. yes youâre the writer, but theyâre the reader and they want to help you make something spectacular
said is not dead dude like wtf
the thesaurus is shiny and lovely and a great resource but donât let words get in the way of your story telling, you donât need to write prose as poetry for it to be beautiful
just finish the draft first, worry about perfection after
yes, you do have talent
yes, you can do this. you already are